| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Basso Continuo on the Harp for “Alma che ti sollievi” (Orazio Michi) |
2021 |
OpenAccessPublikationen
|
|
|
|
List of Ina Lohr’s Published Compositions (incomplete) |
2016 |
Smith, Anne
|
Ina Lohr
|
|
|
‘An Irish Industrial Tribute to the Blessed Virgin Mary’; Catholic Industrial Habitus in Sunbeam-Wolsey, Cork, Ireland, 1940-1960 |
2021 |
Spalding, Tom
|
Memory Full
|
|
|
Ina Lohr - Dutch Christmas recording |
Lohr, Ina
|
OpenAccessPublikationen
|
|
|
Ausschreibung Zürich |
2013-07-07 |
ACT Performance Festival
|
|
|
|
Stories for industrial design: A close reading of a corded portable electric drill |
2021 |
Pandolfo, Berto
|
Memory Full
|
|
|
Design Debates, Reader Voices, and the Histories within Design Blogs |
2021 |
Barness, Jessica
|
Memory Full
|
|
Silvestro Ganassi’s “viola d’arco tastada”: Report on a research project on its contextualization and reconstruction |
2013 |
Kirnbauer, Martin
|
Frühe Streichinstrumente um 1500
|
|
|
Basso Continuo on the Harp for “Sola fra’ suoi più cari” (Orazio Michi) |
2021 |
OpenAccessPublikationen
|
|
|
|
Ganassi – Arbeitstagebuch |
2014 |
Schürch, Stephan
|
OpenAccessPublikationen
|
|
|
Bau einer Gambe nach Ganassi |
2014 |
Mark, Günter
|
OpenAccessPublikationen
|
|
|
ADVA (accessible digital visual agency) EN |
2025 |
Yorke, Quentin
|
HyperWerk
|
|
|
Points of Inversion: Upending Structural Narratives in Design History |
2021 |
Zabolotney, Bonne
|
Memory Full
|
|
|
The Iconography of the Viola da gamba in Ganassi's Context |
2013 |
Papiro, Martina
|
OpenAccessPublikationen
|
|
|
Ganassi und die Gambe Anmerkungen zu Konstruktionselementen erhaltener Instrumente |
2013 |
Menzel, Kathrin
|
OpenAccessPublikationen
|
|
|
Zur Ikonographie der Viola da gamba im Umfeld Ganassis |
2013 |
Papiro, Martina
|
OpenAccessPublikationen
|
|
It's all about Love |
2009 |
De Pinto, Pier Giorgio et al.
|
Revolving Histories
|
|
|
Vulva Art: An Embodied Palimpsest. How does Vulva Art graffiti represent, subvert and impact women embodiment through its use as an embodied palimpsest? |
2021 |
Lucas, Frances
|
Diplom HGK
|
|
|
ENTSCHMÜCKT: ÜBER DAS WIESO UND WOMIT DES SCHMÜCKENS |
2022 |
Frehsner, Samira Kasha
|
HyperWerk
|
|
|
ENTSCHMÜCKT: ÜBER DAS WIESO UND WOMIT DES SCHMÜCKENS |
2022 |
Frehsner, Samira Kasha
|
HyperWerk
|
|
|
darkmatter |
2013 |
Nolla, Alejandro et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
A missing narrative of Ghana’s graphic design history |
2021 |
Okyere, Mark et al.
|
Memory Full
|
|
|
Die Basso continuo-Orgel im Kleinen Saal der Musik-Akademie Basel / Hochschule für Musik FHNW (2020) |
2022 |
Drescher, Thomas
|
OpenAccessPublikationen
|
|
|
Nachweisorientierte Rekonstruktion einer Viola da gamba nach Silvestro Ganassi |
2013 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
Barcode Scenario |
From 2016 onwards |
Fieni, Matteo; Fieni, Matteo
|
Revolving Histories
|
|
|
Notes from Amaranth Land |
2023 |
Mensch, Julia
|
Plant_Intelligence
|
|
|
Exchange Oasis Austauschoase |
2023 |
Rasiah, Merusan
|
HyperWerk
|
|
|
So Rund Und Zwei Rutschi Uf Em Dach |
Alessio, Marco
|
HyperWerk
|
|
|
|
Authentisch |
2018 |
Riggenbach, Fanny
|
HyperWerk
|
|
|
mobilis |
2014 |
Bänziger, Benjamin
|
HyperWerk
|
|
|
Perspiraterie |
2014 |
Schäfer, Felicia
|
HyperWerk
|
|
|
International Politics on Screens - A Critical Inquiry into Representations of Current Affairs Content in Moving Image Media |
2015 |
Giannone, Carola et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Understanding the Italian Trumpeters’ Method The Trumpet Ensemble Contribution to Schütz’s Psalm Settings |
2021 |
Downey, Peter
|
OpenAccessPublikationen
|
|
Detrás de la Noche [Behind the Night] |
2025 |
Castelblanco, Felipe
|
Plant_Intelligence
|
|
|
Sichtbar, Unsichtbar |
2015-04-11 |
Steinegger, Simone et al.
|
ACT Performance Festival
|
|
|
«... in the audience watching Nijinsky hump that scarf». Rick Owens und Faun |
2015-04-10 |
Wiesel, Jörg
|
ACT Performance Festival
|