| titel | year | author | event |
|---|---|---|---|
Dojo. subtil vernetztes Kunstmuseum |
2017 | ||
Niklas Roy und seine Maschinen |
2010-04-29 | ||
WALL&STAGE, Zürich |
2020 |
Le trou de Janvier
|
|
Bit Rot |
2015 | ||
Say the names |
2015-04-11 | ||
Web Recording Motet Cycles Website |
2018 | ||
Paneldiskussion: Public Domain und der Zugang zum Schweizer Film |
2017-04-18 | ||
Pressespiegel 2014 |
2014 | ||
Paneldiskussion: URG-Revision und Public Domain: Was wird neu? |
2017-04-17 | ||
Ring the Cows - Trailer |
2018-07-27 |
Barnbeck, Daniel
|
|
OpenCulture |
2012 | ||
Thomas Mann Archiv online |
2015-11-10 | ||
Algorithmische Träume |
2017-06-07 | ||
In der Backstube des Denkens |
2017-2019 |
Radelfinger, Peter
|
|
Merging Spaces |
2018 | ||
Pas |
2016 |
Caflisch, Sibilla
|
|
The invisibility of visible bodies.. Unravelling the psychological consequences of social and gender discrimination. |
2021 | ||
Say the names |
2015-04-11 |
Minder, Maya
|
|
Fontegara |
1535 | ||
Collaborations |
2018 | ||
liquid - candy |
2006 |
Widauer, Nives
|
|
An Atlas About Letterforms. An Atlas About Letterforms Letters to investigate the format of the Atlas today |
2019 | ||
Der Raum nach dem Werk Zugänge und Ausschlüsse in Ausstellungsräumen |
2026 | ||
Mehr als alte Radio-Apparate: Erlebnis im Mittelpunkt |
2017-07-16 | ||
Radical Certainty |
2021 | ||
LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG |
2022 | ||
LET‘S GO FOR A WALK UNDERSTANDING OF MY DOG |
2022 | ||
200 Selbstporträts |
2017 | ||
| 2012-05-11 |
Zehnder, Christian
|
||
John Cage – A House Full of Music |
2012-06-17 | ||
Responding |
03.11.2018 | ||
Silvestro Ganassis «viola d’arco tastada» Report on a research project on its contextualization and reconstruction |
2013 | ||
Silvestro Ganassi’s “viola d’arco tastada”: Report on a research project on its contextualization and reconstruction |
2013 | ||
System und Norm. Video-Installation, 7-Kanal |
2018 | ||
Konzept |
2023 | ||
Feel the vibe. 2017; Mixed Media auf Spiegel, 50 × 40 cm |
2017 |