| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
Colonizing M1 |
2021 |
[Parvez] et al.
|
Revolving Histories
COMMODI-FICTION
|
|
Mutual matters: Goldrausch 2021 |
2021 |
Bévand, Katharina ca 20 Jh et al.
|
e-Publications
|
|
Sustainable interiors for families |
2021 |
Ruiz Cozcolluela, María et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Daten und Projektbeschrieb |
2008-01-05 |
Mathis, Muda
|
ACT Performance Festival
|
|
|
Zur Ikonographie der Viola da gamba im Umfeld Ganassis |
2013 |
Papiro, Martina
|
OpenAccessPublikationen
|
|
|
Amar, Jugar, Luchar |
2021 |
Naegelin, Barbara
|
Doce en Diciembre
|
|
Obelisk |
2004 |
Kuhn, Jennifer et al.
|
Revolving Histories
Ausstellung Vreni Wyrsch
|
|
At Eye Level |
2020 |
Gadola, Lotta et al.
|
Revolving Histories
Streitfestival
|
|
Seashell Eyes |
2002 |
Vögtli, Lex et al.
|
Revolving Histories
OneNightStand
|
|
|
Christian Z. |
2021 |
Scheurell, Stefanie et al.
|
Revolving Histories
The Green Box Kunst Editionen
|
|
|
Max und Bruce "Der Brief" |
2011-04-20 |
Nitchaeff, Anna; Kohler, Lucie
|
ACT Performance Festival
|
|
An intersectional feminist approach to publishing. It’s not only about what I share, but how I share it |
2024-11 |
Weinmayr, Eva
|
e-Publications
|
|
|
Ultima cena per la Sirena trichechus manatee cucurbita |
2015 |
Brodbeck, Claudia
|
Revolving Histories
|
|
|
Pressedossier Videocity Basel – Kaliningrad |
2019 |
Domesle, Andrea
|
Videocity_memoriav
|
|
Pressedossier Videoparcours durch die Basler Innenstadt 2013 |
2013 |
Domesle, Andrea
|
Videocity_memoriav
|
|
|
Lights Off |
2016 |
Toledo, Martha et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Hybris |
2018-05-05 |
Beyeler, Livio
|
ACT Performance Festival
|
|
FORÊT D'O |
2018 |
Bösch, Maya et al.
|
Revolving Histories
Up Festival
|
|
|
Pre-empting loss through ‘fashion memory’: a ‘postconservation’ perspective |
2021 |
Tonkin, Leanne
|
Memory Full
|
|
«Oceanic Issues - Mensajes Oceánicos» |
2021 |
Saemann, Andrea; Regn, Chris
|
Doce en Diciembre
|
|
|
Ina Lohr - Early Compositions |
2017 |
HSM-Datenbanken
|
|
|
|
Application |
2023-03-14 |
Team peripher_ies
|
Peripher_ies
|
|
|
initiis … connecting the dots |
2013 |
Käufeler, Patricia
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
The Yellow Chair Tracing Color through Memory, Pigment, and Material Practice |
2026 |
Maczka, Barbara
|
HyperWerk
|
|
|
MESMERIZING MEMBRANE |
Lüthi, Sarah; Roth, Evelyne
|
Next Generation
|
|
|
vermessen - fragen - verkörpern |
2017, 2018 |
Buol, Silvia et al.
|
Revolving Histories
Regionale 18, "Ausstellung Archiquest"
|
|
Crossing |
2017 |
Wittmer, Mahtola et al.
|
Revolving Histories
Kunsthoch Luzern
|
|
|
Spontaneous reactions cannot anticipate developments over time |
2024-10-21 |
Team peripher_ies
|
Peripher_ies
|
|
|
Die Basso continuo-Orgel im Kleinen Saal der Musik-Akademie Basel / Hochschule für Musik FHNW (2020) |
2022 |
Drescher, Thomas
|
OpenAccessPublikationen
|
|
|
Re-engaging with Design History through the Practical Turn |
2021 |
Eggink, Wouter et al.
|
Memory Full
|
|
Was wäre wenn? Vom Spekulieren und Handeln für die Zukunft - Exhibition |
2025-11-28 |
Kerksieck, Nicolas et al.
|
Plant_Intelligence
|
|
|
Durch die Augen des Chaos |
Niederhauser, Kim et al.
|
Next Generation
|
|
|
CONFETTI : jusqu’à l’explosion / CONFETTI : until it pops / CONFETTI : bis es knallt |
2022 |
Gobet, Mélanie et al.
|
Revolving Histories
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
|
|
Silent Transformance |
2010-04-24 |
Lazic, Milenko
|
ACT Performance Festival
|
|
|
La guitare en France vers 1800 Textes du projet de recherche |
2014 |
Valois, Pascal
|
OpenAccessPublikationen
|
|
|
TAPED |
1975 |
Scott, Jill et al.
|
Revolving Histories
Body action in the public space
|