| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
Le Rituel |
2015-2016 |
Kohler, Lucie [Collectif Inouite] et al.
|
Revolving Histories
|
|
I’m not a hero |
2019 |
[stoeckerselig] et al.
|
Revolving Histories
|
|
Pressespiegel 2014 |
2014 |
Domesle, Andrea
|
Videocity_memoriav
|
|
ADVA (Accessible Digital Visual/Vision Agency) |
2025 |
Bisseck, Iyo; Yorke, Quentin
|
Next Generation
|
|
MeloVelo |
2014 |
Luv, Linda et al.
|
Revolving Histories
Hafenfest
|
|
|
Oldies with goodies? New perspective of elder care in China and Switzerland |
2014 |
Chen, Yuyu
|
HyperWerk
|
|
|
Clubwelt in der Sackgasse |
2017 |
Roth, Jannik
|
HyperWerk
|
|
|
Nicola Vicentino vs. Ghiselin Danckerts: Or: The Heresy of the Ascending Major Semitone |
2026 |
Smith, Anne
|
OpenAccessPublikationen
|
|
PROPOSITION |
2026 |
Reisch, Nicola; Morger, Priska
|
Next Generation
|
|
|
Sound. Noise. Culture. |
2016 |
Correia, Joel
|
HyperWerk
|
|
|
Nachhaltigkeit im Verpackungswesen |
2010 |
Lunkenheimer, Gabi et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
Complete Body |
2017 |
Feller, Tomislav [Contemporary Cruising] et al.
|
Revolving Histories
ExtraBall, carte blanche Les Urbaines
|
|
|
‘An Irish Industrial Tribute to the Blessed Virgin Mary’; Catholic Industrial Habitus in Sunbeam-Wolsey, Cork, Ireland, 1940-1960 |
2021 |
Spalding, Tom
|
Memory Full
|
|
|
Audiodokumentation |
2015-04-11 |
ACT Performance Festival
|
|
|
PINE MATTERS |
2025 |
Weinhardt, Luma Vidal
|
Next Generation
|
|
|
Spuren von Morgen - Design und Zukunftsforschung - Materialisierung der Zukunft in Bildern. |
2011 |
Epper, Joachim
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Spuren von Morgen - Design und Zukunftsforschung - Materialisierung der Zukunft in Bildern. |
2012 |
Epper, Joachim
|
Institut Integrative Gestaltung / Masterstudio
|
|
RM artgallery drain drill prep |
2020-07-03 |
Simpson, Shelley
|
Peripher_ies
|
|
|
coARTex |
2011 |
Kulka, Irena et al.
|
Revolving Histories
coARTex
|
|
|
Uuh Niki |
2026 |
Regn, Chris et al.
|
Revolving Histories
|
|
Die Idee des Nordens |
2021 |
Rust, Dominique et al.
|
Revolving Histories
|
|
|
Doppelwörter aus: Bilder, Bedeutung, Austreibung, Produktion |
2012 |
Stephany, Rebecca et al.
|
Revolving Histories
Liste 17 – Performance Project
|
|
|
Vom Multiple zum Unikat |
2011 |
Gridling, Julia et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
FahrAwaY - Drüll |
2020 |
Wey, Nina et al.
|
Revolving Histories
|
|
flags 11 - "Dreamtimespace" ( Einreichung 13) |
2021, 2022 |
Magos, Gabriel et al.
|
Revolving Histories
|
|
|
An Evidence-based Reconstruction of a Viol after Silvestro Ganassi / Thilo Hirsch |
2013 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
Performance anlässlich der Seifenausstellung "Saubere Sache", iim "Seifi"-Museum Burghalde Lenzburg |
2021 |
Kulka, Irena et al.
|
Revolving Histories
Seifenausstellung Saubere Sache
|
|
If I were in your shoes I would wear your shoes |
2016 |
De Pinto, Pier Giorgio et al.
|
Revolving Histories
Manifesta 11 - Zurich
|
|
|
Prozessorientiertes Schaffen für kollektive, transformative Ideen |
2025 |
Peña-Triana, Gloria
|
HyperWerk
|
|
|
Basso Continuo on the Harp for “Alma che ti sollievi” (Orazio Michi) |
2021 |
OpenAccessPublikationen
|
|
|
An Evidence-based Reconstruction of a Viol after Silvestro Ganassi |
Hirsch, Thilo
|
Frühe Streichinstrumente um 1500
|
|
|
|
initiis … connecting the dots |
2013 |
Käufeler, Patricia
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
does it give you the shivers? |
2019 |
Obertüfer, Vera [Kollektiv Evas Eier] et al.
|
Revolving Histories
|
|
|
Tretet ein in die Kontinente I |
2009 |
Oertli, Christoph
|
Videocity_memoriav
|
|
|
Sarouk |
2011 |
Hänggi, Edith
|
Videocity_memoriav
|
|
|
Videopoem (vanished days) |
1998 |
Spielhofer, Hildegard
|
Videocity_memoriav
|