| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
MAS |
Schneider, Robin et al.
|
Next Generation
|
|
|
|
Strings of Creativity |
Malekova, Adelina
|
Next Generation
|
|
|
|
Moove |
Rimini, Lorenzo
|
Next Generation
|
|
|
|
Filmische Dokumentation des videocity-Screening eBoard Congress Center Basel |
2014 |
Gresenz, Julian
|
Videocity_memoriav
|
|
Untold |
2018 |
Dickerson, Brendhan et al.
|
Revolving Histories
Schrinagar Bienale - Basel Node
|
|
|
Mutantenstadl |
2011 |
[Mutantenstadl] et al.
|
Revolving Histories
Fusion Festival Stelzenwald
|
|
|
Mutantenstadl |
2011 |
[Mutantenstadl] et al.
|
Revolving Histories
Fusion Festival Stelzenwald
|
|
|
Performance im Quadrat |
2020 |
Scherrer, Ursula et al.
|
Revolving Histories
|
|
|
Marked Days |
Roberts, Claire
|
Next Generation
|
|
|
Basel Bibliography for Historical Performance Practice |
2018 |
Papiro, Martina et al.
|
HSM-Datenbanken
|
|
|
"Distance" by Toshi Ichiyanagi |
2020-05-05 |
ACT Performance Festival
|
|
|
|
Pegna de Scalegl |
2020-05-02 |
Casty, Flurina
|
ACT Performance Festival
|
|
|
The Power to Name and Frame |
2025 |
Weinmayr, Eva et al.
|
e-Publications
|
|
|
Nairs in movimaint |
2017 |
Hausheer, Angela et al.
|
Revolving Histories
Nairs in movimaint
|
|
|
Die Puppe spielen |
2018 |
Petitpierre, Vincent
|
Diplom HGK
|
|
|
Ideally we would shine |
2020 |
Weibel, Sabeth Louise
|
Diplom HGK
|
|
Konzertauftritt Act Bern 2007 |
2007 |
[it sounds like rita] et al.
|
Revolving Histories
|
|
|
The Mechanism and Its Conditions |
Klauss, Valentin
|
Next Generation
|
|
|
Konzertauftritt Act Bern 2007 |
2007 |
[it sounds like rita] et al.
|
Revolving Histories
|
|
Film und Design, Animationsfilmunterricht 2 |
19701975 |
Pederson, Eva et al.
|
Film + Design
|
|
|
Stadttanz / Situative Bilder |
1990 |
Siegfried, Walter et al.
|
Revolving Histories
Der soziale Klang der Geste 27.-29.Juni 1990
|
|
|
Transitions of Space |
2018 |
Paik, Haejeung
|
Diplom HGK
|
|
Überholspur |
2007 |
Vass, Mathias
|
Videocity_memoriav
|
|
|
Rest–Druckverfahren. Aufwertung von organischen Nebenprodukten als temporäres, synästhetisches Druckerzeugnis |
2018 |
Ingold, Ladina Valerie
|
Diplom HGK
|
|
connected tongue |
1996 |
Jost, Karin [JOKO] et al.
|
Revolving Histories
Hör/Blick, 3 Tage Musik und Kunst
|
|
|
THE VISIBLE AND INVISIBLE |
Morger, Priska; Spiess, Aino
|
Next Generation
|
|
|
|
Open Sesión AEIOU |
2021 |
Saidman, Jazmín
|
Doce en Diciembre
|
|
|
Trobadora Broll singing about Lady Goddesses at the Equator |
2021 |
Regn, Chris
|
Doce en Diciembre
|
|
Der Hosenträger |
2001 |
Mäder, Urban et al.
|
Revolving Histories
|
|
Avril ou le château de Versailles, 1668 |
1668 |
Lebrun, Charles
|
GrandeEcurie
|
|
|
Vulva Art: An Embodied Palimpsest. How does Vulva Art graffiti represent, subvert and impact women embodiment through its use as an embodied palimpsest? |
2021 |
Lucas, Frances
|
Diplom HGK
|
|
Geh die Parzelle |
2015 |
Lerjen, Marie-Anne et al.
|
Revolving Histories
museum1
|
|
|
FORCED LIGHTNESS |
Lüscher, Josefa et al.
|
Next Generation
|
|
|
|
The EcoFamily. Climate Change and the Ecologically Friendly Educational Tool |
2020 |
Kosik, Klaudia
|
Diplom HGK
|
|
|
not clear yet |
2021 |
Holzer, Raphael et al.
|
ACT Performance Festival
|
|
|
PlasticArc.. Throw your Guilt away the way we throw out our trash! |
2022 |
Huber, Alice
|
Diplom HGK
|