| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Consent & Tattooing |
2021 |
Kleeb, Debi
|
Diplom HGK
|
|
|
Der Akt Fotografieren. Eine künstlerisch-praktische Untersuchung des Moments des Abdrückens |
2018 |
Convertini, Chantal
|
Diplom HGK
|
|
|
The characteristics of dogs. Fine Art Print auf Alu, je 60 x 90 cm |
2018 |
Messerli, Anja Paula
|
Diplom HGK
|
|
|
Untitled |
2018 |
Völlmin, Sean
|
Diplom HGK
|
|
|
Einstein’s dreams. What are possible scenarios of theatre development and a new form of theatre after the pandemic? |
2021 |
Ballek, Valeriia
|
Diplom HGK
|
|
|
Terra Ignota. Machine Learning for Visual Research |
2021 |
Borda, Olga
|
Diplom HGK
|
|
|
It's all going very well, no problems at all |
2018 |
Möckli, Nadine
|
Diplom HGK
|
|
|
Flowing Nature. On Translating the Visual Qualities of the Rhine River |
2021 |
Marie, Simone
|
Diplom HGK
|
|
|
Die künstlerische Arbeit als Selbstgespräch/Zwiegespräch – eine Entdeckungsreise |
2021 |
Strütt, Doris
|
Diplom HGK
|
|
|
MEN CRYING: DISCO LOCKER ROOM, TONY FROM SKINS, I’M NOT CRYING |
2021 |
Tilly, Mariana
|
Diplom HGK
|
|
|
I HIT MY HEAD TOO HARD, NOW ALL I SEE IS STARS |
2022 |
Maag, Eliah
|
Diplom HGK
|
|
|
Invisible Borders. An outsider's perspective through a participatory approach |
2022 |
Rubaba, Michael Munyaradzi
|
Diplom HGK
|
|
|
It belonged to time now, to history; was past the touch and control of the living |
2022 |
Barth, Colin Benjamin
|
Diplom HGK
|
|
|
we used to be straight |
2022 |
Baumgartner Vizkelety, Cécile
|
Diplom HGK
|
|
|
Heute hier, morgen dort. Die Zukunft kommt schneller als gedacht |
2022 |
Aletti, Silia
|
Diplom HGK
|
|
|
COLLECTIVE COLLECTION. Mit Lu, Lea, Samira, Luisa |
2022 |
Sauter, Nayo
|
Diplom HGK
|
|
|
Plats de Résistance |
2018 |
Lawrence-Downey, Shani Rhian
|
Diplom HGK
|
|
|
VERSIONS |
2018 |
Zeo, Dario
|
Diplom HGK
|
|
|
Der nie zu fixierende Zustand des Dazwischen |
2018 |
Wunderlin, Linda Gabrielle
|
Diplom HGK
|
|
|
naughty lil Thomas |
2022 |
Altermatt, Sebastian Crispin
|
Diplom HGK
|
|
|
Scar Tissue |
2022 |
Charamandas, Dimitra
|
Diplom HGK
|
|
|
Intimität |
2019 |
Obrist, Rahel
|
Diplom HGK
|
|
|
Alogo |
2019 |
Mall, Tiphanie Kim
|
Diplom HGK
|
|
|
FALL-BLATT |
2019 |
Käser, Florian
|
Diplom HGK
|
|
|
Butter |
2019 |
Meyer, Alexandra
|
Diplom HGK
|
|
|
no lemon – no melon |
2019 |
Hunter, Chris
|
Diplom HGK
|
|
|
space images |
2019 |
Burkard, Ronja
|
Diplom HGK
|
|
|
LIVO |
2019 |
Breitenstein, Damian Philippe
|
Diplom HGK
|
|
|
Drawing Limmatplatz, for Instance. An Exploration into Epistemic Processes in Drawing |
2020 |
Sitter, Anja
|
Diplom HGK
|
|
|
EchoEcho. Design durch physische Wahrnehmung |
2020 |
Frei, Nicole
|
Diplom HGK
|
|
|
Un peu juste. Balade visuelle et interrogative à travers la variété des pratiques quotidiennes |
2018 |
Scrima, Zoé
|
Diplom HGK
|
|
|
Eine andere Natur |
2018 |
Schiltknecht, Sarah
|
Diplom HGK
|
|
|
LINK 01. Armbanduhr |
2018 |
Rudin, Maria
|
Diplom HGK
|
|
|
HEIMAT INTERKULTURELL. Ein migrationspädagogisches Vermittlungsprojekt im Kontext einer Kulturinstitution unter Reflexion von partizipativen Vermittlungsmethoden |
2018 |
Alvarez Lopez, Patrik Andrea
|
Diplom HGK
|
|
|
It’s not easy, but it’s simple |
2018 |
Bürgi, Leonardo
|
Diplom HGK
|
|
|
Corporate Structures Revealed. Diagrammatic Perspectives into the History of Novartis |
2018 |
Ritschard, Aaron
|
Diplom HGK
|