| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Die «Écuries» von Versailles |
2009 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
|
Die "Écuries" von Versailles |
Hirsch, Thilo
|
GrandeEcurie
|
|
|
Library Underground – A reading list for a coming community |
2016 |
Weinmayr, Eva et al.
|
e-Publications
|
|
Nora Mathys und das Ringier-Bildarchiv |
2013-12-14 |
Mathys, Nora
|
DigitalBrainstorming
|
|
Say the names |
2015-04-11 |
Minder, Maya
|
ACT Performance Festival
|
|
Say the names |
2015-04-11 |
Minder, Maya
|
ACT Performance Festival
|
|
|
Silent Witnesses: A Groundbreaking Idea in the 1st Millenium BC Changed the Ancient Textile Industry and Laid the Foundation for Modern Clothing Production |
2021 |
Beck, Ulrike
|
Memory Full
|
|
|
Almanaque: A Collaborative Approach to Design Research and Puerto Rican Identity |
2021 |
Alejandro, Jason et al.
|
Memory Full
|
|
El Origen: Die Anerkennung der Identiät durch das Bild |
2020 |
Briceño, Giovanna León
|
HyperWerk
|
|
e-flux Index #1 |
e-flux
|
e-Publications
|
|
|
|
Wiederentdeckung einer Trompette marine von F. Saraillac nach Plänen J.-B. Prins |
2009 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
cLab |
2011 |
Sigl, Konrad
|
HyperWerk
|
|
|
Reviving the memory of Modernist type designer Joan Trochut |
2021 |
Balius, Andreu
|
Memory Full
|
|
word wide web Sewing a Storybook |
2025 |
Eigenheer, Julia
|
HyperWerk
|
|
|
A Designer’s Journey. The poster: A valid medium for transformative design? |
2021 |
Yaman, Ahmet Kerem
|
Diplom HGK
|
|
|
Shifts in Mapping: Maps as a Tool of Knowledge |
2021-11-26 |
Schranz, Christine
|
Shifting is Mapping
|
|
|
Dessobons and archaeodesign |
2021 |
Gutierrez Borrero, Alfredo
|
Memory Full
|
|
|
Megazin 4: Flüchtige Tat |
2023 |
Regn, Chris
|
e-Publications
|
|
Konzept und Veranstaltungsdaten |
2018-05-05 16:53:20 |
ACT Performance Festival
|
|
|
Festivaldaten |
2018-05-05 17:22:14 |
ACT Performance Festival
|
|
|
|
The Future of our Collective Memory: Design-driven Approaches for Digital Artefacts |
2021 |
Formia, Elena et al.
|
Memory Full
|
|
|
Naïve Set Theory. Anarchiving Memory |
2018 |
Zaccuri, Andrea
|
Diplom HGK
|
|
|
Performance Art, stored and inscribed. The Potentials of the Body as Archive and Collector of Knowledge |
03.11.2018 |
Surtmann, Marlies
|
Archive des Ephemeren
|
|
Festivaldaten |
2005-11-28 |
ACT Performance Festival
|
|
|
Dozierende Meeting ACT (leer) |
2018-05-05 16:54:36 |
ACT Performance Festival
|
|
|
Feedback |
2012-04-05 |
Bieri, Franziska
|
ACT Performance Festival
|
|
Ankündigung ACT 2003 (Namen, Daten, Einleitung) |
2018-05-05 16:53:20 |
ACT Performance Festival
|
|
|
Feedback |
2012-04-05 |
Willa, Tobias
|
ACT Performance Festival
|
|
Feedback |
2012-04-05 |
Müller, Sarah Elena Chantal
|
ACT Performance Festival
|
|
Feedback |
2012-04-05 |
Mallon, Erin
|
ACT Performance Festival
|
|
Einladung Mammuttag |
2018-05-05 17:22:14 |
ACT Performance Festival
|
|
|
Feedback |
2011-05-06 |
Scholer, Anna
|
ACT Performance Festival
|
|
Schlussbericht Muda Mathis für die HGK Basel Abteilung Bildende Kunst Medienkunst |
2018-05-05 16:53:20 |
Mathis, Muda
|
ACT Performance Festival
|
|
Protokoll Vorbereitungssitzung |
2007-02-22 |
Mathis, Muda
|
ACT Performance Festival
|
|
Dozierende Meeting ACT (leer) |
2018-05-05 16:54:36 |
ACT Performance Festival
|
|
|
Feedback |
2012-04-05 |
Hagenbuch, Helen
|
ACT Performance Festival
|