| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Artesanías vs Design: Unveiling Design Hegemonies over Traditional Crafts in Chile |
2021 |
Salgado Cofré, Daniela
|
Memory Full
|
|
|
Rauch |
siehe weitere Infos |
Bottini, Max et al.
|
Revolving Histories
siehe weitere Infos
|
|
pressespiegel 2015 |
2015 |
Domesle, Andrea
|
Videocity_memoriav
|
|
|
eppur si muove No. 3 |
2013/2019 |
Mundwiler, Sebastian
|
Videocity_memoriav
|
|
|
Gspürsch mi, fühlsch mi? Das Baseler Rheinufer als taktile Schwelle und inklusiver Übergangsraum |
2026-05-13 |
Fust, Carmen et al.
|
In3
|
|
|
Nr. 4 |
2015 |
Szabo, Manuel
|
Videocity_memoriav
|
|
|
In der Zwischenzeit… Zur Überlieferung von Performance Kunst zwischen archivischer Erinnerung(-sarbeit) und künstlerischer Praxis am Beispiel des Re-Performance-Projekts ARCHIVES & BEYOND von Pascale Grau und Dorothee Daphi |
2026 |
Lurk, Tabea
|
ARCHIVES & BEYOND
|
|
|
nackt gehen max 1m/min |
2010 |
Zollinger, Thomas et al.
|
Revolving Histories
|
|
|
Have I ever spoken properly? |
2021 |
Narisawa, Kihako et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Interview mit Barbara Strebel im Rahmen des SNF-Forschungsprojekts Sharing Knowledge in the Arts am Critical Media Lab der HGK Basel FHNW |
2024-05-30 |
Strebel, Barbara et al.
|
Netzkulturen
|
|
|
Archives and Databases for Artists by Artists |
02.11.2018 |
Newman, Hayley; Reedy, Bryan
|
Archive des Ephemeren
|
|
|
Diagraming Practice: a Workshop exploring Archives and their Relationship to Databases |
02.11.2018 |
Newman, Hayley; Reedy, Bryan
|
Archive des Ephemeren
|
|
All es verschlingt! |
2017 |
Luv, Linda; Fasel, Patric
|
Revolving Histories
ACT Luzern
|
|
Dialog des Herzens |
2012 |
Meyer, Alexandra et al.
|
Revolving Histories
|
|
Gut Kirschen essen |
2017 |
Meyer, Alexandra et al.
|
Revolving Histories
Ausstellung "à Discretion"
|
|
breathing psoas |
2021 |
Plonka, Anja et al.
|
Revolving Histories
Filmfest Bochum
|
|
|
Blutwurst |
2011 |
Meyer, Alexandra et al.
|
Revolving Histories
|
|
Tisch |
2002–2008 |
Bottini, Max et al.
|
Revolving Histories
Ausstellung "Food Design"
|
|
peeling #3 |
2017 |
Luedi, Juerg et al.
|
Revolving Histories
Interakcje XIX INTERACTIONS International Art Festival 8-12 May 2017
|
|
|
micro IV |
2015 |
Sunarjo, Benjamin et al.
|
Revolving Histories
|
|
Patten und Elden im Wald |
2008 |
Treyer, Elda
|
Revolving Histories
|
|
|
Eheringe |
2011 |
Meyer, Alexandra et al.
|
Revolving Histories
|
|
STRIPTICE |
2017 |
Vogel, Andrea et al.
|
Revolving Histories
Ausstellung "Geiler Block"
|
|
Küsse kauen und wiederverdauen |
2020 |
[DIEL + AFFENTRANGER] et al.
|
Revolving Histories
Ausstellung "In Transition"
|
|
|
Wer die Liebe tötet |
2006 |
Ghisalberti, Flavia et al.
|
Revolving Histories
|
|
|
13 Full Moons |
2019 |
Edens, Saskia et al.
|
Revolving Histories
Kyta residency
|
|
|
There is no such thing as a void |
2013 |
Brugger, Daniela
|
Revolving Histories
|
|
|
A glossary observing (in)formality. Understanding Mesagkala |
2019 |
Pantazopoulou, Agni et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
Ecologies of dissemination |
2023-10 |
Weinmayr, Eva; Snelting, Femke
|
e-Publications
|
|
|
Stockfisch |
1998 |
Bottini, Max et al.
|
Revolving Histories
Stockfisch
|
|
|
TALES OF NOW HERE nomadic entanglements in hyperreality |
2017 |
Ferrari, Juan et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Please Peace |
2022 |
Lugeon, Ariane et al.
|
Revolving Histories
SIM Gallery Exhibition
|
|
Denken wie ein Berg |
2008 |
Bänninger, Christine et al.
|
Revolving Histories
|
|
|
BANG BANG: KLEINER WERDEN |
2022 |
Grimm, Claudia et al.
|
Revolving Histories
BANG BANG
|
|
whiteflag |
ab 2019 |
Magos, Gabriel; verschiedene
|
Revolving Histories
|
|
|
Echo of Leaf and Body - BadLab collective |
2021 |
Ayala, Paloma [BadLab] et al.
|
Revolving Histories
Open Source Body Festival
|