| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
Biobots |
2005 |
Borter, Dionys
|
HyperWerk
|
|
|
“People are happy here“ - Die LaiLai Dance Hall, Gay circle und Postkolonialität |
2011 |
Romano, Angelo
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Zwischen - Beziehung zwischen Körper und Kleid Nähe und Distanz zum Körper |
2014 |
Andes, Katharina et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Zwischen - Beziehung zwischen Körper und Kleid - Nähe und Distanz zum Körper |
2014 |
Andes, Katharina et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
marsie & You |
2016 |
[künstlerinnenkollektiv marsie] et al.
|
Revolving Histories
Erstes Geplauder
|
|
|
Ohrensausen |
2014 |
Ruoff, Andreas
|
HyperWerk
|
|
|
[ valeé-en-valise ] – Entwurf eines Tals [ Wie lässt sich ein Tal in einen Koffer im Handgepäckformat übersetzen? ] |
2011 |
Stricker, Simone
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Collaborations of Designers and Artisans |
2017-06-11 |
Falk, Anka
|
CulturalSpace&Design - Research
|
|
|
Call Workshop 3 |
2020-02-23 |
Team peripher_ies
|
Peripher_ies
|
|
|
Call Workshop 2 |
2020-02-23 |
Team peripher_ies
|
Peripher_ies
|
|
|
Programm PPP 2009 |
2009-06-14 |
PPP-ProgrPerformancePlattform
|
|
|
BANG BANG: How can this performance [really] defeat capitalism ? |
2022 |
Roshier, Derren et al.
|
Revolving Histories
BANG BANG - translokale Performance Geschichte:n
|
|
Teaching to Transgress Toolbox |
Weinmayr, Eva et al.
|
e-Publications
|
|
|
|
Die Puppe spielen |
2018 |
Petitpierre, Vincent
|
Diplom HGK
|
|
|
Lecture on a relevant (but unknown) performance artist |
2020 |
Natsch, Yolanda Esthersther Esther et al.
|
Revolving Histories
Online Pudel Rudel
|
|
Palm Reading of Tumaroh |
2019, 2020, 2021 |
Langschied, Till et al.
|
Revolving Histories
|
|
|
GENCIVES |
2018 |
Gigandet, Jérémy
|
Diplom HGK
|
|
|
Pattern Diary |
2022 |
Deutschmann, Annika
|
Diplom HGK
|
|
|
ROSA |
2017 |
Fankhauser, Susanne
|
Summe2017
|
|
|
Hot Hot Hot |
2017-04-29 |
Welburn, Astrid
|
ACT Performance Festival
|
|
|
Hot Hot Hot |
2017-04-29 |
Welburn, Astrid
|
ACT Performance Festival
|
|
Musica Teusch auf die Instrument der grossen vnnd kleinen Geygen [...], Nürnberg 1532, Titelblatt (1530) |
1530 |
Gerle, Hans
|
Frühe Streichinstrumente um 1500
|
|
|
Programm PPP 2013 |
2013-06-23 |
PPP-ProgrPerformancePlattform
|
|
|
|
Found Footage |
2019 |
Poffet, Laurent
|
Diplom HGK
|
|
|
There’s an alligator in my kitchen |
2021 |
Mereu, Paolo
|
Diplom HGK
|
|
|
Auf den Spuren der Rolies |
2016 |
Keller, Valerie
|
Summe2017
|
|
ACT BASEL |
2017 |
ACT Basel et al.
|
Revolving Histories
ACT Basel
|
|
|
ACT BASEL |
2019 |
ACT Basel et al.
|
Revolving Histories
ACT Basel
|
|
|
ACT BASEL |
2021 |
ACT Basel et al.
|
Revolving Histories
ACT Basel
|
|
Visiting Monika |
2019 |
Lascano, Maja et al.
|
Revolving Histories
|
|
|
CADArt |
2008 |
Buehlmann, Boris
|
HyperWerk
|
|
|
«If plants could speak» |
2019 |
Eigenheer, Elena Natascha Sarah
|
Diplom HGK
|
|
|
HAPTIK in VIRTUAL REALITY |
2016 |
Hellweg, Daniel et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Programm / Abstracts / Bios |
2018 |
PANCH, AG Performative Archive
|
Archive des Ephemeren
|
|
|
Stimmstoff |
2013 |
Selber, Valentin
|
HyperWerk
|
|
|
Re-engaging with Design History through the Practical Turn |
2021 |
Eggink, Wouter et al.
|
Memory Full
|