| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
70 trillion identities |
2015-05-02 |
Sturm, Lou
|
ACT Performance Festival
|
|
|
Interface Design in Digital History: An Interdisciplinary Dialogue |
2021 |
Afanador-Llach, Camila et al.
|
Memory Full
|
|
Lost in Translation |
2015 |
Koy, Dirk
|
Summe2017
|
|
Widerstand und ästhetische Praxis. Eine fragmentarische Erkundung |
2019 |
Mighali, Gabriela
|
Institut Integrative Gestaltung / Masterstudio
|
|
Handout ACT ON 2013 |
2013-09-27 |
ACT Performance Festival
|
|
|
Body & Soul |
2012-04-05 |
Thiévent, Léandre
|
ACT Performance Festival
|
|
|
One Two Tie My Shoe. Motion and Gesture in a Digital Environment |
2018 |
Malpeso, Sonia
|
Diplom HGK
|
|
|
Precarious Graphic Design. Analysis and exploration of fictional projects as a manifestation of precariousness in the graphic-design profession |
2019 |
Puricelli, Alessandra
|
Diplom HGK
|
|
|
Early bowed instruments around 1500, Part II (north of the Alps) |
Frühe Streichinstrumente um 1500
|
||
|
|
LIVE LOAD // DEAD LOAD |
2021 |
Barone, Antonella [baronebreu] et al.
|
Revolving Histories
LIVE LOAD // DEAD LOAD
|
|
Daten-Dada |
2016-03-15 |
Frohmann, Christiane
|
DigitalBrainstorming
|
|
soforthotnow |
2008-05-02 |
Baldinger, Martina et al.
|
ACT Performance Festival
|
|
soforthotnow |
2008-05-02 |
Baldinger, Martina et al.
|
ACT Performance Festival
|
|
Drag Performance |
1999 |
Maxi, Lorbert
|
Revolving Histories
BEA
|
|
Boden [ver]leitet |
2013 |
Luv, Linda; Luv, Linda
|
Revolving Histories
|
|
o.T. |
2013 |
Lipp, Dominik et al.
|
Revolving Histories
1er Jours des éphémères
|
|
Res. Alltag und Objekt |
2016 |
Baumgartner, Isabelle
|
HyperWerk
|
|
mobilis |
2014 |
Bänziger, Benjamin
|
HyperWerk
|
|
|
The Affordances of Scripting Typography |
2018 |
Neves, Pedro
|
Diplom HGK
|
|
|
etwas ist geblieben |
2026 |
Prekas, Alexander
|
Next Generation
|
|
Resonant Loop |
2026 |
Su, Tzuchi et al.
|
Next Generation
|
|
Moments of NOW |
2026 |
Qin, Yunshu Summer et al.
|
Next Generation
|
|
In Visible Archives |
2026 |
Hoogkamer, Jules et al.
|
Next Generation
|
|
Triggering Ritual |
2026 |
Choi, Boyun
|
Next Generation
|
|
|
WE SHALL BE TOUCHED |
2021 |
Vitali, Patrizia et al.
|
Revolving Histories
SICHTBAR? SICHTBAR? Performance Summer Special
|
|
|
..was erinnert? Lecture-Performance mit Video |
2017 |
Grau, Pascale et al.
|
Revolving Histories
Nairs in movimaint
|
|
|
La Chambre de Madame Malaise |
2020 |
Rüegg, Lea et al.
|
Revolving Histories
|
|
Post-Show Talk |
2019 |
[The Field] et al.
|
Revolving Histories
|
|
|
Oberhalb meines Kopfes ist noch viel freier Raum |
2014 |
Imperatori, Manuela et al.
|
Revolving Histories
Diplomausstellung HKB
|
|
|
BOXING NOISE |
2021 |
Bondi, Cyril et al.
|
Revolving Histories
|
|
|
I feel |
2020 |
Hochuli, Gisela et al.
|
Revolving Histories
Partout – Platform for international Performance Art
|
|
höher - schneller - weiter |
2021 |
Koller, Sara et al.
|
Revolving Histories
science+fiction
|
|
Can’t say much about anything that’s new |
2017 |
[PRICE] et al.
|
Revolving Histories
Extraball CCS, Paris - carte blanche Les Urbaines
|
|
Weisse Ausweitung |
2018 |
Simon, Regina et al.
|
Revolving Histories
Leichtes Licht legen
|
|
|
Beginnings of Swiss Game Design. The Home Computer Scene of the 1980s |
2021 |
Bauer, René; Suter, Beat
|
Memory Full
|
|
|
THE SWIFT EROSION OF A CRATER THROUGH HUMAN INTERVENTION |
2020 |
Hahn, Alexander et al.
|
Revolving Histories
|