| titel | year | author | event |
|---|---|---|---|
Ein verlassener Ort |
2018 | ||
Unter der Treppe |
2018 | ||
Einfall |
2018 | ||
Mutual matters: Goldrausch 2021 |
2021 | ||
Die Bärenhöhle |
2018 | ||
Migma Programm 2010 |
2010 | ||
Rock Cakes, Rations and the Common Good: Performing postgraduate Design Education |
2021 | ||
Silvestro Ganassis «viola d’arco tastada» Report on a research project on its contextualization and reconstruction |
2013 | ||
Interview von Margarit von Büren mit Gaspard Buma, 25.11.2010 mit Gaspard Buma |
25.11.2010 | ||
Aroma Colorado |
2025-08 | ||
Designing the Future-Past: Ceramics and the forgetfulness of modernity |
2021 | ||
Translational imagery. Revealing the invisible aspects from things through the abstract translational technique |
2021 | ||
Colorado |
2025 |
Mensch, Julia
|
|
Get Shot |
2013 | ||
Amaranth as Political Agent |
2025 | ||
GepettoDigital |
2008 | ||
Diary of a Nonrealization |
2023 | ||
It's all about Love |
2009 |
De Pinto, Pier Giorgio
|
|
Proceedings of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 | ||
List of Ina Lohr’s Published Compositions (incomplete) |
2016 | ||
Basso Continuo on the Harp for “Alma che ti sollievi” (Orazio Michi) |
2021 | ||
Artesanías vs Design: Unveiling Design Hegemonies over Traditional Crafts in Chile |
2021 | ||
Ina Lohr - Dutch Christmas recording |
|||
‘An Irish Industrial Tribute to the Blessed Virgin Mary’; Catholic Industrial Habitus in Sunbeam-Wolsey, Cork, Ireland, 1940-1960 |
2021 | ||
Once upon a time … or: Something I remember. Investigating the connections between a written text and its visual form |
2022 | ||
Pechichal |
2018 | ||
Stories for industrial design: A close reading of a corded portable electric drill |
2021 | ||
Design Debates, Reader Voices, and the Histories within Design Blogs |
2021 | ||
Basso Continuo on the Harp for “Sola fra’ suoi più cari” (Orazio Michi) |
2021 | ||
MADE IN BASEL |
2005 | ||
Silvestro Ganassi’s “viola d’arco tastada”: Report on a research project on its contextualization and reconstruction |
2013 | ||
ZWISCHENSTAND: EIN ANFANG |
2022 | ||
Ganassi – Arbeitstagebuch |
2014 | ||
Privacy-Free Zone (2016*) |
2016 |
Fieni, Matteo
|
Long Lake Festival, Lugano
|
Die Wand, der Boden |
2011 | ||
Bau einer Gambe nach Ganassi |
2014 |