| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
Social Accent |
2019 |
Agudin, Catalina et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Migma Programm 2025 |
2025-06-07 |
migma
|
|
|
peeling #5 |
2019 |
Luedi, Juerg et al.
|
Revolving Histories
Jetzt Kunst No 7, Kunst in der Stadt, As time goes by
|
|
|
Ursprung - Eisprung |
2018 |
Obertüfer, Vera [Kollektiv Evas Eier] et al.
|
Revolving Histories
|
|
|
Mind the Sound |
2019 |
Weismann, Steffi et al.
|
Revolving Histories
LEFTOVER
|
|
|
DESIGN EXPLORATION BY PARAMETRIC TOOLS |
2017 |
Fathi, Sabrina et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
|
Gathering Noseland |
2020 |
[The Gathering] et al.
|
Revolving Histories
The Gathering
|
|
M180 Crucifige clamitant |
Compère, Loyset
|
Motet Cycles
|
|
|
M178 Patris sapientia |
Compère, Loyset
|
Motet Cycles
|
|
|
|
Jeu d'enfant. Tirelire, monnaie. |
2015-04-11 |
Stirnimann, Nathalie
|
ACT Performance Festival
|
|
perFORM¡ Performance-Festival 2021 "re:load" |
2021 |
Künzler, Astrid et al.
|
Revolving Histories
perFORM¡ Performance-Festival 2021 re:load
|
|
|
In absentia corpus. A silent and intimate depiction of hidden levels of the human body |
2021 |
Barabino, Marica
|
Diplom HGK
|
|
|
Unlearning Ignorance |
2026 |
Dietz-Röthlingshöfer, Helena
|
Next Generation
|
|
Corporate Design 2014 |
2014 |
Dillier, Thomas
|
Videocity_memoriav
|
|
|
Facing |
2015 |
Hammerstein, Karl von
|
Videocity_memoriav
|
|
|
saraaa_9 |
2015 |
Simonin, Chloé et al.
|
Videocity_memoriav
|
|
|
Max Robinson tutorial |
2015 |
Lecrinier, Manon
|
Videocity_memoriav
|
|
|
La partie de dames |
2015 |
Franc, Valentine
|
Videocity_memoriav
|
|
the big sellout |
1998 |
RELAX et al.
|
Revolving Histories
Ausstellung "Switzerland on the move Pulchri Studio, The Hague"
|
|
|
Friendly Fireflies |
2010 |
Schweizer, Ilona et al.
|
Institut Integrative Gestaltung / Masterstudio
|
|
C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha |
Compère, Loyset
|
Motet Cycles
|
|
|
|
Surrounded by Spaces. an Introspective Point of View |
2018 |
Klinkenberg, Sophia
|
Diplom HGK
|
|
|
Aquelarre |
2021 |
Funes, Luján
|
Doce en Diciembre
|
|
|
Alpsegeln |
2003 |
Frank, Gisa et al.
|
Revolving Histories
Wanderperformance vom Säntis bis zum Bodensee mit mehreren Stationen
|
|
|
Authentisch |
2018 |
Riggenbach, Fanny
|
HyperWerk
|
|
Chapter 16 – Robes-poèmes |
2016 |
Guerra, Louise et al.
|
Revolving Histories
|
|
|
Re-engaging with Design History through the Practical Turn |
2021 |
Eggink, Wouter et al.
|
Memory Full
|
|
|
KUORI, Entwicklung eines biologisch abbaubaren Alternativmaterials unter Betrachtung der Kreislaufwirtschaft |
2021 |
Harbarth, Sarah
|
Diplom HGK
|
|
|
From Mycelium to Solidarity: Decentralizing Knowledge and Embracing Queer Ecologies |
2024 |
Ramsay, Li Electra
|
HyperWerk
|
|
Der Hosenträger |
2001 |
Mäder, Urban et al.
|
Revolving Histories
|
|
Window of FAME - Performance Bühne |
2020 |
Foeldes, Tibor et al.
|
Revolving Histories
|
|
Biofabricated futures |
2024 |
Comotto, Belén et al.
|
Next Generation
|
|
|
Turning hegemonic charts of urbanization: South America and the Pacific through Amereida’s geo-poetic mapping |
2021 |
Mercado, Alvaro
|
Memory Full
|
|
|
Gehdölass-Degölass |
2010 |
Pfister-Köfler, Hansjörg [Mirzlekid] et al.
|
Revolving Histories
|
|
Inside beehive hot day solid |
2020-07-03 |
Simpson, Shelley
|
Peripher_ies
|
|
|
Motet Cycles |
2018 |
Pavanello, Agnese et al.
|
Motet Cycles
|