This brand needs no introduction |
2021 |
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Die Traumdarstellung in Bild und Typografie. Jeder Mensch träumt. Doch nicht jeder Mensch weiss am nächsten Tag, was er geträumt hat. Wie lassen sich Träume visuell darstellen und als solche kommunizieren? |
2019 |
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Grenzen im Gestaltungsprozess |
2019 |
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Precarious Graphic Design. Analysis and exploration of fictional projects as a manifestation of precariousness in the graphic-design profession |
2019 |
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A Visual Investigation of Feminism. A deconstruction of visual culture towards the design of a new visual language |
2019 |
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Alternative Wayfinding Tools. New methods for guiding people through spaces of leisure |
2019 |
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Naked Versus Nude |
2018 |
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A Matter of Storytelling. On Image Perception and Meaning in the Digital Post-Processing of Documentary Photographs |
2020 |
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The EcoFamily. Climate Change and the Ecologically Friendly Educational Tool |
2020 |
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Typography Processing in Augmented Reality. Fitting/Linking/Adapting Texts to Large Objects in Open Space |
2020 |
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In Formation. Future Memoirs of Indian Matchbox labels |
2022 |
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Living Traces. A Speculative Experiment on Visual Memories |
2022 |
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Piercing cinema: an inquiry into the versatility of the screen space configurations |
2022 |
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The Anatomy of Photography. An Exploration of Image Aesthetics in the Realm of the Scientific Photography of Anatomical Specimens in Veterinary Medicine |
2020 |
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Buchstaben Akrobatik. Eine Sammlung von Experimenten mit Typografie oder wie die Sprache zum Bild wird |
2021 |
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Von Park zu Park Stadt erleben. Ein Visualisierungskonzept für eine fiktive Veranstaltung |
2021 |
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Creation Under Constraint – the Potential of Restriction |
2021 |
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Something Between My Mouth and My Ear |
2018 |
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Depicting Inequality. Still-Life as an Expansion of Documentary Photography |
2018 |
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Bildfragmente |
2018 |
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Are Images an Epistemic Medium? |
2019 |
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Fragmente von Buchstaben |
2019 |
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materiality of the digital |
2022 |
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Bergfrühling |
2018 |
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Mental sanctuary: Analysis on visual parameters |
2021 |
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Vulva Art: An Embodied Palimpsest. How does Vulva Art graffiti represent, subvert and impact women embodiment through its use as an embodied palimpsest? |
2021 |
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Speculative Clothes. Explore design ideas based on offline participation mode |
2021 |
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growing up. in different times |
2022 |
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Vorhanden, nach handeln. |
2022 |
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Pflanzenkommunikation und ihr Verhalten |
2019 |
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Regula Display |
2019 |
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Enhancing Creativity Through the Practice of Abstract Photography in Childhood Education. Developing Design-Thinking Skills in the Visual Literacy Context |
2019 |
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Capturing the Transient. An investigation into before-and-after photography |
2019 |
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Inbetween Places and Spaces. Eine Installation zur Wahrnehmung von Ort und Raum |
2020 |
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Chevelure |
2018 |
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IMAGES BEYOND LOGIC. PHENOMENOLOGY OF THE PHOTOGRAPH |
2021 |
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