| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
A Real World Film |
1981 |
Hahn, Alexander et al.
|
Revolving Histories
|
|
Max Provo |
2011 |
Kummler, Dominic
|
HyperWerk
|
|
|
I'm not there. The challenges in implementing 3D design in fashion practice - a prospective study with knitwear |
2021 |
Albrecht, Annika et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
Exkursion & Talk 10.07.2022: Encounter : Environment : Sympathetic Streams |
2022 |
Maly, Peter et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
|
Encoding Mobility and Sonic Territories: Mobile Architecture and the Decolonial Ear |
2026 |
Omole, Katerine
|
HyperWerk
|
|
|
Designing Game Worlds - Kohärenz in der Spielweltgestaltung von Open-World-Games durch prozedurale Generierungstechniken |
2018 |
Mihajlo, Nenad et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Hut building for kids |
2021 |
Epiney, Claudia
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Klaviersolo für Video |
1985 |
Megert, Franziska
|
Videocity_memoriav
|
|
|
The Ugly Sweet |
2017 |
Koy, Dirk
|
Videocity_memoriav
|
|
|
Ritual für Kybele |
2006 |
Mihaylova, Albena et al.
|
Revolving Histories
|
|
|
Zwischen Subkultur und Strukturwandel |
2025 |
Berger, Pius
|
HyperWerk
|
|
|
Postkarten Masterthesis 18, 2018 |
2018 |
Masterstudio 2018
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
To See in Reverse: Decoding and Decolonizing Design Language and Thinking |
2021 |
Meliande, Clara et al.
|
Memory Full
|
|
|
Abolitionistische Perspektiven gegen den Gefängnisalltag |
2025 |
Langner, Johanna
|
HyperWerk
|
|
|
ARCHIVING SELF |
2020 |
Haupt, Tatjana Pauline Catherine
|
Diplom HGK
|
|
|
SOILBASED PRACTICES Auseinandersetzungen mit bodenbezogener Praxis |
2025 |
Essoungou, Timon
|
HyperWerk
|
|
Magie des Gehens |
2005 |
Zollinger, Thomas et al.
|
Revolving Histories
|
|
|
Lemusa 07 Iles-Puendevis |
2025 |
Herzog, Samuel
|
Lemusa
|
|
Règles d’or / Goldene Regel |
2019 |
Maag, Irene et al.
|
Revolving Histories
Summe Jubiläum + Auftakt
|
|
|
ADVA (accessible digital visual agency) |
2025 |
Yorke, Quentin
|
HyperWerk
|
|
|
Witio Geschichte |
2026 |
Herzog, Samuel
|
Lemusa
|
|
|
Wasserinseln Brunnen als sensorische Ruheorte im reizüberflutenden Stadtraum |
2026-05-13 |
Heimoz, Sophie et al.
|
In3
|
|
|
Soundlab |
2025 |
Esengo Ndoum, Jérémy
|
HyperWerk
|
|
On the edge of: Goldrausch 2023 |
2023 |
Dornieden, Anja et al.
|
e-Publications
|
|
|
Human Installation I |
2013 |
Zollinger, Thomas et al.
|
Revolving Histories
|
|
|
Zwischen Vielfalt und Verunsicherung |
2025 |
Huwyler, Basil
|
HyperWerk
|
|
Amazonian Pineapple |
2022 |
Castelblanco, Felipe
|
Plant_Intelligence
|
|
|
Adaptive Intranets? |
2003 |
Born, Angela
|
HyperWerk
|
|
|
Feedback |
2011-04-20 |
Mallon, Erin et al.
|
ACT Performance Festival
|
|
|
Alle PerformerInnen |
2012-04-05 |
Mallon, Erin et al.
|
ACT Performance Festival
|
|
|
Lemusa 06 Sud-Goulousin |
2025 |
Herzog, Samuel
|
Lemusa
|
|
|
1km3 |
1999 |
Haus am Gern et al.
|
Videocity_memoriav
|
|
|
Gossip und Grossmütter |
2025 |
Schmid, Malena
|
HyperWerk
|
|
|
What does rest feel like in your hands |
2025 |
Thiel, Simone
|
HyperWerk
|
|
|
DINO |
2004 |
Eller, Tomas
|
Videocity_memoriav
|
|
|
LUCKY GLITCHING – EXPLORING ERROR AS ARTISTIC PRACTICE |
2025 |
Bühler, Eva Katherina
|
Incubator for Design Cultures
|