| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
cascina [ka∫'∫ina]. A trip above abandonment |
2019 |
Gallo, Andrea Sara
|
Diplom HGK
|
|
|
Stadttanz / Situative Bilder |
1990 |
Siegfried, Walter et al.
|
Revolving Histories
Der soziale Klang der Geste 27.-29.Juni 1990
|
|
Can I walk like this? Strolling with self-imposed restrictions |
2021 |
Trampe, Tanja et al.
|
Revolving Histories
WE WALK – STRATEGIEN AUS ZÜRICH
|
|
|
Leonhard Lechner - Historia der Passion 2 |
HSM-Datenbanken
|
||
|
|
Leonhard Lechner - Historia der Passion 1 |
Lechner, Leonhard
|
OpenAccessPublikationen
|
|
|
|
Leonhard Lechner - Historia der Passion 1 |
HSM-Datenbanken
|
||
|
|
Meeting the Farmers Halfway |
Seiler, Nicolas
|
Next Generation
|
|
|
|
Die fragmentarische Zusammensetzbarkeitsmethode |
2019 |
Chudoba, Diana
|
Diplom HGK
|
|
|
Nachweisorientierte Rekonstruktion einer Viola da gamba nach Silvestro Ganassi |
2013 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
Grenzgang |
2017 |
Maag, Irene et al.
|
Revolving Histories
Ausstellung "How to blur lines"
|
|
|
Encounters with Rudolf Serkin and Mstislav Rostropovich |
Serkin, Rudolf et al.
|
HSM-Datenbanken
|
|
|
|
Encounters with Rudolf Serkin and Mstislav Rostropovich |
Serkin, Rudolf et al.
|
OpenAccessPublikationen
|
|
|
Sweet Lady |
1) 20. Mai 2006 _ 2) 5. November 2006 _ 3) 5. Mai 2007 |
Bucher, Claudia et al.
|
Revolving Histories
1) migma Performancetage _ 2) I-fest _ 3) Luzern < > Potsdam, Que Sera
|
|
|
Censored Desna |
Hollaus, Invar Torre et al.
|
Next Generation
|
|
|
|
My Surrealist Reality |
2022 |
Atencio Maillat, Bibiane Elizabeth
|
Diplom HGK
|
|
rückgängig |
2019 |
Lerjen, Marie-Anne et al.
|
Revolving Histories
Performance Reihe Neu-Oerlikon
|
|
video conflictum |
2010 |
Tedeschi, Janos
|
HyperWerk
|
|
|
Life Like Designing Emotional Products Via Physical Interactions |
2017 |
Görcin, Gizem et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Encoding Mobility and Sonic Territories: Mobile Architecture and the Decolonial Ear |
2026 |
Omole, Katerine
|
HyperWerk
|
|
Appropriating and invigorating the new campus |
2014 |
Institut Mode-Design Web
|
|
|
|
Towards Love |
2015-04-11 |
Kadiša, Anastasija et al.
|
ACT Performance Festival
|
|
Waiting for.. |
2020 |
Peñaloza, Maricruz et al.
|
Revolving Histories
Schirme über dem Himmel
|
|
Transfigure |
May 2019 |
Dickerson, Brendhan et al.
|
Revolving Histories
Austellung "Poetische Flucht in die Wirklichkeit"
|
|
|
Cosmic Strings II |
2018 |
Eller, Tomas
|
Videocity_memoriav
|
|
Paper Struggles |
Weinmayr, Eva et al.
|
e-Publications
|
|
|
|
{in}-between bits+Being |
Hollaus, Invar Torre et al.
|
Next Generation
|
|
|
|
de-structure |
2018 |
Küchler, Danielle Fernanda
|
Diplom HGK
|
|
|
Rybeben am Hof Maximilians I. |
2015 |
Kirnbauer, Martin
|
OpenAccessPublikationen
|
|
|
2017-04-29 |
Sabo, Rim
|
ACT Performance Festival
|
|
|
About Time |
2022 |
Borgunska, Mercedes et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
|
Amazonian Hear (Giant Bore) |
2024 |
Castelblanco, Felipe
|
Plant_Intelligence
|
|
|
BIERT + MORAES, RÜTTIWEG 37, 4144 ARLESHEIM |
Biert, Marta; Morger, Priska
|
Next Generation
|
|
|
|
Have I ever spoken properly? |
2021 |
Narisawa, Kihako et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
Was wollen wir? |
2019 |
[künstlerinnenkollektiv marsie] et al.
|
Revolving Histories
Gruppenausstellung "Wie wir arbeiten wollen – Kollektives Handeln und künstlerische Komplizinnenschaft"
|
|
|
El Origen: Die Anerkennung der Identiät durch das Bild |
2020 |
Briceño, Giovanna León
|
HyperWerk
|
|
Borrachero Dreams (Brugmansia Versicolor, Tabanok) |
2024 |
Castelblanco, Felipe
|
Plant_Intelligence
|