| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Burning Stars |
2021 |
Holscher, Verena et al.
|
Revolving Histories
|
|
LichtBlick |
2002 |
Koepfli, Doris
|
HyperWerk
|
|
C06 Salve mater salvatoris |
Gaffurius, Franchinus
|
Motet Cycles
|
|
|
|
C17 Hodie nobis de virgine |
Compère, Loyset
|
Motet Cycles
|
|
|
|
Rotweisskariert |
2009 |
McKean, Christopher Scott
|
HyperWerk
|
|
|
The Prisoners Dilemma Model +- staged |
2015 |
Naegelin, Barbara et al.
|
Revolving Histories
Masterpräsentation
|
|
|
METAFESTIVAL |
2004 |
Kirmis, Constanze
|
HyperWerk
|
|
|
Interview mit Reinhard Storz im Rahmen des SNF-Forschungsprojekts Sharing Knowledge in the Arts am IXDM der HGK Basel FHNW |
2024-11-07 |
Storz, Reinhard et al.
|
Netzkulturen
|
|
|
Incubator for Design Cultures: Abschlusspublikation des Weiterbildungsprogramms 2022-2025 |
2025 |
Meyer, Marianna Helen et al.
|
Incubator for Design Cultures
|
|
myFunerals #1 purification |
2013 |
Luedi, Juerg et al.
|
Revolving Histories
ACT Performancefestival der Schweizer Kunsthochschulen
|
|
Pressedossier Videoparcours durch die Basler Innenstadt 2013 |
2013 |
Domesle, Andrea
|
Videocity_memoriav
|
|
My shoes |
2025 |
Wollscheid, Carolyn et al.
|
Next Generation
|
|
|
Death of Women: The Dark Side of Modern Design History |
2021 |
Midal, Alexandra
|
Memory Full
|
|
|
Audioscoring (III. Teil). Material: Joseph Beuys „Ja Ja Ja Ja Ja Nee Nee Nee Nee Nee“, 1968 |
01.11.2018 |
Schürch, Dorothea
|
Archive des Ephemeren
|
|
Censored Desna |
2025 |
Hollaus, Invar Torre et al.
|
Next Generation
|
|
Pedro Meier – 2016 – Body Counting – Vor Jahren arbeiteten hier Menschen - Performance – Art Campus Attisholz Areal – Schweiz |
2016 |
Meier, Pedro et al.
|
Revolving Histories
Art Campus Attisholz – Kettenreaktion 2016
|
|
|
C13a Quam pulchra es (8 motets) |
Weerbeke, Gaspar van
|
Motet Cycles
|
|
|
M264 O admirabile commercium |
Josquin des Prez
|
Motet Cycles
|
|
|
M265 Quando natus es |
Josquin des Prez
|
Motet Cycles
|
|
|
|
Say Yes or Die |
2014 |
Anthony, Sarah et al.
|
Revolving Histories
|
|
Der Fremde, Verfremdete, Entfremdete Körper |
2014 |
Spoolder, Mirjam et al.
|
Revolving Histories
Regionale 2014
|
|
|
Der Raum nach dem Werk Zugänge und Ausschlüsse in Ausstellungsräumen |
2026 |
Müller, Noah
|
HyperWerk
|
|
|
Pressedossier ∑-Summe aus der Region Basels - Matthias Aeberli, Pascale Grau, Parvez Imam, Dirk Koy, Vladimir Mitrev |
2017 |
Domesle, Andrea et al.
|
Videocity_memoriav
|
|
|
AbstractNonsense |
2008 |
Tellini, Alessandro
|
HyperWerk
|
|
flags 12 - "flamepods" - (Einreichung 14) |
2021, 2022 |
Magos, Gabriel
|
Revolving Histories
|
|
Pedro Meier, 2019, The last Mohicans, Shamanic Climate Change Performance, Installation, Fluxus DADA, by Shaman Pedro Meier Multimedia Artist, Art Campus Attisholz |
2019 |
Meier, Pedro et al.
|
Revolving Histories
Art Campus Attisholz – Kettenreaktion 2019
|
|
|
Perspiraterie |
2014 |
Schäfer, Felicia
|
HyperWerk
|
|
Deponie du Parfum Atomique |
1984 |
[Ateliergemeinschaft koprod] et al.
|
Revolving Histories
Scharf / Unscharf
|
|
Ich war eine Schauspielerin |
2018 |
Hausheer, Angela et al.
|
Revolving Histories
Zu Gast
|
|
|
The Journey of Tea Leaves. Interior Herb Garden Design in Zero Waste Café Collaboration with Impact Hub Basel |
2019 |
Zhang, Ni
|
Institut Integrative Gestaltung / Masterstudio
|
|
Inside beehive hot day solid |
2020-07-03 |
Simpson, Shelley
|
Peripher_ies
|
|
|
Le Soldat |
2011 |
Heintz, Paul
|
Videocity_memoriav
|
|
|
C12a Ave mundi domina |
Weerbeke, Gaspar van
|
Motet Cycles
|
|
|
|
C16 Ave domine Iesu Christe |
Compère, Loyset
|
Motet Cycles
|
|
|
Olymp illuminiert - Zeus Tagebuch |
2016 |
Meier, Pedro et al.
|
Revolving Histories
Art Campus Attisholz – Kettenreaktion 2016
|
|
ACT BASEL |
2017 |
ACT Basel et al.
|
Revolving Histories
ACT Basel
|