| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
Slowly with never a pause |
2013-04-13 |
O'Leary, Deirdre et al.
|
ACT Performance Festival
|
|
everyday life of a president |
2018-04-18 |
Schmidt, Jonas
|
ACT Performance Festival
|
|
Ending on a sour Note |
2018-04-22 |
Luv, Linda
|
ACT Performance Festival
|
|
There must be a corner |
2007-05-06 |
Baumgartner, Nino
|
ACT Performance Festival
|
|
a little gift for you |
2004-05-15 |
Wüthrich, Anina
|
ACT Performance Festival
|
|
|
Me As A Fountain Fotografie |
15.08.2020 |
Grau, Pascale; Mes, Willem
|
Must or Not
|
|
|
Me As A Fountain Fotografie |
15.08.2020 |
Grau, Pascale; Schendel, Ute
|
Must or Not
|
|
THE I BECOMES A WE |
2022 |
Schmelcher, Anuk
|
ACT Performance Festival
|
|
A Bed for the Stranger |
2022 |
Colemêrg, Azad et al.
|
ACT Performance Festival
|
|
|
Speculating Towards a Transversal Environmental Science |
Riggs, Reto Christian et al.
|
Next Generation
|
|
|
|
A Migratory Journal To Switzerland |
2021 |
von Arb, Jonas
|
Diplom HGK
|
|
|
Conversation is a revolutionary act |
Durrer, Luisa et al.
|
Next Generation
|
|
|
|
All in a day’s work |
Fuchs, Niko
|
Next Generation
|
|
|
|
Love in a Fallen City |
Mei (左牵羊), Ruowen
|
Next Generation
|
|
|
|
Specks to make a documentary |
Dunning, Fanny Adriana
|
Next Generation
|
|
|
A Void In Voices / On Voyage / Tokyo |
2017 |
Drozd, Magda et al.
|
Summe2017
|
|
A glossary observing (in)formality. Understanding Mesagkala |
2019 |
Pantazopoulou, Agni et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
20 ideas for a performance at home |
2020-05-03 |
ACT Performance Festival
|
|
|
|
Manuel général de musique militaire a l'usage des armées françaises |
1848 |
Kastner, Georges
|
HSM-Datenbanken
|
|
|
Topo-Analysis of Space. A Lived Experience |
2021 |
Kaur, Anahat
|
Diplom HGK
|
|
|
cascina [ka∫'∫ina]. A trip above abandonment |
2019 |
Gallo, Andrea Sara
|
Diplom HGK
|
|
|
In der Zwischenzeit… Zur Überlieferung von Performance Kunst zwischen archivischer Erinnerung(-sarbeit) und künstlerischer Praxis am Beispiel des Re-Performance-Projekts ARCHIVES & BEYOND von Pascale Grau und Dorothee Daphi |
2026 |
Lurk, Tabea
|
ARCHIVES & BEYOND
|
|
|
Intuitive haptic telemanipulator for a robotic endoscope |
2018 |
Salz, Patrick
|
Diplom HGK
|
|
|
It will be once upon a time |
2019 |
Colic, Jana
|
Diplom HGK
|
|
word wide web Sewing a Storybook |
2025 |
Eigenheer, Julia
|
HyperWerk
|
|
|
A missing narrative of Ghana’s graphic design history |
2021 |
Okyere, Mark et al.
|
Memory Full
|
|
How to Dissolve; a Collective Experiment |
2019 |
Stucky, Anouk
|
HyperWerk
|
|
|
T A T O R T - Parkinglot |
2014 |
Silber, Alex
|
Videocity_memoriav
|
|
LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG |
2022 |
Ruedin, Anne-Louise
|
HyperWerk
|
|
LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG |
2022 |
Ruedin, Anne-Louise
|
HyperWerk
|
|
|
Shifts in Mapping: Maps as a Tool of Knowledge |
2021-11-26 |
Schranz, Christine
|
Shifting is Mapping
|
|
Slowly with never a pause - Lena Lengsfeld, Deirdre O'Leary, Daniela Brugger |
2013-04-13 |
Bürgi, Yolanda
|
ACT Performance Festival
|
|
Remember What We Forgot – A High-Pressure Lullaby |
2025-05-17 |
Collective Heartbreak
|
ACT Performance Festival
|
|
|
Elas sustentam a vida do pais |
1992 |
Studer, Stefan et al.
|
Videonetzwerke
|
|
|
Workshop: CCTV - A Trail of Images |
2009 |
digitalbrainstorming
|
DigitalBrainstorming
|
|
|
Prologue: Overture (Mantras for a club) |
2021-08-15 |
PRICE; Ringgenberg, Mathias
|
PPP-ProgrPerformancePlattform
|