| titel | year | author | event |
|---|---|---|---|
WHAT THE FUTURE HOLDS |
2020 | ||
Out of order |
2020 | ||
Wall, Wall, Well, Well |
2020 | ||
The Dust Enforcer |
2022 | ||
ATEM |
2020 | ||
Tanker |
2020 | ||
Transportkisten |
2018 | ||
Handlungsspielraum |
2020 | ||
reflector |
2020 | ||
Rituals |
2021 | ||
Falling through the cracks |
2021 | ||
FOREVER OR NEVER |
2018 | ||
Tourists; Apocalypse |
2019 | ||
Surplus Values |
2019 | ||
Maze + Wind II |
2021 | ||
Untitled |
2018 | ||
MEN CRYING: DISCO LOCKER ROOM, TONY FROM SKINS, I’M NOT CRYING |
2021 | ||
It belonged to time now, to history; was past the touch and control of the living |
2022 | ||
we used to be straight |
2022 | ||
Plats de Résistance |
2018 | ||
VERSIONS |
2018 | ||
Der nie zu fixierende Zustand des Dazwischen |
2018 | ||
naughty lil Thomas |
2022 | ||
Scar Tissue |
2022 | ||
Alogo |
2019 | ||
Butter |
2019 | ||
no lemon – no melon |
2019 | ||
It’s not easy, but it’s simple |
2018 | ||
We’re not even leaving the ground |
2020 | ||
Recipes of displacement to the architecture of no language |
2020 | ||
Mute mutt and deadspace |
2020 | ||
Fuga |
2020 | ||
BROTCAST. Im Kollektiv über Mehl und Brot.. Eine Auseinandersetzung mit kollaborativen Prozessen in der Kunst und Kunstvermittlung von Maja Müller und Andrina Keller |
2021 | ||
Der blaue Hummer |
2020 | ||
First-come, First-served |
2021 | ||
www.mäschi.com |
2021 |