| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
How to Dissolve; a Collective Experiment |
2019 |
Stucky, Anouk
|
HyperWerk
|
|
|
T A T O R T - Parkinglot |
2014 |
Silber, Alex
|
Videocity_memoriav
|
|
|
LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG |
2022 |
Ruedin, Anne-Louise
|
HyperWerk
|
|
|
LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG |
2022 |
Ruedin, Anne-Louise
|
HyperWerk
|
|
|
Shifts in Mapping: Maps as a Tool of Knowledge |
2021-11-26 |
Schranz, Christine
|
Shifting is Mapping
|
|
|
Remember What We Forgot – A High-Pressure Lullaby |
2025-05-17 |
Collective Heartbreak
|
ACT Performance Festival
|
|
|
Slowly with never a pause - Lena Lengsfeld, Deirdre O'Leary, Daniela Brugger |
2013-04-13 |
Bürgi, Yolanda
|
ACT Performance Festival
|
|
|
Elas sustentam a vida do pais |
1992 |
Studer, Stefan et al.
|
Videonetzwerke
|
|
|
Workshop: CCTV - A Trail of Images |
2009 |
digitalbrainstorming
|
DigitalBrainstorming
|
|
|
Prologue: Overture (Mantras for a club) |
2021-08-15 |
PRICE; Ringgenberg, Mathias
|
PPP-ProgrPerformancePlattform
|
|
|
Is there a one night standard? |
2018-05-05 |
Coquart, Pauline
|
ACT Performance Festival
|
|
|
A voice crying in the desert |
2018-05-05 |
Aernoudt, Celine
|
ACT Performance Festival
|
|
|
2/5 ACTS FOR A MIC |
2024-04-27 |
Vizzardi, Tamara
|
ACT Performance Festival
|
|
|
A voice crying in the desert |
2018-05-05 |
Aernoudt, Celine
|
ACT Performance Festival
|
|
|
IF YOU CALL IT A PERFORMANCE |
2024-04-20 |
Chan, Kiki
|
ACT Performance Festival
|
|
|
Is there a one night standard? |
2018-05-05 |
Coquart, Pauline
|
ACT Performance Festival
|
|
|
A Lighter Polished By the Sea |
2019-04-14 |
Van Helleputte, Emile
|
ACT Performance Festival
|
|
|
a&a_87_2 sichere treffer pro serie |
2013-09-27 |
Burkhalter, Annina Nora et al.
|
ACT Performance Festival
|
|
ROHSTOFF-Eine Verarbeitung |
2014 |
Andereggen, Ariane et al.
|
Revolving Histories
It's the real thing Basler Dokumentartage 2015
|
|
|
manchmalbinichweiss und manchmalbinichschwarz |
2015 |
Simon, Regina et al.
|
Revolving Histories
Kulturnacht CH-Liestal
|
|
John Cage – A House Full of Music |
2012-06-17 |
Kraut, Peter
|
DigitalBrainstorming
|
|
|
Once upon a time … or: Something I remember. Investigating the connections between a written text and its visual form |
2022 |
Parisi, Noemi
|
Diplom HGK
|
|
|
Was ist zwischen A und B? |
2021 |
Spörri, Julia
|
Diplom HGK
|
|
|
How to Dissolve. a Collective Experiment |
2019 |
Stucky, Anouk Sunna
|
Diplom HGK
|
|
|
Unmasking the Unseen. A Visual Atlas |
2017 |
El Hayawan, Mayar
|
Diplom HGK
|
|
|
Moving Forward. A story about diversity |
2021 |
Imobersteg, Adelia
|
Diplom HGK
|
|
|
A multilayer multiverse in harmonizing contradiction |
Roth, Evelyne; Nick, Laura
|
Next Generation
|
|
|
|
Holding Hands with a Horror Story |
Heidecker, Lisa-Maria
|
Erinnerungsraum
|
|
|
|
HIGHLY SENSITIVE PERSON (HSP)A KIND OF DIARY. |
2022 |
Garnier, Sophie
|
Diplom HGK
|
|
|
Pre-empting loss through ‘fashion memory’: a ‘postconservation’ perspective |
2021 |
Tonkin, Leanne
|
Memory Full
|
|
|
LET‘S GO FOR A WALK — UNDERSTANDING MY DOG |
2022 |
Ruedin, Anne-Louise
|
Diplom HGK
|
|
|
Fashion changes. A new approach to horse riding |
2019 |
Nemeth, Kerstin
|
Diplom HGK
|
|
|
Telling the foreign - a designer's travel kit |
2017 |
Halter, Regine et al.
|
CulturalSpace&Design - Research
|
|
|
The red thread is a map of canalisation |
Musa, Arbesa et al.
|
Next Generation
|
|
|
|
Wie eine Frau has a cow...a lovestory, eine Spielart mit dem Text von Gertrude Stein |
1989 |
Grau, Pascale et al.
|
Performance Chronik Basel
|
|
|
Mapping of a Mind. Untersuchung eines künstlerischen Handlungskonzepts |
2018 |
Ipek, Melis
|
Diplom HGK
|