| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
Say these Names, 2009-2015 |
2015-04-18 |
Minder, Maya
|
ACT Performance Festival
|
|
|
Diary of a Nonrealization |
2023 |
Fonti, Laura
|
HyperWerk
|
|
|
Die Wand, der Boden |
2011 |
Born, Nora
|
HyperWerk
|
|
|
Stereovision |
2006 |
Mele, Ivan
|
HyperWerk
|
|
|
Written Images |
2010 |
Fuchs, Martin
|
HyperWerk
|
|
|
Projekt UNIQFORM |
2006 |
Peter, Christian
|
HyperWerk
|
|
|
Daten und Projektbeschrieb |
2008-01-05 |
Mathis, Muda
|
ACT Performance Festival
|
|
|
Basso Continuo on the Harp for “Alma che ti sollievi” (Orazio Michi) |
2021 |
OpenAccessPublikationen
|
|
|
|
List of Ina Lohr’s Published Compositions (incomplete) |
2016 |
Smith, Anne
|
Ina Lohr
|
|
|
Proceedings of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 |
Ernst, Meret; Gaspar, Mònica
|
Memory Full
|
|
|
Artesanías vs Design: Unveiling Design Hegemonies over Traditional Crafts in Chile |
2021 |
Salgado Cofré, Daniela
|
Memory Full
|
|
|
Ina Lohr - Dutch Christmas recording |
Lohr, Ina
|
OpenAccessPublikationen
|
|
|
Cycles of Circulation Website |
2025 |
FHNW, Mediathek HGK Basel
|
Cycles of Circulation
|
|
|
CC_Cycles of Circulation READINGS & REFERENCES |
2025 |
Allen, Jamie et al.
|
Cycles of Circulation
|
|
|
CC_Cycles of Circulation AWARENESS |
2025 |
Allen, Jamie et al.
|
Cycles of Circulation
|
|
Cycles of Circulation |
2025 |
Allen, Jamie et al.
|
Cycles of Circulation
|
|
|
CC_Cycles of Circulation PUBLICATIONS |
2025 |
Allen, Jamie et al.
|
Cycles of Circulation
|
|
|
CC_Cycles of Circulation PRESENTATIONS |
2025 |
Allen, Jamie et al.
|
Cycles of Circulation
|
|
|
‘An Irish Industrial Tribute to the Blessed Virgin Mary’; Catholic Industrial Habitus in Sunbeam-Wolsey, Cork, Ireland, 1940-1960 |
2021 |
Spalding, Tom
|
Memory Full
|
|
|
Stories for industrial design: A close reading of a corded portable electric drill |
2021 |
Pandolfo, Berto
|
Memory Full
|
|
|
Design Debates, Reader Voices, and the Histories within Design Blogs |
2021 |
Barness, Jessica
|
Memory Full
|
|
|
Sharing as an act to feel connected |
2024 |
Birrer, Léa Aimée
|
HyperWerk
|
|
|
Converscene |
2012 |
Muccaj, Alex Niku
|
HyperWerk
|
|
|
Ausschreibung Zürich |
2013-07-07 |
ACT Performance Festival
|
|
|
|
Basso Continuo on the Harp for “Sola fra’ suoi più cari” (Orazio Michi) |
2021 |
OpenAccessPublikationen
|
|
|
Silvestro Ganassi’s “viola d’arco tastada”: Report on a research project on its contextualization and reconstruction |
2013 |
Kirnbauer, Martin
|
Frühe Streichinstrumente um 1500
|
|
|
Interview mit Reinhard Storz im Rahmen des SNF-Forschungsprojekts Sharing Knowledge in the Arts am IXDM der HGK Basel FHNW |
2024-11-07 |
Storz, Reinhard et al.
|
Netzkulturen
|
|
|
Ganassi – Arbeitstagebuch |
2014 |
Schürch, Stephan
|
OpenAccessPublikationen
|
|
|
Youth Agenda |
2006 |
Adank, Sebastian
|
HyperWerk
|
|
|
Ereignisforscher |
2015 |
Petignat, Fabian
|
HyperWerk
|
|
|
How to Dissolve; a Collective Experiment |
2019 |
Stucky, Anouk
|
HyperWerk
|
|
|
TO STYLE IS TO RESIST |
2025 |
Meyer, Selva
|
HyperWerk
|
|
|
Bau einer Gambe nach Ganassi |
2014 |
Mark, Günter
|
OpenAccessPublikationen
|
|
|
Vulva Art: An Embodied Palimpsest. How does Vulva Art graffiti represent, subvert and impact women embodiment through its use as an embodied palimpsest? |
2021 |
Lucas, Frances
|
Diplom HGK
|
|
|
The Iconography of the Viola da gamba in Ganassi's Context |
2013 |
Papiro, Martina
|
OpenAccessPublikationen
|
|
|
Ganassi und die Gambe Anmerkungen zu Konstruktionselementen erhaltener Instrumente |
2013 |
Menzel, Kathrin
|
OpenAccessPublikationen
|