| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
A missing narrative of Ghana’s graphic design history |
2021 |
Okyere, Mark et al.
|
Memory Full
|
|
|
The Visual Lateral Directionality of Images. With a focus on the aspects: language-reading direction and handedness |
2019 |
Aiyub, Amer
|
Diplom HGK
|
|
|
shaped bodies (sand) – making of |
2017 |
Matz, Fabian
|
Summe2017
|
|
|
"the backdoor of the backdoor" |
2017-05-27 |
Raynal, Colin et al.
|
migma
|
|
School of not Talents workshop |
2022 |
Raka, Jorge
|
ACT Performance Festival
|
|
|
The Walls of this Dam |
2025-04-26 |
Aranberri, Leire
|
ACT Performance Festival
|
|
|
Convenors' review of day 2 |
Sept 4, 2021 |
Ernst, Meret; Gaspar, Monica
|
Memory Full
|
|
The scream of the strawbear |
2023 |
Cowan, Matthew
|
e-Publications
|
|
|
Lully and the rise of the oboe as seen in works of art |
1988 |
Haynes, Bruce
|
HSM-Datenbanken
|
|
|
Enduring Liveness. Towards building Networks of Care |
02.11.2018 |
Dekker, Annet
|
Archive des Ephemeren
|
|
|
Studies VII (with kind permission of Annie Sprinkle) |
2015-04-11 |
Bogle, Juergen
|
ACT Performance Festival
|
|
Repetitive mpvement of turning pages to read books |
2020-07-03 |
Matsushima, Mone
|
Peripher_ies
|
|
|
detached agency and brief sights of intensity |
2020 |
Carella, Elias
|
Diplom HGK
|
|
|
ALL THE COLOURS OF THE RAINBOW |
2022 |
Byrne, Dasha
|
Diplom HGK
|
|
Oral histories of researching: community building workshop |
2021 |
Foffa, Andrea et al.
|
Memory Full
|
|
|
“Aimable vainqueur” – version 1 with “musica antigua” Recording of the music |
2023 |
Gal, Mojca; Grobelnik, Thys
|
OpenAccessPublikationen
|
|
|
KOMPOST QWADER. worm composter out of wood |
2020 |
Schnellmann, Jasmin
|
Diplom HGK
|
|
"Rybeben" at the Court of Maximilian |
2015 |
Kirnbauer, Martin
|
Frühe Streichinstrumente um 1500
|
|
|
Summery of Workshop 1-3 Entwurf |
2020-07-20 |
Team peripher_ies
|
Peripher_ies
|
|
|
AOR Abstract - book of abstracts Helsinki |
2023-11-30 |
Team peripher_ies
|
Peripher_ies
|
|
|
Performance Art, stored and inscribed. The Potentials of the Body as Archive and Collector of Knowledge |
03.11.2018 |
Surtmann, Marlies
|
Archive des Ephemeren
|
|
|
Blimunda on the banks of the Tagus River |
2021 |
Junqueira, Paola
|
Doce en Diciembre
|
|
|
Popular Admiration of Great Thieves - Allgemeine Bewunderung Grosser Diebe |
1998 |
Good, Niki et al.
|
Revolving Histories
|
|
|
In Formation. Future Memoirs of Indian Matchbox labels |
2022 |
Dixit, Prarthana
|
Diplom HGK
|
|
|
For the Love of 8601 Diamonds |
2008-05-02 |
Degen, Stephanie
|
ACT Performance Festival
|
|
|
Points of Inversion: Upending Structural Narratives in Design History |
2021 |
Zabolotney, Bonne
|
Memory Full
|
|
The Holy Pig of Berlin in Basel |
2014 |
Staehli, Nina et al.
|
Revolving Histories
Giornata 14
|
|
|
HIGHLY SENSITIVE PERSON (HSP)A KIND OF DIARY. |
2022 |
Garnier, Sophie
|
Diplom HGK
|
|
The Holy Pig of Berlin in Brunnen |
2016 |
Staehli, Nina et al.
|
Revolving Histories
Das Fabrikutop
|
|
|
Performing launch of Doing Fashion Paper No. 2 |
2012 |
Breuning, Olaf
|
Institut Mode-Design Web
|
|
|
Future Communications. Investigating Nonlinear Methods of Digital Communication |
2020 |
Haddadin, Lara
|
Diplom HGK
|
|
|
Keynote 3: Jussi Parikka, Winchester School of Art |
Sept 3, 2021 |
Parikka, Jussi et al.
|
Memory Full
|
|
John Cage – A House Full of Music |
2012-06-17 |
Kraut, Peter
|
DigitalBrainstorming
|
|
|
Studies VII (with kind permission of Annie Sprinkle) |
2015-04-11 |
Bogle (fake is fabulous inc.), Juergen -
|
ACT Performance Festival
|
|
|
«Without truth of line no true expression is possible». Füssli als Illustrator der Weltliteratur |
2018 |
Benigno, Dario
|
Diplom HGK
|
|
|
TALES OF NOW HERE - nomadic entanglements in hyperreality |
2017 |
Ferrari, Juan et al.
|
Institut Integrative Gestaltung / Masterstudio
|