| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
quinte - les toux virtuelles |
2021 |
[GingerEnsemble] et al.
|
Revolving Histories
HASARD3_Festival PERFORMANCE INTERACTIVE LIVE STREAM FESTIVAL Fribourg
|
|
|
The Gathering in Winterthur, Kunstdepot 2020 |
2020 |
Hochuli, Gisela et al.
|
Revolving Histories
Kunst im Depot
|
|
The Gathering am Performance-Festival perFORM 2021! im Kunstdepot Winterthur 2021 |
2021 |
Hochuli, Gisela et al.
|
Revolving Histories
PerFORM¡ 2021
|
|
|
Bassin |
2025 |
Nüesch, Mischa Janick Jakob et al.
|
Next Generation
|
|
PRACTICING COLLECTIVITY WITH RADIOHR |
2024 |
Achermann, Jodok
|
HyperWerk
|
|
DER SOGENANNTE ÖFFENTLICHE RAUM, GRAFFITI UND POSITION |
2022 |
Stettler, Luciano Wayan
|
HyperWerk
|
|
Text-Île. Erlebbares Textilhandwerk. Ein Umweltfreundlicher Umgang Mit Textilien |
Herrmann, Kira
|
HyperWerk
|
|
|
DER SOGENANNTE ÖFFENTLICHE RAUM, GRAFFITI UND POSITION |
2022 |
Stettler, Luciano Wayan
|
HyperWerk
|
|
OpenCulture |
2012 |
Bichsel, Peter
|
HyperWerk
|
|
Das grüne Rauschen |
2012, 2013 |
[PARK] et al.
|
Revolving Histories
|
|
|
Coffee Or Chinese Tea - the Trans-cultural Exploration of Contemporary Chinese Graphic Design in the 1980s and 1990s |
2021 |
Wang, Yun
|
Memory Full
|
|
|
Cracks in the Soul |
2018 |
Nilo, Dawn et al.
|
Revolving Histories
|
|
|
Plant #2 78/287 |
1982 |
Hahn, Alexander et al.
|
Revolving Histories
|
|
Borderline symphony |
2020 |
Séra, Hanga et al.
|
Revolving Histories
THINGS THAT DANCE
|
|
Weaving–Unweaving the Observer |
2026 |
Dörflinger, Amanda
|
HyperWerk
|
|
|
STIFTE |
2005 |
Feyfar, Patrik et al.
|
Revolving Histories
|
|
|
Osterreichicher Kunstverein Internationales Performance Festival |
1978 |
Krinzinger, Ursula et al.
|
Revolving Histories
Österreichischer Kunstverein Internationales Performance Festival 1978
|
|
|
Spring Exclamations ! | Fall |
2021 |
Akhmetzyanova, Polina et al.
|
Revolving Histories
24 Hours für Joseph Beuys
|
|
Gespräch mit der Erde |
1983 |
Hurley, Eva; Hurley, Eva
|
Revolving Histories
|
|
Augenzeug*innenbericht |
2018 |
Jaques, Olivia [Performatorium] et al.
|
Revolving Histories
République Géniale - Symposium "Archive des Ephemeren"
|
|
|
beat - me -mich |
2017 |
[ensemble metanoia] et al.
|
Revolving Histories
|
|
Digitale Resilienz. Widerstand im Informationszeitalter |
2021 |
Zumkeller, Robert
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Wortkörper |
2005 |
Zollinger, Thomas et al.
|
Revolving Histories
|
|
M11 Pop Up |
2016 |
Kovacevska, Verica et al.
|
Revolving Histories
Manifesta 12
|
|
Versuch, sich an eine Performance zu erinnern |
2015 |
Iannettta, Silvana et al.
|
Revolving Histories
|
|
|
Lay Down |
2019 |
König, Lysann et al.
|
Revolving Histories
International Performance Art Giswil 2019 – Full Moon Edition
|
|
|
EINGESPANNT |
2015, 2016 |
Vogel, Andrea et al.
|
Revolving Histories
BEHIND THAT CURTAIN | Ausstellung, 27.11.2015–31.01.2016
|
|
Aus dem Rahmen gefallen |
2020 |
Scherrer, Ursula et al.
|
Revolving Histories
ERNTE 20
|
|
|
Drunger U Drüber |
2012 |
Dong, Quynh et al.
|
Revolving Histories
Performanceprogramm Liste 17 / Gibst Du mir Steine, geb ich Dir Sand
|
|
Idiorhythmische Studie |
1994 |
Haubensak, Edu; Publikum
|
Revolving Histories
|
|
|
Studio 2000 |
2000 |
Hiepler, Esther et al.
|
Revolving Histories
|
|
Jiihaaa! |
2003 |
Vögtli, Lex et al.
|
Revolving Histories
„Sommer Performance Tage“
|
|
|
SPACE nr1 “floating” |
2015 |
Stöcklin, Angela et al.
|
Revolving Histories
ACT Zürich
|
|
|
Jeter son corps dans la bataille / Performance Art Festival |
2014 |
Abe, Sachiko; Bösch, Maya
|
Revolving Histories
Jeter son corps dans la bataille
|
|
Can I walk like this? Strolling with self-imposed restrictions |
2021 |
Trampe, Tanja et al.
|
Revolving Histories
WE WALK – STRATEGIEN AUS ZÜRICH
|
|
|
Perception of Beauty. How does advertisement design enforce a norm through aesthetic of reception? |
2017 |
Dubois, Debolina
|
Diplom HGK
|