| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
Seven Monuments for Annie Sprinkle |
2008 |
Mathis, Muda et al.
|
Revolving Histories
BONE - Festival für Aktionskunst
|
|
Tri-Tanz-Tüt Performance |
1992 |
Radlach, Christiane et al.
|
Revolving Histories
Performancewoche in Erfurt
|
|
|
Capturing the Transient. An investigation into before-and-after photography |
2019 |
Ferreira, Luca
|
Diplom HGK
|
|
C20 Hac in die / Missa sanctae Caterinae v. et m. |
Gaffurius, Franchinus
|
Motet Cycles
|
|
|
down |
2013 |
Palla, Ursula
|
Videocity_memoriav
|
|
Action Center |
2019 |
Tacheron, Anne-Lise et al.
|
Revolving Histories
far° Nyon 2019
|
|
|
Embodied Interfaces |
Solenberger, Desirée
|
Next Generation
|
|
|
|
Stains of Fear |
Zarghampour, Mojtaba et al.
|
Next Generation
|
|
|
|
Another Body |
Mei, Jiawen et al.
|
Next Generation
|
|
|
|
C15 Exultabit cor meum |
Anonymous
|
Motet Cycles
|
|
|
|
Tonhühner |
1994 |
Bottini, Max et al.
|
Revolving Histories
|
|
|
Mess up Your Mind |
2001 |
Klossner, Frantiček
|
Videocity_memoriav
|
|
|
The new form of the theatre and possible scenarios of the theatre development after the Coronavirus pandemic |
2021 |
Ballek, Valeriia et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Runtime |
2015 |
Lapschina, Lena
|
Summe2017
|
|
|
MEETING THE FARMERS HALFWAY NEGOTIATING VISIBILITY IN GERMAN FARMERS’ PROTESTS |
2026 |
Seiler, Nicolas
|
HyperWerk
|
|
|
The Yellow Chair Tracing Color through Memory, Pigment, and Material Practice |
2026 |
Maczka, Barbara
|
HyperWerk
|
|
|
Nudeland |
2017 |
Zollinger, Thomas et al.
|
Revolving Histories
|
|
|
Max und Bruce "Der Brief" |
2011-04-20 |
Nitchaeff, Anna; Kohler, Lucie
|
ACT Performance Festival
|
|
|
Max und Bruce "Der Brief" |
2011-04-20 |
Nitchaeff, Anna; Kohler, Lucie
|
ACT Performance Festival
|
|
|
Together Elsewhere 05: Agnes Btffn und Sandra De Los Santos |
18.11.2021 |
Btffn, Agnes et al.
|
Together Elsewhere
|
|
|
digital communication in the art museum environment |
2022 |
Carrer, Marta
|
Diplom HGK
|
|
|
Designing and understanding pictorial language. Pictograms: their readability and the relation between them and illustrations |
2021 |
Han, Soojin
|
Diplom HGK
|
|
|
Flowing Nature. On Translating the Visual Qualities of the Rhine River |
2021 |
Marie, Simone
|
Diplom HGK
|
|
dicker Bauch |
2021 |
Leppert, Patrick et al.
|
Revolving Histories
-
|
|
M132 Gaude virgo mater Christi |
Anonymous
|
Motet Cycles
|
|
|
M133 Gaude quia magi dona |
Anonymous
|
Motet Cycles
|
|
|
M131 Gaudeamus omnes in domino |
Anonymous
|
Motet Cycles
|
|
|
M135 Gaude quae post ipsum |
Anonymous
|
Motet Cycles
|
|
|
|
C68 Missa brevis octavi toni + Ave verum corpus : Ave mater salvatoris |
Gaffurius, Franchinus
|
Motet Cycles
|
|
|
M138 Beata gens |
Weerbeke, Gaspar van
|
Motet Cycles
|
|
|
M136 Spiritus domini replevit |
Weerbeke, Gaspar van
|
Motet Cycles
|
|
|
M137 Veni sancte spiritus |
Weerbeke, Gaspar van
|
Motet Cycles
|
|
|
M139 Confirma hoc deus |
Weerbeke, Gaspar van
|
Motet Cycles
|
|
|
|
The One Following Me |
2006 |
Vasiliev (Vassiliev), Yury (Yuri)
|
Videocity_memoriav
|
|
|
Drawing Limmatplatz, for Instance. An Exploration into Epistemic Processes in Drawing |
2020 |
Sitter, Anja
|
Diplom HGK
|
|
|
Photo Reportages in Travel Magazines. Analysis of Photo Motifs |
2018 |
Waibel, Catherine Louise
|
Diplom HGK
|