| titel | year | author | event |
|---|---|---|---|
Soft radiation |
2021 | ||
Iris / Christopher / Atlanta |
2018 | ||
A Becoming A Master of Ugly/Sexy. The Draedalix Experience |
2018 | ||
Not yet titled; Das Herz |
2019 | ||
Lick, swipe, scroll, scratch, wash, caress |
2022 | ||
La Montaña que come Hombres |
2022 | ||
Hobby Lobby |
2022 | ||
For The Hobby Heart |
2019 | ||
Haus Hardstrasse 43 |
2018 | ||
In Excess of Playtime, audio, special effects, software made by the artists, 18’; Untitled |
2021 | ||
The Last Picture 1950 – 2016 (2019) |
2019 | ||
Zakynthos; Ritom; Otranto; St. Saphorin; Oberwil |
2019 | ||
Study from Böcklin |
2019 | ||
Tunnel; Spiral 1–5 |
2022 | ||
MIAMI; Spinne |
2019 | ||
fire ages |
2021 | ||
4 Läufer + Untitled |
2021 | ||
What does it take to win your love for me? |
2021 | ||
de-structure |
2018 | ||
Hilanderas (James S. Brady Briefing Room, White House, USA February 25, 2020) |
2020 | ||
BECOMING LYSANN |
2021 | ||
Hug Me Barefoot |
2022 | ||
360 |
2022 | ||
MAMA HAT DICH LIEB von Carla Monti, 2002 |
2018 | ||
SELF PORTRAIT |
2018 | ||
A Dialogue between a Wooden Moth and Blue Slippers |
2022 | ||
nine smaller paintings |
2019 | ||
Portraits 1–14 |
2020 | ||
growing anyway |
2020 | ||
SOMA |
2020 | ||
Deep down the oceans are rising hydrothermal vents |
2020 | ||
Stage for disappearance |
2020 | ||
Agate Grey |
2019 | ||
Love, Transform, Repeat |
2021 | ||
Santo Amaro’s bedroom view (after a painting by José Escada) |
2021 | ||
fermentedself |
2021 |