| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
111 (make the unknown unknown, partialy known unknown) / Bleaching |
2018 |
Sari, Dorian Ozhan
|
Diplom HGK
|
|
|
Design for Seniors |
Dafa, Nensi
|
Next Generation
|
|
|
|
PlasticArc.. Throw your Guilt away the way we throw out our trash! |
2022 |
Huber, Alice
|
Diplom HGK
|
|
Unter der Oberfläche II |
2016 |
Bucher, Claudia et al.
|
Revolving Histories
Horwer Kulturprojekt Halbinsel
|
|
|
Roland Jung: Dualitäten : Arbeiten aus den Jahren 1979-1982 : Ausstellung in der Galerie Littmann, Basel, 21.10.-20.11.1982 |
1982 |
Jung, Roland et al.
|
Werke
|
|
Auslese (Malerei IV) |
2019 |
Zürrer, Anna-Sabina et al.
|
Revolving Histories
TURNERline
|
|
Presse ACT 2022 |
2022 |
ACT Performance Festival
|
|
|
|
Durch-triebe-n (both stumbling and transforming) |
2019 |
Schennach, Svenja
|
Diplom HGK
|
|
|
Together Elsewhere 59: Ivonne Navas Dominguez and Anja Plonka |
2026-08 |
Navas Dominguez, Ivonne et al.
|
Together Elsewhere
|
|
Body-Temperature |
2013 |
Rust, Dorothea et al.
|
Revolving Histories
Performance-Day «Body-Temperature», im Rahmen von Delhi Day mit Workshop für Künstler*innen und Student*innen aus Indien
|
|
Unter der Oberfläche I |
2015 |
Bucher, Claudia et al.
|
Revolving Histories
Horwer Kulturprojekt Halbinsel
|
|
Stealth |
2025-05-03 |
Xenarios, Markos
|
ACT Performance Festival
|
|
|
I dreamed a dream we went back in time with our today‘s mind. |
2021 |
Kager, Ilja
|
Diplom HGK
|
|
On how to be Disgusting |
2020 |
König, Lysann et al.
|
Revolving Histories
Must or Not – Fokus Performance & Fotografie
|
|
|
DITHER! |
2017 |
Martins, Yann Patrick
|
Summe2017
|
|
|
Tutorial |
2020-04-20 |
Schiatarella, Alessandro
|
ACT Performance Festival
|
|
|
Marked Days |
Roberts, Claire
|
Next Generation
|
|
|
|
Encounters with Ernst Krenek |
Krenek, Ernst
|
OpenAccessPublikationen
|
|
|
|
Encounters with Ernst Krenek |
Krenek, Ernst
|
HSM-Datenbanken
|
|
|
Me, me & me! |
2019 |
Séra, Hanga et al.
|
Revolving Histories
Fashion Revolution days Zurich
|
|
|
Venus wants you rotten |
2025-05-17 |
Messmer, Lou
|
ACT Performance Festival
|
|
Saterday Night Fever |
2021 |
Honauer, Géraldine et al.
|
Revolving Histories
it almost felt like the voice of a close friend
|
|
|
Silent screaming |
2025 |
Steyn, Melissa
|
Werke
|
|
Teach Me Your Lesson |
2012 |
Mouthon, Daniel et al.
|
Revolving Histories
9.3.2012 Zwischenräume
|
|
|
Other Spaces |
Hörler, Simone et al.
|
Next Generation
|
|
|
|
Visualisierungsstrategien von Archiven der Performance- und Medienkunst am Beispiel von VALIE EXPORT |
03.11.2018 |
Folie, Sabine
|
Archive des Ephemeren
|
|
Denken wie ein Berg |
2008 |
Bänninger, Christine et al.
|
Revolving Histories
|
|
Drain |
2020-07-03 |
van Gelder, Pia
|
Peripher_ies
|
|
Sullivans Creek, cemented |
2020-07-03 |
van Gelder, Pia
|
Peripher_ies
|
|
Web Recording Motet Cycles Website |
2018 |
Pavanello, Agnese et al.
|
HSM-Datenbanken
|
|
Resonanz im Gehen |
2021 |
[künstlerinnenkollektiv marsie] et al.
|
Revolving Histories
Performance Reihe Neu-Oerlikon
|
|
|
Salon Chismosa |
Reden, Tina Omayemi et al.
|
Next Generation
|
|
|
|
Movement in Static |
Kramarenko, Mykyta et al.
|
Next Generation
|
|
|
Für die Bäume / Aktions- und Interventionsreihe unter freiem Himmel |
2017-2018 |
Hausheer, Angela et al.
|
Revolving Histories
Bsinti Kultur Braunwald
|
|
|
enlacer/ umarmen |
2022 |
Chaubert, Camille
|
Diplom HGK
|
|
|
Grenzgang |
2018 |
Lurk, Tabea et al.
|
Grenzgang
|