| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
a&a_87_2 sichere treffer pro serie |
2013-09-27 |
Burkhalter, Annina Nora et al.
|
ACT Performance Festival
|
|
ROHSTOFF-Eine Verarbeitung |
2014 |
Andereggen, Ariane et al.
|
Revolving Histories
It's the real thing Basler Dokumentartage 2015
|
|
John Cage – A House Full of Music |
2012-06-17 |
Kraut, Peter
|
DigitalBrainstorming
|
|
|
manchmalbinichweiss und manchmalbinichschwarz |
2015 |
Simon, Regina et al.
|
Revolving Histories
Kulturnacht CH-Liestal
|
|
|
Was ist zwischen A und B? |
2021 |
Spörri, Julia
|
Diplom HGK
|
|
|
How to Dissolve. a Collective Experiment |
2019 |
Stucky, Anouk Sunna
|
Diplom HGK
|
|
|
Unmasking the Unseen. A Visual Atlas |
2017 |
El Hayawan, Mayar
|
Diplom HGK
|
|
|
Moving Forward. A story about diversity |
2021 |
Imobersteg, Adelia
|
Diplom HGK
|
|
|
A multilayer multiverse in harmonizing contradiction |
Roth, Evelyne; Nick, Laura
|
Next Generation
|
|
|
|
Holding Hands with a Horror Story |
Heidecker, Lisa-Maria
|
Erinnerungsraum
|
|
|
|
Once upon a time … or: Something I remember. Investigating the connections between a written text and its visual form |
2022 |
Parisi, Noemi
|
Diplom HGK
|
|
|
HIGHLY SENSITIVE PERSON (HSP)A KIND OF DIARY. |
2022 |
Garnier, Sophie
|
Diplom HGK
|
|
|
Pre-empting loss through ‘fashion memory’: a ‘postconservation’ perspective |
2021 |
Tonkin, Leanne
|
Memory Full
|
|
|
LET‘S GO FOR A WALK — UNDERSTANDING MY DOG |
2022 |
Ruedin, Anne-Louise
|
Diplom HGK
|
|
|
Fashion changes. A new approach to horse riding |
2019 |
Nemeth, Kerstin
|
Diplom HGK
|
|
|
Wie eine Frau has a cow...a lovestory, eine Spielart mit dem Text von Gertrude Stein |
1989 |
Grau, Pascale et al.
|
Performance Chronik Basel
|
|
|
Telling the foreign - a designer's travel kit |
2017 |
Halter, Regine et al.
|
CulturalSpace&Design - Research
|
|
|
The red thread is a map of canalisation |
Musa, Arbesa et al.
|
Next Generation
|
|
|
|
Mapping of a Mind. Untersuchung eines künstlerischen Handlungskonzepts |
2018 |
Ipek, Melis
|
Diplom HGK
|
|
|
On Visualizing Urban Gardens. A study on how visuals can get people to garden in cities, through a digital tool. |
2020 |
Vuistiner, Daria
|
Diplom HGK
|
|
|
We Have Learned Nothing In A Thousand Years / Seven Paintings Saved Out Of A Burning House |
2019 |
Hirt, Marc
|
Diplom HGK
|
|
|
A Visual Designer Reflects on Flagship Species. How a More-Than-Human Approach Can Help Reframing Our Relationship With Nature |
2022 |
David, Erica
|
Diplom HGK
|
|
|
Borders*: a visual study of the border as a social, geographic, and economic entity in the era of mass migration. |
2020 |
Savin, Annalisa
|
Diplom HGK
|
|
|
Attitudes Toward Guns – A Transdisciplinary Work of Design |
2020 |
Antonietti, Laura
|
Diplom HGK
|
|
|
DESIGN EXPLORATION BY PARAMETRIC TOOLS. a new creative process |
2017 |
Sabrina, Fathi
|
Diplom HGK
|
|
|
Growing Stones. a design approach to synthetic biology |
2018 |
Briod, Manon Aline
|
Diplom HGK
|
|
|
Suddenly, there's a blank in my mind |
1992 |
Walser, Käthe et al.
|
Videonetzwerke
|
|
|
I Have seen a angle Version V |
1995 |
Nieslony, Borys et al.
|
Performance Chronik Basel
|
|
|
Haus S(a)egen. Eine theatralische Einrichtung |
1995 |
Grau, Pascale et al.
|
Performance Chronik Basel
|
|
|
Buchstaben F und A als Maske, Rasteranimationen |
Film + Design
|
||
|
|
Living Traces. A Speculative Experiment on Visual Memories |
2022 |
Aram, Iman
|
Diplom HGK
|
|
|
sadness is a matter of professional help |
2004-05-03 |
Matzek, Benjamin
|
ACT Performance Festival
|
|
|
sadness is a matter of professional help |
2004-04-11 |
Matzek, Benjamin
|
ACT Performance Festival
|
|
|
WHAT AM I, IF NOT A CLOWN? |
2024-04-20 |
Tzikas, Maria-Lusie
|
ACT Performance Festival
|
|
|
Postcard 2: Swiss Graphic Design. A visit to the Plakatsammlung Basel |
2021 |
Zulji, Ilhan et al.
|
Memory Full
|
|
|
Food is an important part of a balanced diet |
2020 |
Olsson, Isabell
|
HyperWerk
|