| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
Schnellmalen |
2016 |
ALMA; Spöti, Henri; tuttiart
|
Revolving Histories
|
|
|
Stadttanz / Situative Bilder |
1990 |
Siegfried, Walter et al.
|
Revolving Histories
Der soziale Klang der Geste 27.-29.Juni 1990
|
|
|
Interface Design in Digital History: An Interdisciplinary Dialogue |
2021 |
Afanador-Llach, Camila et al.
|
Memory Full
|
|
SOLITUDO |
2017 |
Amodei, Adriana
|
Summe2017
|
|
Gesangs/Zeichnungs-Performance, grossformatig (mit verbundenen Augen) |
2021 |
Simon, Regina; Simon, Regina
|
Revolving Histories
|
|
|
Human Installation I |
2013 |
Zollinger, Thomas et al.
|
Revolving Histories
|
|
Stück für die Schwerkraft |
2021 |
[ultra], [Ensemble Flashback] et al.
|
Revolving Histories
|
|
|
UNDA PELEROZA |
2022 |
Pelletier, Sandrine et al.
|
Revolving Histories
Matza edgelands, Medellin, Colombia
|
|
|
Verbinde die Punkte: Doing Care |
2019 |
Hochschule für Gestaltung und Kunst, Institut Hyperwerk
|
HyperWerk
|
|
|
Early bowed instruments around 1500, Part II (north of the Alps) |
Frühe Streichinstrumente um 1500
|
||
|
|
Who's Afraid Of? |
2021 |
[Collective Doppelganger] et al.
|
Revolving Histories
|
|
landscaping (in between) |
2011 |
Hausheer, Angela et al.
|
Revolving Histories
Stromereien 11
|
|
|
Naked Slow Walk |
2014 |
Zollinger, Thomas et al.
|
Revolving Histories
Zagreb, I love you Festival
|
|
|
Is this me? |
2012 |
Naegelin, Barbara et al.
|
Revolving Histories
International Performance Art Giswil
|
|
Für die Vögel - partizipative Intervention |
2018 |
Hausheer, Angela et al.
|
Revolving Histories
UM 2018 (Uckermarkfestival)
|
|
|
SONG (Version 2) |
2011 |
Chramosta, Martin et al.
|
Revolving Histories
|
|
"AvM" (Annemarie von Matt) |
2020 |
Lussi, Rochus et al.
|
Revolving Histories
happen 3
|
|
|
Akkorde.online |
2007 |
Allamand, Peter et al.
|
Revolving Histories
NACHTSCHICHT 2007
|
|
|
Refugium - Ort des Rückzugs |
2011 |
Niephaus, Claus et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
PARAR PARA PENSAR INNEHALTEN UM NACHZUDENKEN |
2022 |
Sempach, Naomin
|
HyperWerk
|
|
|
PARAR PARA PENSAR INNEHALTEN UM NACHZUDENKEN |
2022 |
Sempach, Naomin
|
HyperWerk
|
|
Sympoison |
2018 |
Luv, Linda et al.
|
Revolving Histories
Symposium "Mit Denkmälern sprechen?"
|
|
|
Zone Lido |
2009 |
Hagmann, Gunilla et al.
|
Revolving Histories
|
|
|
Beginnings of Swiss Game Design. The Home Computer Scene of the 1980s |
2021 |
Bauer, René; Suter, Beat
|
Memory Full
|
|
|
PRACTICING COLLECTIVITY WITH RADIOHR |
2024 |
Achermann, Jodok
|
HyperWerk
|
|
|
Nasenwelt |
2010 |
Waldner, Claudia et al.
|
Revolving Histories
|
|
ultra |
2013 |
[ultra] et al.
|
Revolving Histories
|
|
Performative Spaziergänge |
2015 |
Buol, Silvia et al.
|
Revolving Histories
„living memory“, Schlossverein Zwingen, Alte Papierfabrik Zwingen
|
|
Waiting for.. |
2020 |
Peñaloza, Maricruz et al.
|
Revolving Histories
Schirme über dem Himmel
|
|
gated community |
2011 |
Zacek, Peter et al.
|
Revolving Histories
|
|
quinte - les toux virtuelles |
2021 |
[GingerEnsemble] et al.
|
Revolving Histories
HASARD3_Festival PERFORMANCE INTERACTIVE LIVE STREAM FESTIVAL Fribourg
|
|
The Gathering am Performance-Festival perFORM 2021! im Kunstdepot Winterthur 2021 |
2021 |
Hochuli, Gisela et al.
|
Revolving Histories
PerFORM¡ 2021
|
|
|
The Gathering in Winterthur, Kunstdepot 2020 |
2020 |
Hochuli, Gisela et al.
|
Revolving Histories
Kunst im Depot
|
|
|
DER SOGENANNTE ÖFFENTLICHE RAUM, GRAFFITI UND POSITION |
2022 |
Stettler, Luciano Wayan
|
HyperWerk
|
|
|
Text-Île. Erlebbares Textilhandwerk. Ein Umweltfreundlicher Umgang Mit Textilien |
Herrmann, Kira
|
HyperWerk
|
|
|
|
DER SOGENANNTE ÖFFENTLICHE RAUM, GRAFFITI UND POSITION |
2022 |
Stettler, Luciano Wayan
|
HyperWerk
|