| titel | year | author | event |
|---|---|---|---|
Contact |
2017 |
Gadola, Lotta; Wittmer, Mahtola
|
ACT Zürich
|
fragile |
2021 |
Bentschik, Lyn; Consaël, Yannick
|
4. FATart Fair 2021 / oxyd Kunsträume Winterthur / BØWIE Gallery Genf
|
SELF PORTRAIT |
2018 | ||
slow lane |
2021 |
Schumacher, Christian
|
ACT Performance Festival
|
Die Vogelfrage |
2020 |
Grimm, Claudia
|
6 x 2 Performance-Duos
|
Gibraltar |
2013 |
Ghisalberti, Flavia; Heierli, Frank
|
|
PAZIFIK |
2019 |
[LYSANN]; König, Lysann
|
|
Cybernarcisse |
2010 |
Semoroz, Julie
|
Head, jury bachelor middle season 2009-2010
|
Leben 2 |
2011 |
[Copa & Sordes]
|
Salz in der Suppe, 150 jähriges Jubiläum der CMS
|
Make-up |
2008 |
Edens, Saskia
|
Regionale
|
Maag on Mars |
2016 |
Maag, Irene
|
Rahmenprogramm Performancepreis Schweiz 2015
|
The Absence of Work |
2012 |
Bajo, Elena
|
Liste 17 – Performance Project
|
Konzertauftritt Act Bern 2007 |
2007 |
[it sounds like rita]
|
|
Fotosession bei der Fotografin Gisela Gamper, Kingston, N.Y. |
1993 |
Schenker, Margrit
|
|
FORÊT D'O |
2018 |
Bösch, Maya; Schürch, Dorothea
|
Up Festival
|
wir/wir/wir (Entwürfe) |
2014 |
Hofmann, Leo; van Bebber, Benjamin
|
Platform Neues Musiktheater
|
Supercycle. The Transitional Nowness |
2018 | ||
Obelisk |
2004 |
Jennifer Kuhn, Vreni Wyrsch
|
Ausstellung Vreni Wyrsch
|
Betroffene Bereiche |
2021 |
Russi, Lara; Dober, Ida
|
Performance Reihe Neu-Oerlikon
|
Meditation publique #1 |
2010 |
Rohner, Isabel
|
Hyperactivite, Summerlab 2010
CAN/Marks Blond, Centre d'art Neuchatel
Place du Port, Neuchatel
Datum: 29. Juli 2010
|
Say These Names |
2016 |
Minder, Maya
|
Act Performance Festival
|
The Digital Senses. Awareness of our Interactions with Digital Objects |
2018 | ||
how-to-do-speech-with-taqsim |
2018 |
Tuchacek, Alexander
|
|
hand and face |
2016, 2017 |
Hari, Gregory
|
Regionale 17 - Beyond the Real
|
In Gemeinschaft |
2020 |
Römmelt, Ronja
|
|
Duo Krak (Performances) |
ab 1991 |
Schenker, Margrit; Vecellio, Valentin
|
AUA Festival, Atelier SU u.a.
|
Exhibitio (Pictures at an Exhibition): »Self Presentation and Self Destruction« |
2021 |
Konzert und Kunst: Bilder einer Ausstellung
|
|
Pedro Meier, 2019, Finnegans Wake, Paraphrasen zu James Joyce, Licht- Sound Performance und Installation, Kulturzentrum Niederbipp. By Pedro Meier Multimedia Artist und Schriftsteller |
2019 |
Meier, Pedro
|
Kulturzentrum Niederbipp – Performancetage – 2019
|
| 2019 | |||
Ein Polyamorie Manifest |
2015-04-11 |
Bärz, Julie
|
|
Yes to Paradise and its intense impact on our lives |
2020 | ||
Boa Vista / Vor der Tat |
2008 |
Hody, Anne
|
Museumsnacht und Ausstellung Boa Vista, Forum Vebikus
|
CRIA.TUA |
2025 |
Pirii Pimentel Rodrigues
|
|
»Retrospective of The Equation« (Shooting Information And Attacking Letter Formation Functions) |
1991 |
[Rammellzee]; Atem, Gen
|
|
Translational imagery. Revealing the invisible aspects from things through the abstract translational technique |
2021 | ||
Es war etwas äusserst Praktisches.. It was also really practical. |
2018 |