| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
Ni Son, ni Fumé |
1992 |
ALMA; Galerie M2; ALMA
|
Revolving Histories
Ni Son, ni Fumé
|
|
Open archive for 23 minutes |
2019 |
[künstlerinnenkollektiv marsie] et al.
|
Revolving Histories
OPEN - 20th Performances Art Festival
|
|
Aufstellung mit Interieur |
SYMPOSIUM 26.8.19-7.9.19 |
Grau, Pascale et al.
|
Revolving Histories
ZERFALL UND VERPUPPUNG
|
|
|
Lauter Blech |
2006 |
Jäggi, Barbara et al.
|
Revolving Histories
|
|
|
The Gathering in Zentralplatz, Biel |
2019 |
Hochuli, Gisela et al.
|
Revolving Histories
The Gathering - Performance Open Session
|
|
TREMOLO |
2005 |
Stöcklin, Angela et al.
|
Revolving Histories
Le look c'est chic
|
|
|
Call me I'm there |
2021 |
Brugger, Daniela et al.
|
Revolving Histories
Die Raum
|
|
|
Gottlieber Revue |
2014 |
Mathis, Muda et al.
|
Revolving Histories
Der Hecht an der Grenze
|
|
Gigampfewasserstampfe |
1996 |
ALMA et al.
|
Revolving Histories
Performance Index 1996
|
|
Barformance |
12. - 17. April 2010 |
Bucher, Claudia et al.
|
Revolving Histories
Stanser Musiktage
|
|
|
Collective Zutat 1 |
2018 |
Bozelec, Louise et al.
|
Revolving Histories
ACT 2018
|
|
It depends entirely upon the hue of the lighting |
Siehe pdf |
Köhle, Petra et al.
|
Revolving Histories
Diverse (siehe pdf)
|
|
|
Gestern |
2008 |
Dong, Quynh; Thal, Andrea
|
Revolving Histories
Aushang
|
|
|
Points of Inversion: Upending Structural Narratives in Design History |
2021 |
Zabolotney, Bonne
|
Memory Full
|
|
Aesthetic democracy |
2024 |
Buksha, Mykhailo et al.
|
Next Generation
|
|
STÜCK |
2024 |
Oderbolz, Fabian et al.
|
Next Generation
|
|
Bonus Track 06: The Message – Don't Push Me Cause I'm Close To The Edge |
2020 |
Germann, Monica et al.
|
Revolving Histories
Bonus Track
|
|
Begegnung mit dem Verschwinden |
2021 |
Singeisen, Caroline et al.
|
Revolving Histories
lesjoursdesephemeres.ch
|
|
Spinoza is(s)t.. |
2007 |
Jaeggi, Urs [Art Clay] et al.
|
Revolving Histories
Digital Art Weeks 2007
|
|
42,7 – sacred |
2008 |
Pfeiffer, Stella et al.
|
Revolving Histories
Y'a Qu'a
|
|
|
A Real World Film |
1981 |
Hahn, Alexander et al.
|
Revolving Histories
|
|
Einschläfern |
2016 |
ALMA et al.
|
Revolving Histories
Legs
|
|
L'herbe est toujours plus verte |
2013 |
Kohler, Lucie [Collectif Inouite] et al.
|
Revolving Histories
|
|
Die Flecken der Giraffe |
1997 |
Rust, Dominique et al.
|
Revolving Histories
|
|
Make-up |
2008 |
Edens, Saskia et al.
|
Revolving Histories
Regionale
|
|
|
Früher eine Dorfidylle, heute Hafen und morgen? Eine szenografische Untersuchung zur Reaktivierung des Wasserzugangs und der historischen Identität an der Wiesenmündung |
2026-05-13 |
Gobet, Anaïs et al.
|
In3
|
|
Marcel Broodthaers, 50 ans après: Section Digestive |
2018, 2019 |
Natsch, Yolanda Esthersther Esther et al.
|
Revolving Histories
Einzelausstellung
|
|
MEETING THE FARMERS HALFWAY NEGOTIATING VISIBILITY IN GERMAN FARMERS’ PROTESTS |
2026 |
Seiler, Nicolas
|
HyperWerk
|
|
|
The Yellow Chair Tracing Color through Memory, Pigment, and Material Practice |
2026 |
Maczka, Barbara
|
HyperWerk
|
|
|
THE LEGEND OF THE WITCH: Narrating Between Judicial Archive and Folk Tradition |
2026 |
Schenker, Lea
|
HyperWerk
|
|
Colonizing M1 |
2021 |
[Parvez] et al.
|
Revolving Histories
COMMODI-FICTION
|
|
SPAZIO A VOCE |
2014 |
Hildebrand, Hanna et al.
|
Revolving Histories
ROAMING, RIPOSIZIONAMENTI
|
|
HitStories - Davide-Christelle Sanvee — L’approbation des chienx |
2021 |
Sanvee, Davide-Christelle et al.
|
Revolving Histories
|
|
|
Semesterplan 2022-2025 |
2025 |
Meyer, Marianna Helen et al.
|
Incubator for Design Cultures
|
|
Global to Local |
2024 |
Bhat, Akshada et al.
|
Next Generation
|
|
Mapping the Black Box |
2024 |
Oliva, Octavio et al.
|
Next Generation
|