| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
I forgive you |
2016-04-23 |
Hennig Marques, Barbara et al.
|
ACT Performance Festival
|
|
|
Ausschreibung Zürich |
2013-07-07 |
ACT Performance Festival
|
|
|
Unter der Oberfläche III |
2016 |
Bucher, Claudia et al.
|
Revolving Histories
Horwer Kulturprojekt Halbinsel
|
|
|
Elegance is the suavity in movement. |
2019 |
Toorchi, Julia Lorenza Mir
|
Diplom HGK
|
|
Ein Versuch glücklich zu werden |
2011 |
Sidler, Celia et al.
|
Revolving Histories
Museumsnacht Basel
|
|
|
How Will We Be Remembered?. Social Media Images as Future Remnants |
2020 |
Hallén, Evelina
|
Diplom HGK
|
|
|
Almanaque: A Collaborative Approach to Design Research and Puerto Rican Identity |
2021 |
Alejandro, Jason et al.
|
Memory Full
|
|
|
Silent Witnesses: A Groundbreaking Idea in the 1st Millenium BC Changed the Ancient Textile Industry and Laid the Foundation for Modern Clothing Production |
2021 |
Beck, Ulrike
|
Memory Full
|
|
RiXC Art and Science Festival 2025: Plants Intelligence - Symposium |
2025 |
Castelblanco, Felipe et al.
|
Plant_Intelligence
|
|
|
Rotweisskariert |
2009 |
McKean, Christopher Scott
|
HyperWerk
|
|
|
Ganassi – Arbeitstagebuch |
2014 |
Schürch, Stephan
|
OpenAccessPublikationen
|
|
|
LET‘S GO FOR A WALK — UNDERSTANDING MY DOG |
2022 |
Ruedin, Anne-Louise
|
Diplom HGK
|
|
|
Inganekwane |
2016-04-23 |
Ntuli, Phumulani
|
ACT Performance Festival
|
|
|
Audioscoring (III. Teil). Material: Joseph Beuys „Ja Ja Ja Ja Ja Nee Nee Nee Nee Nee“, 1968 |
01.11.2018 |
Schürch, Dorothea
|
Archive des Ephemeren
|
|
|
Inganekwane |
2016-04-23 |
Ntuli, Phumulani
|
ACT Performance Festival
|
|
|
Nachmittags 14.30 Teil 1 |
2021 |
Hochuli, Gisela
|
Doce en Diciembre
|
|
|
Nachmittags 14.30 Teil 2 |
2021 |
Hochuli, Gisela
|
Doce en Diciembre
|
|
|
Grinçant |
2025-05-17 |
Gronchi, Zoé
|
ACT Performance Festival
|
|
Plant_Intelligence Exhibition |
2025 |
Baumann, Sabian et al.
|
Plant_Intelligence
|
|
|
Miss wired & Moss wild |
2018 |
Massol, Guillaume et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Bau einer Gambe nach Ganassi |
2014 |
Mark, Günter
|
OpenAccessPublikationen
|
|
|
Un essai de reconstruction des Cromornes de la Grande Écurie à la cour de Louis XIV |
2009 |
Robin, Vincent
|
OpenAccessPublikationen
|
|
|
Trompeterensembles und ihre Musik im Spätmittelalter |
2021 |
Welker, Lorenz
|
OpenAccessPublikationen
|
|
|
Chair de peau | SKIN QUIVER |
2015 |
Kim, TK
|
Summe2017
|
|
|
drinnen & draussen, 2005-2006 |
2009-03-19 |
Flückiger, Edith; Levy, Roger
|
migma
|
|
|
Hand me down |
2019 |
Müller, Désirée
|
Diplom HGK
|
|
|
NO FUN |
2019 |
Preissle, Lisa
|
Diplom HGK
|
|
|
2017-04-22 |
Heitzmann, Marco
|
ACT Performance Festival
|
|
|
Gaffurius Codices Online |
2019 |
Pavanello, Agnese et al.
|
HSM-Datenbanken
|
|
|
Postcard 1: I wish you were here. A virtual tour on the FHNW Campus |
2021 |
Steffen, Noemi et al.
|
Memory Full
|
|
|
Postcard 8: Fake Memories. Fake chalets on the landscape |
2021 |
Schneider, Julia et al.
|
Memory Full
|
|
|
Postcard 6: collective memory. Following Bally's footsteps |
2021 |
Fey, Yannick et al.
|
Memory Full
|
|
|
Postcard 11: Memory and Gender. A visit to the exhibition "Robes Politiques", Textilmuseum St Gallen |
2021 |
Zufferey, Nicolas et al.
|
Memory Full
|
|
|
Postcard 7: Memory full! A visit to the Schaudepot at Museum für Gestaltung, Zurich |
2021 |
Eggmann, Niklas et al.
|
Memory Full
|
|
|
Postcard 9: Remote but not forgotten. Looking for Knorrli, the Knorr soups mascot, in the Maggia Valley |
2021 |
Gregor, Natalie et al.
|
Memory Full
|
|
|
Postcard 2: Swiss Graphic Design. A visit to the Plakatsammlung Basel |
2021 |
Zulji, Ilhan et al.
|
Memory Full
|