| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
Die Anatomie des Feststeckens |
2019 |
[PARK] et al.
|
Revolving Histories
|
|
|
Lauthals |
2018 |
Schürch, Dorothea [Vokalensemble Maulauf] et al.
|
Revolving Histories
|
|
|
Collaboration X (Collaborations I - VI) |
2018, 2019 |
Im Obersteg, Beatrice et al.
|
Revolving Histories
Collaboration X
|
|
Stabstreffen |
2016 |
Maag, Irene et al.
|
Revolving Histories
Rahmenprogramm Performancepreis Schweiz 2016
|
|
Beyond What the Eye Can See |
2025 |
Karabulut, Feyza Hilal
|
Next Generation
|
|
Processing Psychedelics |
2023 |
D‘Amico, Julian
|
HyperWerk
|
|
|
Zwischen Vielfalt und Verunsicherung |
2025 |
Huwyler, Basil
|
HyperWerk
|
|
|
MILITANCY OF SOUND |
2025 |
Gnahoua, Sidonia Yridjé
|
HyperWerk
|
|
|
Feldstudie I |
2012-04-05 |
Wanner, Manuela et al.
|
ACT Performance Festival
|
|
Index 42_The Phases of the Pomegranate |
2015 |
De Pinto, Pier Giorgio et al.
|
Revolving Histories
|
|
|
Lemusa 03 Centre-Sentom |
2025 |
Herzog, Samuel
|
Lemusa
|
|
|
Nous partîmes 500 |
1984 |
Rosset, Anne et al.
|
Revolving Histories
de la Bâtie
|
|
|
CHROM The Future Is Roma - We Pass The Mic To Europe |
2019 |
[Roma Jam Session art Kollektiv] et al.
|
Revolving Histories
ERIAC Roma Tangible Heritage Network
|
|
Passage |
2018, 2019 |
Schaffer, Did et al.
|
Revolving Histories
Eröffnung des neuen Tanzhauses
|
|
Wohin ist es verschwunden? Fragmente einer Traumwelt |
2017 |
Wespi, Natalia; Luv, Linda
|
Revolving Histories
ACT Basel 2017
|
|
Expressive Skizzen des alltäglichen Geschehens |
2013 |
Streiff, Barbara et al.
|
Revolving Histories
Urban Kultur Zürich
|
|
Gelbe Musik / Yellow Music |
2014 |
König, Lysann et al.
|
Revolving Histories
Das Ohr an der Tür
|
|
FORÊT D'O |
2018 |
Bösch, Maya et al.
|
Revolving Histories
Up Festival
|
|
|
zwischen spuren |
2021 |
Zollinger, Thomas et al.
|
Revolving Histories
8ème Jours des éphémères
|
|
Spiral |
2011 |
Schaffer, Did et al.
|
Revolving Histories
Performance Reihe Neu-Oerlikon
|
|
|
Mein Graz |
2005 |
Trantow, Tammo
|
HyperWerk
|
|
|
zwischenräume |
2009 |
Matter, Franziska
|
HyperWerk
|
|
La Loba |
2016 |
Buffard, Lara
|
Revolving Histories
|
|
|
My Obsession |
1997 |
Hody, Anne et al.
|
Revolving Histories
|
|
|
Blut: The Syrup Of Life |
2014 |
Mathis, Muda [Les Reines Prochaines] et al.
|
Revolving Histories
|
|
|
Square - Animation to wear |
2011 |
Hess, Mirjam; Osswald, Marc
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Performance im Tresorraum |
1998 |
Siedler, Patrick et al.
|
Revolving Histories
|
|
TELL ME |
2019 |
Meier, Léa et al.
|
Revolving Histories
Antigel
|
|
HitStories - Fatima Wegmann — Follow the white rabbit |
2021 |
Wegmann, Fatima et al.
|
Revolving Histories
|
|
Cod.Act: André et Michel Décosterd |
2015-03-31 |
Décosterd, André et al.
|
DigitalBrainstorming
|
|
Maag Unikat |
2016 |
Maag, Irene et al.
|
Revolving Histories
KUNST in dr BÄIZ
|
|
|
Tour d'art |
Stucky, Raphael et al.
|
ACT Performance Festival
|
|
|
|
To See in Reverse: Decoding and Decolonizing Design Language and Thinking |
2021 |
Meliande, Clara et al.
|
Memory Full
|
|
Screaming at Andy Warhol |
2020 |
Gageos, Vanessa
|
Revolving Histories
Silent Vision
|
|
|
Geldentwerfen |
2018 |
Scheurer, Noemi
|
HyperWerk
|
|
|
Italic. A Renaissance Legacy.. Elaboration, development, and new uses of Italian Chancery script. |
2022 |
Zafferani, Giulia
|
Diplom HGK
|