| titel | year | author | event |
|---|---|---|---|
List of Ina Lohr’s Published Compositions (incomplete) |
2016 | ||
Basso Continuo on the Harp for “Alma che ti sollievi” (Orazio Michi) |
2021 | ||
Artesanías vs Design: Unveiling Design Hegemonies over Traditional Crafts in Chile |
2021 | ||
Ina Lohr - Dutch Christmas recording |
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‘An Irish Industrial Tribute to the Blessed Virgin Mary’; Catholic Industrial Habitus in Sunbeam-Wolsey, Cork, Ireland, 1940-1960 |
2021 | ||
Once upon a time … or: Something I remember. Investigating the connections between a written text and its visual form |
2022 | ||
Pechichal |
2018 | ||
Stories for industrial design: A close reading of a corded portable electric drill |
2021 | ||
Design Debates, Reader Voices, and the Histories within Design Blogs |
2021 | ||
Basso Continuo on the Harp for “Sola fra’ suoi più cari” (Orazio Michi) |
2021 | ||
MADE IN BASEL |
2005 | ||
Silvestro Ganassi’s “viola d’arco tastada”: Report on a research project on its contextualization and reconstruction |
2013 | ||
ZWISCHENSTAND: EIN ANFANG |
2022 | ||
Ganassi – Arbeitstagebuch |
2014 | ||
Privacy-Free Zone (2016*) |
2016 |
Fieni, Matteo
|
Long Lake Festival, Lugano
|
Die Wand, der Boden |
2011 | ||
Bau einer Gambe nach Ganassi |
2014 | ||
Stereovision |
2006 | ||
Written Images |
2010 | ||
Projekt UNIQFORM |
2006 | ||
CC_Cycles of Circulation SUBPROJECTS |
2025 | ||
Concept Art. Weltenbauen im Raumbild |
2018 | ||
The Iconography of the Viola da gamba in Ganassi's Context |
2013 | ||
Ganassi und die Gambe Anmerkungen zu Konstruktionselementen erhaltener Instrumente |
2013 | ||
C02 Beata progenies |
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Points of Inversion: Upending Structural Narratives in Design History |
2021 | ||
ADVA (accessible digital visual agency) EN |
2025 | ||
Interview mit Reinhard Storz im Rahmen des SNF-Forschungsprojekts Sharing Knowledge in the Arts am IXDM der HGK Basel FHNW |
2024-11-07 | ||
A Matter of Storytelling. On Image Perception and Meaning in the Digital Post-Processing of Documentary Photographs |
2020 | ||
TO STYLE IS TO RESIST |
2025 | ||
Zur Ikonographie der Viola da gamba im Umfeld Ganassis |
2013 | ||
Daten und Projektbeschrieb |
2008-01-05 | ||
Sharing as an act to feel connected |
2024 | ||
Converscene |
2012 | ||
A missing narrative of Ghana’s graphic design history |
2021 | ||
Nachweisorientierte Rekonstruktion einer Viola da gamba nach Silvestro Ganassi |
2013 |