| titel | year | author | event |
|---|---|---|---|
BANG BANG: PANCH Soziale Eleganz – Come and Show, Teil 4 |
2022 |
Senn, Odilia; Fay Zanetti, Franca; Skorski, Claudius; [Gruppe Raumflucht]; Schaffer, Did; Ekomo, Aceko; Langschied, Till; Spedicato, Francesco; Ardiri, Francesco; [Performancekollektiv Kollabor]; Pfister-Köfler, Hansjörg; [Mirzlekid]; Maag, Irene; Rohner, Isabel; Kiranoglu, Jasmin; Lisi, Riccardo; Frei, Lilian; Scherrer, Ursula; von Moos, Mimi
|
Come and Show
|
Von Kartonbergen und Schlitzohren |
2018 | ||
Open ContributionCome and Show. PANCH Soziale Eleganz |
06.08.2022 |
Šterns, Ilmar
|
PANCH Soziale Eleganz – Come and Show
|
CC_Cycles of Circulation EVENTS |
2025 | ||
Dichte der Nacht |
2018 | ||
Reanimationsmassnahme. Wir bringen Leben in den Materialfriedhof |
2014 | ||
Supervising Students Abroad |
2017-06-24 | ||
Lichtblick |
2018 | ||
RAUSS |
2008 | ||
Observatorium |
2018 | ||
Zwischen zwei Welten |
2018 | ||
Foroglio |
2018 | ||
Poster Basel |
2015-04-11 | ||
Vulva Art: An Embodied Palimpsest. How does Vulva Art graffiti represent, subvert and impact women embodiment through its use as an embodied palimpsest? |
2021 | ||
Verlorenes Zuhause |
2018 | ||
Rückzug |
2019 | ||
StattBüro |
2019 | ||
ideation |
2006 | ||
«How does home sound like?» |
2023 | ||
Data Recovery of Lithuanian Design History: stories and links from visual folders of Antanas Kazakauskas’ archive |
2021 | ||
Ein verlassener Ort |
2018 | ||
Unter der Treppe |
2018 | ||
Einfall |
2018 | ||
Mutual matters: Goldrausch 2021 |
2021 | ||
Die Bärenhöhle |
2018 | ||
Migma Programm 2010 |
2010 | ||
Rock Cakes, Rations and the Common Good: Performing postgraduate Design Education |
2021 | ||
Silvestro Ganassis «viola d’arco tastada» Report on a research project on its contextualization and reconstruction |
2013 | ||
Interview von Margarit von Büren mit Gaspard Buma, 25.11.2010 mit Gaspard Buma |
25.11.2010 | ||
Aroma Colorado |
2025-08 | ||
Designing the Future-Past: Ceramics and the forgetfulness of modernity |
2021 | ||
Translational imagery. Revealing the invisible aspects from things through the abstract translational technique |
2021 | ||
Colorado |
2025 |
Mensch, Julia
|
|
Get Shot |
2013 | ||
Amaranth as Political Agent |
2025 | ||
GepettoDigital |
2008 |