| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Performance von HALLE K |
2022 |
Steffen, Karl [Halle K] et al.
|
Revolving Histories
Come and Show
|
|
|
The Affordances of Scripting Typography |
2018 |
Neves, Pedro
|
Diplom HGK
|
|
etwas ist geblieben |
2026 |
Prekas, Alexander
|
Next Generation
|
|
Triggering Ritual |
2026 |
Choi, Boyun
|
Next Generation
|
|
Resonant Loop |
2026 |
Su, Tzuchi et al.
|
Next Generation
|
|
Moments of NOW |
2026 |
Qin, Yunshu Summer et al.
|
Next Generation
|
|
In Visible Archives |
2026 |
Hoogkamer, Jules et al.
|
Next Generation
|
|
|
'hands' |
1998, 2000 |
Wirth, Ursi et al.
|
Revolving Histories
|
|
Schnellmalen |
2016 |
ALMA; Spöti, Henri; tuttiart
|
Revolving Histories
|
|
|
Stadttanz / Situative Bilder |
1990 |
Siegfried, Walter et al.
|
Revolving Histories
Der soziale Klang der Geste 27.-29.Juni 1990
|
|
|
Interface Design in Digital History: An Interdisciplinary Dialogue |
2021 |
Afanador-Llach, Camila et al.
|
Memory Full
|
|
SOLITUDO |
2017 |
Amodei, Adriana
|
Summe2017
|
|
Gesangs/Zeichnungs-Performance, grossformatig (mit verbundenen Augen) |
2021 |
Simon, Regina; Simon, Regina
|
Revolving Histories
|
|
|
Human Installation I |
2013 |
Zollinger, Thomas et al.
|
Revolving Histories
|
|
Stück für die Schwerkraft |
2021 |
[ultra], [Ensemble Flashback] et al.
|
Revolving Histories
|
|
|
UNDA PELEROZA |
2022 |
Pelletier, Sandrine et al.
|
Revolving Histories
Matza edgelands, Medellin, Colombia
|
|
|
Verbinde die Punkte: Doing Care |
2019 |
Hochschule für Gestaltung und Kunst, Institut Hyperwerk
|
HyperWerk
|
|
|
Early bowed instruments around 1500, Part II (north of the Alps) |
Frühe Streichinstrumente um 1500
|
||
|
|
Who's Afraid Of? |
2021 |
[Collective Doppelganger] et al.
|
Revolving Histories
|
|
landscaping (in between) |
2011 |
Hausheer, Angela et al.
|
Revolving Histories
Stromereien 11
|
|
|
Naked Slow Walk |
2014 |
Zollinger, Thomas et al.
|
Revolving Histories
Zagreb, I love you Festival
|
|
|
Is this me? |
2012 |
Naegelin, Barbara et al.
|
Revolving Histories
International Performance Art Giswil
|
|
Für die Vögel - partizipative Intervention |
2018 |
Hausheer, Angela et al.
|
Revolving Histories
UM 2018 (Uckermarkfestival)
|
|
|
SONG (Version 2) |
2011 |
Chramosta, Martin et al.
|
Revolving Histories
|
|
"AvM" (Annemarie von Matt) |
2020 |
Lussi, Rochus et al.
|
Revolving Histories
happen 3
|
|
|
Akkorde.online |
2007 |
Allamand, Peter et al.
|
Revolving Histories
NACHTSCHICHT 2007
|
|
|
Refugium - Ort des Rückzugs |
2011 |
Niephaus, Claus et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
PARAR PARA PENSAR INNEHALTEN UM NACHZUDENKEN |
2022 |
Sempach, Naomin
|
HyperWerk
|
|
|
PARAR PARA PENSAR INNEHALTEN UM NACHZUDENKEN |
2022 |
Sempach, Naomin
|
HyperWerk
|
|
Sympoison |
2018 |
Luv, Linda et al.
|
Revolving Histories
Symposium "Mit Denkmälern sprechen?"
|
|
|
Zone Lido |
2009 |
Hagmann, Gunilla et al.
|
Revolving Histories
|
|
|
Beginnings of Swiss Game Design. The Home Computer Scene of the 1980s |
2021 |
Bauer, René; Suter, Beat
|
Memory Full
|
|
|
PRACTICING COLLECTIVITY WITH RADIOHR |
2024 |
Achermann, Jodok
|
HyperWerk
|
|
|
Nasenwelt |
2010 |
Waldner, Claudia et al.
|
Revolving Histories
|
|
ultra |
2013 |
[ultra] et al.
|
Revolving Histories
|
|
Performative Spaziergänge |
2015 |
Buol, Silvia et al.
|
Revolving Histories
„living memory“, Schlossverein Zwingen, Alte Papierfabrik Zwingen
|