| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
spell for *bluescht |
2021 |
Hörler, Marc Norbert et al.
|
Revolving Histories
|
|
|
liquid - candy |
2006 |
Widauer, Nives
|
Videocity_memoriav
|
|
|
in utero (unbearable lightness_The Trivial Pursuit of Happiness) |
2007 |
Naegelin, Barbara
|
Videocity_memoriav
|
|
Tulips & Snails_130414 |
2013 |
Copa & Sorders et al.
|
Videocity_memoriav
|
|
Inland Archiv |
2004 |
Busslinger, Erich
|
Videocity_memoriav
|
|
|
Wünsche |
2012 |
Guerrier, Claire
|
Videocity_memoriav
|
|
Breathing |
2008 |
Bailey, Mia
|
Videocity_memoriav
|
|
|
Transformer 2 - Biel, VerWandlungen zwischen Mann und Frau - Eine Veranstaltungsreihe über Geschlechteridentitäten |
2007 |
Minder, Veronika et al.
|
Revolving Histories
transformer 2 - Biel
|
|
We Layer, We Connect, We Multiply |
Wappler, Tabea
|
HyperWerk
|
|
|
ADVA (Accessible Digital Visual/Vision Agency) |
2025 |
Bisseck, Iyo; Yorke, Quentin
|
Next Generation
|
|
Lira da braccio, 1511 |
1500-1550 |
d'Andrea, Giovanni
|
Frühe Streichinstrumente um 1500
|
|
Pressespiegel 2014 |
2014 |
Domesle, Andrea
|
Videocity_memoriav
|
|
|
‘An Irish Industrial Tribute to the Blessed Virgin Mary’; Catholic Industrial Habitus in Sunbeam-Wolsey, Cork, Ireland, 1940-1960 |
2021 |
Spalding, Tom
|
Memory Full
|
|
Complete Body |
2017 |
Feller, Tomislav [Contemporary Cruising] et al.
|
Revolving Histories
ExtraBall, carte blanche Les Urbaines
|
|
Nachhaltigkeit im Verpackungswesen |
2010 |
Lunkenheimer, Gabi et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
MeloVelo |
2014 |
Luv, Linda et al.
|
Revolving Histories
Hafenfest
|
|
PROPOSITION |
2026 |
Reisch, Nicola; Morger, Priska
|
Next Generation
|
|
Spuren von Morgen - Design und Zukunftsforschung - Materialisierung der Zukunft in Bildern. |
2011 |
Epper, Joachim
|
Institut Integrative Gestaltung / Masterstudio
|
|
Spuren von Morgen - Design und Zukunftsforschung - Materialisierung der Zukunft in Bildern. |
2012 |
Epper, Joachim
|
Institut Integrative Gestaltung / Masterstudio
|
|
Clubwelt in der Sackgasse |
2017 |
Roth, Jannik
|
HyperWerk
|
|
|
Nicola Vicentino vs. Ghiselin Danckerts: Or: The Heresy of the Ascending Major Semitone |
2026 |
Smith, Anne
|
OpenAccessPublikationen
|
|
|
Uuh Niki |
2026 |
Regn, Chris et al.
|
Revolving Histories
|
|
PINE MATTERS |
2025 |
Weinhardt, Luma Vidal
|
Next Generation
|
|
|
coARTex |
2011 |
Kulka, Irena et al.
|
Revolving Histories
coARTex
|
|
|
Doppelwörter aus: Bilder, Bedeutung, Austreibung, Produktion |
2012 |
Stephany, Rebecca et al.
|
Revolving Histories
Liste 17 – Performance Project
|
|
Sound. Noise. Culture. |
2016 |
Correia, Joel
|
HyperWerk
|
|
ADVA (accessible digital visual agency) |
2025 |
Yorke, Quentin
|
HyperWerk
|
|
|
An Evidence-based Reconstruction of a Viol after Silvestro Ganassi / Thilo Hirsch |
2013 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
An Evidence-based Reconstruction of a Viol after Silvestro Ganassi |
Hirsch, Thilo
|
Frühe Streichinstrumente um 1500
|
|
|
Audiodokumentation |
2015-04-11 |
ACT Performance Festival
|
|
|
Prozessorientiertes Schaffen für kollektive, transformative Ideen |
2025 |
Peña-Triana, Gloria
|
HyperWerk
|
|
flags 11 - "Dreamtimespace" ( Einreichung 13) |
2021, 2022 |
Magos, Gabriel et al.
|
Revolving Histories
|
|
initiis … connecting the dots |
2013 |
Käufeler, Patricia
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Silent Witnesses: A Groundbreaking Idea in the 1st Millenium BC Changed the Ancient Textile Industry and Laid the Foundation for Modern Clothing Production |
2021 |
Beck, Ulrike
|
Memory Full
|
|
|
Roland Jung: Dualitäten : Arbeiten aus den Jahren 1979-1982 : Ausstellung in der Galerie Littmann, Basel, 21.10.-20.11.1982 |
1982 |
Jung, Roland et al.
|
Werke
|
|
|
Basso Continuo on the Harp for “Alma che ti sollievi” (Orazio Michi) |
2021 |
OpenAccessPublikationen
|