| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
DOPE |
2015-04-25 |
Diamond, Milky
|
ACT Performance Festival
|
|
Underground passage |
2020-07-03 |
Ono, Yuka
|
Peripher_ies
|
|
ALEPPO |
2017-04-29 |
Ipek, Füsun
|
ACT Performance Festival
|
|
|
ALEPPO |
2017-04-11 |
Ipek, Füsun
|
ACT Performance Festival
|
|
|
ALEPPO |
2017-04-22 |
Ipek, Füsun
|
ACT Performance Festival
|
|
Neither Green Nor Planted - Borrachero Arborea Tree |
2024 |
Castelblanco, Felipe
|
Plant_Intelligence
|
|
Beautiful City # 004, progr CITY |
2004 |
Huwiler, Bernhard; David Aebi
|
Revolving Histories
Die 120. Berner Weihnachtsausstellung
|
|
|
Pressespiegel 2018 |
2018 |
Domesle, Andrea
|
Videocity_memoriav
|
|
Krieg und Frieden |
2008 |
Vögtli, Lex et al.
|
Revolving Histories
Lex Vögtli, Künstlerhaus Schmiedengasse 11, Solothurn (Einzelausstellung)
|
|
|
Borrachero Dreams |
2025 |
Castelblanco, Felipe
|
Plant_Intelligence
|
|
|
Rolf Langebartels Tischkonzert mit Personalcomputer |
1991 |
Langenbartels, Rolf et al.
|
Revolving Histories
|
|
|
But that's another story, Part IV (August Sander, Sekretärin) |
2010-04-24 |
Schauecker, Renée
|
ACT Performance Festival
|
|
Medusa |
1999 |
Schenker, Margrit et al.
|
Revolving Histories
Medusa on the rocks 469 m.ü.M
|
|
|
A glossary observing (in)formality. Understanding Mesagkala |
2019 |
Pantazopoulou, Agni et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Let’s consider Burma? Crossmaping Monte Verita/Kazimierz |
2021 |
Saemann, Andrea et al.
|
Bang Bang
10th Land Art Festival/ Off Land Festival
|
|
|
Let’s consider Burma? Crossmaping Monte Verita/Kazimierz |
2021 |
Saemann, Andrea et al.
|
Revolving Histories
10th Land Art Festival/ Off Land Festival
|
|
|
MEETING THE FARMERS HALFWAY NEGOTIATING VISIBILITY IN GERMAN FARMERS’ PROTESTS |
2026 |
Seiler, Nicolas
|
HyperWerk
|
|
|
cascina [ka∫'∫ina]. A trip above abandonment |
2019 |
Gallo, Andrea Sara
|
Diplom HGK
|
|
|
Stadttanz / Situative Bilder |
1990 |
Siegfried, Walter et al.
|
Revolving Histories
Der soziale Klang der Geste 27.-29.Juni 1990
|
|
Can I walk like this? Strolling with self-imposed restrictions |
2021 |
Trampe, Tanja et al.
|
Revolving Histories
WE WALK – STRATEGIEN AUS ZÜRICH
|
|
|
Leonhard Lechner - Historia der Passion 2 |
HSM-Datenbanken
|
||
|
|
Leonhard Lechner - Historia der Passion 1 |
Lechner, Leonhard
|
OpenAccessPublikationen
|
|
|
|
Leonhard Lechner - Historia der Passion 1 |
HSM-Datenbanken
|
||
|
|
Meeting the Farmers Halfway |
Seiler, Nicolas
|
Next Generation
|
|
|
|
Die fragmentarische Zusammensetzbarkeitsmethode |
2019 |
Chudoba, Diana
|
Diplom HGK
|
|
|
Nachweisorientierte Rekonstruktion einer Viola da gamba nach Silvestro Ganassi |
2013 |
Hirsch, Thilo
|
OpenAccessPublikationen
|
|
Grenzgang |
2017 |
Maag, Irene et al.
|
Revolving Histories
Ausstellung "How to blur lines"
|
|
|
Encounters with Rudolf Serkin and Mstislav Rostropovich |
Serkin, Rudolf et al.
|
HSM-Datenbanken
|
|
|
|
Encounters with Rudolf Serkin and Mstislav Rostropovich |
Serkin, Rudolf et al.
|
OpenAccessPublikationen
|
|
|
Sweet Lady |
1) 20. Mai 2006 _ 2) 5. November 2006 _ 3) 5. Mai 2007 |
Bucher, Claudia et al.
|
Revolving Histories
1) migma Performancetage _ 2) I-fest _ 3) Luzern < > Potsdam, Que Sera
|
|
|
Censored Desna |
Hollaus, Invar Torre et al.
|
Next Generation
|
|
|
|
My Surrealist Reality |
2022 |
Atencio Maillat, Bibiane Elizabeth
|
Diplom HGK
|
|
rückgängig |
2019 |
Lerjen, Marie-Anne et al.
|
Revolving Histories
Performance Reihe Neu-Oerlikon
|
|
|
video conflictum |
2010 |
Tedeschi, Janos
|
HyperWerk
|
|
|
Life Like Designing Emotional Products Via Physical Interactions |
2017 |
Görcin, Gizem et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Encoding Mobility and Sonic Territories: Mobile Architecture and the Decolonial Ear |
2026 |
Omole, Katerine
|
HyperWerk
|