| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
M261 O domine Iesu Christe adoro te descendentem ad inferos |
Maistre Jhan
|
Motet Cycles
|
|
|
M258 O domine Iesu Christe adoro te in cruce vulneratum |
Maistre Jhan
|
Motet Cycles
|
|
|
M257 O domine Iesu Christe adoro te in cruce pendentem |
Maistre Jhan
|
Motet Cycles
|
|
|
M263 O domine Iesu Christe pastor bone iustos conserva |
Maistre Jhan
|
Motet Cycles
|
|
|
M260 O domine Iesu Christe adoro te in sepulcro positum |
Maistre Jhan
|
Motet Cycles
|
|
|
M259 O domine Iesu Christe deprecor te |
Maistre Jhan
|
Motet Cycles
|
|
|
C12a Ave mundi domina |
Weerbeke, Gaspar van
|
Motet Cycles
|
|
|
Le Soldat |
2011 |
Heintz, Paul
|
Videocity_memoriav
|
|
|
About (un)belonging |
2025 |
Bigler, Kathrin
|
Werke
|
|
|
Aquelarre |
2021 |
Funes, Luján
|
Doce en Diciembre
|
|
|
180 degree |
2016 |
Pong, Elodie
|
Videocity_memoriav
|
|
|
DOPE |
2015-04-25 |
Diamond, Milky
|
ACT Performance Festival
|
|
|
C07 Castra caeli dum transcendo |
Gaffurius, Franchinus
|
Motet Cycles
|
|
|
|
After William Burroughs |
2015 |
Stauch, Dominik
|
Videocity_memoriav
|
|
|
Sarouk |
2011 |
Hänggi, Edith
|
Videocity_memoriav
|
|
|
Pallasades Revisited |
2012 |
Streuli, Beat
|
Videocity_memoriav
|
|
|
Rotterdam Application |
2018 |
Schwander, Markus et al.
|
Grenzgang
|
|
|
DITHER! |
2017 |
Martins, Yann Patrick
|
Summe2017
|
|
|
enlacer/ umarmen |
2022 |
Chaubert, Camille
|
Diplom HGK
|
|
|
Video Poem (Fujisan Reflected) |
1998 |
Spielhofer, Hildegard
|
Videocity_memoriav
|
|
|
Improvisation im Design. Improvisation als Anforderung zum Denken |
2020 |
Fadeeva, Ekaterina
|
Diplom HGK
|
|
|
ATTENTION PANORAMA |
Bianchi, Blanca et al.
|
Next Generation
|
|
|
The light coming from between the leaves |
2020-07-03 |
Matsushima, Mone
|
Peripher_ies
|
|
The light coming from the window |
2020-07-03 |
Matsushima, Mone
|
Peripher_ies
|
|
peeling #5 |
2019 |
Luedi, Juerg et al.
|
Revolving Histories
Jetzt Kunst No 7, Kunst in der Stadt, As time goes by
|
|
|
«my data – your data» |
2017 |
Jeremic, Lazar
|
Diplom HGK
|
|
|
WAS ERZÄHLEN KÖRPER, WENN SIE (ER) TRAGEN? |
Roth, Evelyne; Maywald, Hannah
|
Next Generation
|
|
|
|
2018-04-14 |
Salem, Alexandra et al.
|
ACT Performance Festival
|
|
|
|
2018-04-14 |
Salem, Alexandra et al.
|
ACT Performance Festival
|
|
|
|
expedition.02 |
2002 |
Zollinger, Thomas et al.
|
Revolving Histories
|
|
|
CARU |
Mbetse, Miranda; Adolph, Sven
|
Next Generation
|
|
|
|
First Contact with MxM@ |
2015-04-11 |
ACT Performance Festival
|
|
|
|
First Contact with MxM@ |
2015-04-11 |
ACT Performance Festival
|
|
|
|
It`s okay |
2020-04-21, 19:00 |
Roncevic, Andela
|
ACT Performance Festival
|
|
kredit. bezhalt sein um nichts zu tun, 2007 |
2007 |
RELAX et al.
|
Revolving Histories
Ausstellung "Close Enough. Walking Conference"
|
|
Spilling Water - Mit Kind und Trompete Performance in Zusammenarbeit mit Maya Minder und Kazimir Minder 27.02.2016 — Legs Zürich 2016 — Corner College, Zürich Dauer: 9 min Ablauf — Person mit Trompete versucht Töne zu produzieren ohen dabei das Kleinkind zu wecken. Person mit der Schale und Lumpen versucht den Boden zu putzen ohne dabei das Kind zu wecken.Mit Instrumenten einen Klangteppich produzieren, aus dem Buch Zürichsyndrom vorlesen |
2021 |
Lazic, Milenko et al.
|
Revolving Histories
Legs Corner College
|