| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Living Traces. A Speculative Experiment on Visual Memories |
2022 |
Aram, Iman
|
Diplom HGK
|
|
|
The Anatomy of Photography. An Exploration of Image Aesthetics in the Realm of the Scientific Photography of Anatomical Specimens in Veterinary Medicine |
2020 |
Oesch, Michelle Aimée
|
Diplom HGK
|
|
|
Visual Communication & Iconic Research |
2021 |
Orquin Seller, Alicia
|
Diplom HGK
|
|
|
Three-Tier Garden: More-than-Human Choreographies in the Post-COVID City |
2023 |
Ampatzidou, Cristina et al.
|
Werke
|
|
|
Latent Images |
2021 |
Colombo, Claudia
|
Diplom HGK
|
|
|
Together Elsewhere 15: Rita Marhaug and Claudia Barth |
2022-10-26 |
Marhaug, Rita; Barth, Claudia
|
Together Elsewhere
|
|
l'étât général: fantomas |
1988 |
m.vänçi stirnemann et al.
|
Revolving Histories
|
|
|
Enhancing Creativity Through the Practice of Abstract Photography in Childhood Education. Developing Design-Thinking Skills in the Visual Literacy Context |
2019 |
Rivarola, Ana Laura
|
Diplom HGK
|
|
|
in, with, or without Nature. Practice-led Research into Today’s Natureculture |
2022 |
Salnikov, Nicole
|
Diplom HGK
|
|
|
Experimente |
1999 |
Studierende HGK Bildhauerklasse
|
Performance Chronik Basel
|
|
|
Experimente |
1999 |
Studierende HGK Bildhauerklasse
|
Performance Chronik Basel
|
|
Incubator Website |
2025 |
FHNW, HGK Basel et al.
|
Incubator for Design Cultures
|
|
621.371miles |
2020 |
Lipp, Dominik et al.
|
Revolving Histories
International Performance Art Giswil
|
|
Somniloquie du perroquet |
2012 |
Dimension Émotionnelle
|
Videocity_memoriav
|
|
|
Information Visualization to Help the Elderly Understand Smartphones |
2020 |
Ma, Yujia
|
Diplom HGK
|
|
L'étincelle. Vers l'art à pied | Funken. Zu Fuss zur Kunst (Künstlerbuch) |
2019 |
Limat, Marinka et al.
|
Revolving Histories
|
|
|
The invisibility of visible bodies.. Unravelling the psychological consequences of social and gender discrimination. |
2021 |
Foltran, Barbara
|
Diplom HGK
|
|
|
Pressedossier Tomas Eller «Cosmic Strings I» |
2018 |
Domesle, Andrea
|
Videocity_memoriav
|
|
|
New Ways of Visualizing the Planning of Time |
2020 |
Dolezalová, Martina
|
Diplom HGK
|
|
|
VISUAL COMMUNICATION OF INTERDEPENDENCE. A Theoretical-practical research into interdependence: a visual form of emptiness |
2020 |
Nielbo, Alexandre
|
Diplom HGK
|
|
|
Bergwerdung |
2025 |
de l’Horizon, Kim
|
Werke
|
|
|
Flagman |
2014 |
Boisseau, Sylvie et al.
|
Videocity_memoriav
|
|
|
Die Forelle |
2012 |
Hürzler, Luzia
|
Videocity_memoriav
|
|
|
Mess up Your Mind |
2001 |
Klossner, Frantiček
|
Videocity_memoriav
|
|
|
Superwoman |
2017 |
Liechti, Theres
|
Videocity_memoriav
|
|
|
Cosmic Strings I |
2018 |
Eller, Tomas
|
Videocity_memoriav
|
|
|
Educación Libre |
2021 |
Saidman, Jazmín
|
Doce en Diciembre
|
|
As long as can be a sculpture, I don't wanna die |
2021 |
Nüssli, Lika et al.
|
Revolving Histories
Swiss Performance Art Award
|
|
|
Kenteverse. Studies on the Visualization of Rhythm and Creation of Kente Designs |
2021 |
Opoku, Kwaku
|
Diplom HGK
|
|
Recherche-Station |
2025 |
Grau, Pascale
|
ARCHIVES & BEYOND
|
|
|
Wünsche |
2012 |
Guerrier, Claire
|
Videocity_memoriav
|
|
|
Shifts in Mapping: Maps as a Tool of Knowledge |
2021-11-26 |
Schranz, Christine
|
Shifting is Mapping
|
|
|
THE WOMB |
2024-04-20 |
Oberson, Alma
|
ACT Performance Festival
|
|
|
IT’S MY BIRTHDAY |
2024-04-20 |
Pusch, Lea
|
ACT Performance Festival
|
|
|
FIERCE LILAC |
2024-04-20 |
Hebeisen, Simone
|
ACT Performance Festival
|
|
|
MY FIRST RODEO |
2024-04-20 |
Kuno, Riccy
|
ACT Performance Festival
|