| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
Crossing the Boundaries |
2015 |
Blaser, Dragana et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
battlefield#30 / focus |
2008 |
Leuba, Jérôme et al.
|
Revolving Histories
Art Cologne 2008
|
|
|
« Why not ? ! » Fragen übers Fragestellen |
2025 |
Bienz, Flavia
|
Incubator for Design Cultures
|
|
Hydra: [Goldrausch 2019] |
2019 |
Andersson, Marie-Louise et al.
|
e-Publications
|
|
|
Die Pause |
2016 |
Vilfroy, Philippe
|
HyperWerk
|
|
|
Institut für Prozessnotation und Konnektivitätsförderung |
2018 |
Nichele, Jano
|
HyperWerk
|
|
|
On Robots and Designers - Experimental Practical Study of Production and Skills |
2018 |
Nikles, Daniel et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
A small talk |
2018 |
Savenberg, Nina
|
Diplom HGK
|
|
|
Nr. 173 |
2017 |
Caflisch, Sibilla
|
Summe2017
|
|
|
"Discantus. Altus. Tenor. Bassus.", fol. 46v aus: Martin Agricola, Musica Instrumentalis Deudsch, Wittemberg (Georg Rhaw) 1529 |
1529 |
Agricola, Martin
|
Frühe Streichinstrumente um 1500
|
|
|
Rethinking ways of exchange |
2025 |
Thomas, Alexia
|
HyperWerk
|
|
|
RUTH |
2006 |
Scheurell, Stefanie et al.
|
Revolving Histories
Prima.Publikationen
|
|
|
Die Organisation inklusiver gestalten : Am Anfang stehen die Menschen. Und am Ende auch. |
2025 |
Mittner, Dorian
|
Incubator for Design Cultures
|
|
|
Der Menschen ist nur ein Schatten der Natur |
2009 |
Streiff, Barbara et al.
|
Revolving Histories
Hommage an die Natur
|
|
|
03: Grammatik Phänomen – Animationseffekt |
2020 |
von Arx, Peter; Manz, Reinhard
|
Film + Design
|
|
|
www.virtualaffairs.com |
2002 |
Würgler, Markus
|
HyperWerk
|
|
|
07 Im Fieber durch die Emirate |
2026 |
Herzog, Samuel
|
Lemusa
|
|
It depends entirely upon the hue of the lighting |
Siehe pdf |
Köhle, Petra et al.
|
Revolving Histories
Diverse (siehe pdf)
|
|
|
Surrounded by Spaces - an Introspective Point of View |
2018 |
Klinkenberg, Sophia
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
MEETING THE FARMERS HALFWAY NEGOTIATING VISIBILITY IN GERMAN FARMERS’ PROTESTS |
2026 |
Seiler, Nicolas
|
HyperWerk
|
|
|
Lights Off |
2016 |
Toledo, Martha et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Programm Booklet PPP 2021 |
2021-08-14-15 |
PPP-ProgrPerformancePlattform
|
|
|
|
ROOM TO BREATHE |
2026 |
Nezheviasov, Illia
|
e-Publications
|
|
|
Food for Thought. A Visual Exploration of Food Culture in India and Europe |
2022 |
Gonsalves, Chiara
|
Diplom HGK
|
|
|
Masterthesis 2, 2010 |
2010 |
Masterstudio Design
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
2009-03-21 |
Klingler, Monica; Levy, Roger
|
migma
|
|
|
Just Drink Tea |
2011-2022 |
Nilo, Dawn et al.
|
Revolving Histories
|
|
|
Chorpraxis als Forschungsfeld für Methoden der Zusammenarbeit |
2026 |
Catti, Fiammina
|
HyperWerk
|
|
Lecture Simultanée |
2012 |
Köhle, Petra et al.
|
Revolving Histories
|
|
|
Shifts in Mapping: Maps as a Tool of Knowledge |
2021-11-26 |
Schranz, Christine
|
Shifting is Mapping
|
|
|
Let’s consider Burma? Crossmaping Monte Verita/Kazimierz |
2021 |
Saemann, Andrea et al.
|
Bang Bang
10th Land Art Festival/ Off Land Festival
|
|
|
Let’s consider Burma? Crossmaping Monte Verita/Kazimierz |
2021 |
Saemann, Andrea et al.
|
Revolving Histories
10th Land Art Festival/ Off Land Festival
|
|
|
Resign Republic |
2015 |
Kahn, Ali Rahman et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Zeichen des Göttlichen. Zeitgenössische Religionen in einer säkularen Gesellschaft |
2018 |
Foos, Angelina
|
Diplom HGK
|
|
|
FURTHER DETAILS |
2005 |
Ruckstuhl, Samuel
|
HyperWerk
|
|
|
Gefährt und Gefährt*innen |
2025 |
Pfenninger, Massimo
|
HyperWerk
|