| titel | year | author | event |
|---|---|---|---|
SOMA |
2020 | ||
Deep down the oceans are rising hydrothermal vents |
2020 | ||
Stage for disappearance |
2020 | ||
BROTCAST – Im Kollektiv über Mehl und Brot. Eine Auseinandersetzung mit kollaborativen Prozessen in der Kunst und Kunstvermittlung von Maja Müller und Andrina Keller |
2021 | ||
L’Art Mot Nid et L(‘)Arme Au Nid |
2022 | ||
tell me how to handle this shit ton of anger |
2022 | ||
25 |
2022 | ||
Agate Grey |
2019 | ||
Love, Transform, Repeat |
2021 | ||
Santo Amaro’s bedroom view (after a painting by José Escada) |
2021 | ||
fermentedself |
2021 | ||
Sanok |
2022 | ||
Umarme mich |
2021 | ||
Collaborations |
2018 | ||
Capsule II: Empathy |
2018 | ||
Generation Indoor |
2018 | ||
on this side of the wall; things behind the light; on the edge of the forest; in three phases; you are looking the wrong way; diluted in the grass |
2022 | ||
2018 |
2018 | ||
GENCIVES |
2018 | ||
Innards 1–5 |
2018 | ||
Du musst ins Zwerchfell atmen! |
2020 | ||
Get the bird out |
2019 | ||
A Body In My Shadow |
2021 | ||
Decor one to nine |
2020 | ||
verbandet |
2020 | ||
eine Widmung |
2020 | ||
k.A. |
2018 | ||
Dogs Don’t See Rainbows |
2019 | ||
Attractive Spots |
2019 | ||
Komposition aus neun Teppichen |
2020 | ||
Everything from shells + Buoyancy - Two sets of inland floating devices |
2021 | ||
Tralala |
2019 | ||
le souffle court |
2020 | ||
Marjorie Rice, Nr. 9, 1976; Marjorie Rice, Nr. 11, 1976; Marjorie Rice, Nr. 12, 1976; Marjorie Rice, Nr. 13, 1977 |
2022 | ||
Erratic Behaviour; Heatwave |
2022 | ||
raízes de rios |
2022 |