| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
Contrebasse de hautbois/cromorne |
1760-1789 |
Delusse, Christophe
|
GrandeEcurie
|
|
|
How Do We Organize Our Reading Direction?. On the Organization of Our Reading Direction (this is more title-like, though your version is also correct) |
2018 |
Park, Sunjung
|
Diplom HGK
|
|
|
Assemblaggio d`intimità /as-sem-blag-gio / d` / in-ti-mi-tà sostantivo femminile |
2019 |
Brunetti, Duska
|
Diplom HGK
|
|
Perspiraterie |
2014 |
Schäfer, Felicia
|
HyperWerk
|
|
|
Silent Transformance |
2010-04-24 |
Lazic, Milenko
|
ACT Performance Festival
|
|
|
Silent Transformance |
2010-04-24 |
Lazic, Milenko
|
ACT Performance Festival
|
|
|
70 trillion identities |
2015-05-02 |
Sturm, Lou
|
ACT Performance Festival
|
|
Motet Cycles |
2018 |
Pavanello, Agnese et al.
|
Motet Cycles
|
|
|
Revealing the Medium. On Exposing Systems Through Failures |
2018 |
Nüssli, Michelle
|
Diplom HGK
|
|
|
Archives and Databases for Artists by Artists |
02.11.2018 |
Newman, Hayley; Reedy, Bryan
|
Archive des Ephemeren
|
|
|
IDI KOM MNE (Russisch), Komm zu mir (Deutsch) |
2008, 2015 |
Ghisalberti, Flavia et al.
|
Revolving Histories
|
|
|
Cosmic Order |
2018 |
Campbell, Hannah
|
Diplom HGK
|
|
|
«Paradise» – And Man created Paradise in his Images |
2017 |
Stählin, Eva Katharina
|
Diplom HGK
|
|
|
C27 Nativitas tua dei genitrix + Missa |
Gaffurius, Franchinus
|
Motet Cycles
|
|
|
|
Die Forelle |
2012 |
Hürzler, Luzia
|
Videocity_memoriav
|
|
|
C03 Hortus conclusus |
Gaffurius, Franchinus
|
Motet Cycles
|
|
|
|
C26 Assumpta est Maria + Missa |
Gaffurius, Franchinus
|
Motet Cycles
|
|
|
|
C39 Beata dei genitrix |
Compère, Loyset
|
Motet Cycles
|
|
|
|
Credo |
2019 |
Blanco Sierra, Natalia
|
Diplom HGK
|
|
|
Ein Polyamorie Manifest |
Bärz, Julie
|
ACT Performance Festival
|
|
|
|
Vitalisation of unused space. The example of the Freilager-Platz |
2019 |
Fischesser, Mathieu
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Bassin |
Nüesch, Mischa Janick Jakob et al.
|
Next Generation
|
|
|
|
Stains of Fear |
Schubbach, Arno et al.
|
Next Generation
|
|
|
Rote Bete Phase III |
2015 |
Bucher, Claudia et al.
|
Revolving Histories
Program of the music venue/art gallery Elastic Arts
|
|
|
glass piece #4 |
2017-04-29 |
Gobet, Melanie
|
ACT Performance Festival
|
|
WORKS 1 publikation |
1980 |
Hentz, Mike et al.
|
Revolving Histories
|
|
|
eppur si muove No. 3 |
2013/2019 |
Mundwiler, Sebastian
|
Videocity_memoriav
|
|
|
Encounters with Nadia Boulanger and Igor Stravinsky |
Boulanger, Nadia et al.
|
HSM-Datenbanken
|
|
|
|
Encounters with Nadia Boulanger and Igor Stravinsky |
Boulanger, Nadia et al.
|
OpenAccessPublikationen
|
|
|
|
Siedi un po’ con me |
2019-04-14 |
Ottavi, Chiara
|
ACT Performance Festival
|
|
Covid Joggers Act |
2020 |
Fieni, Matteo et al.
|
Revolving Histories
|
|
|
installat für pezer 01 |
2002 |
Buchli, Adrian et al.
|
Revolving Histories
|
|
|
Description of an easement |
2019 |
Baker, Brigham
|
Diplom HGK
|
|
|
Positive Wayfinding. Indicating directions through coding systems |
2021 |
Brutschin, Rebecca
|
Diplom HGK
|
|
|
Manifestation of Performance |
03.11.2018 |
Gusberti, Daria
|
Archive des Ephemeren
|
|
|
Tretet ein in die Kontinente I |
2009 |
Oertli, Christoph
|
Videocity_memoriav
|