| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
Looking into Fog. An investigation of fog as a design element |
2019 |
Müller, Stephanie
|
Diplom HGK
|
|
WE NEED SPACE UPDATED |
2019 |
Semoroz, Julie et al.
|
Revolving Histories
Swiss Performance Art Award
|
|
|
Transitions of Space |
2018 |
Paik, Haejeung
|
Diplom HGK
|
|
|
In absentia corpus. A silent and intimate depiction of hidden levels of the human body |
2021 |
Barabino, Marica
|
Diplom HGK
|
|
Red Hearts |
2025-04-26 |
Wang, Juli (Xuequing) et al.
|
ACT Performance Festival
|
|
|
Soundlab |
2025 |
Esengo Ndoum, Jérémy
|
HyperWerk
|
|
|
Zugänge zur Schmuckgestaltung schaffen |
2025 |
Buess, Joshua
|
HyperWerk
|
|
|
What does rest feel like in your hands |
2025 |
Thiel, Simone
|
HyperWerk
|
|
|
Project Mold |
2025 |
Giertz, Lorenz
|
HyperWerk
|
|
myFunerals #1 purification |
2013 |
Luedi, Juerg et al.
|
Revolving Histories
ACT Performancefestival der Schweizer Kunsthochschulen
|
|
|
Exploring the Void. Leaving out of information as a communicative potential in photography |
2019 |
Meyer, Marianna Helen
|
Diplom HGK
|
|
|
Figurative Daily Objects. The Potential of Pictorial Metaphors |
2018 |
Tobler, Laura
|
Diplom HGK
|
|
|
Investigating the Syntactic Aspects of Doodling for Graphic Design |
2019 |
Singh, Abhay Pratap
|
Diplom HGK
|
|
|
Revealing the Medium. On Exposing Systems Through Failures |
2018 |
Nüssli, Michelle
|
Diplom HGK
|
|
|
Nachmittags 14.30 Teil 1 |
2021 |
Hochuli, Gisela
|
Doce en Diciembre
|
|
|
Nachmittags 14.30 Teil 2 |
2021 |
Hochuli, Gisela
|
Doce en Diciembre
|
|
|
zämme-baue |
2025 |
Giannini, Michele
|
HyperWerk
|
|
|
Zwischen Vielfalt und Verunsicherung |
2025 |
Huwyler, Basil
|
HyperWerk
|
|
|
Press Coverage |
2025-06-07 |
migma
|
|
|
|
comfort common |
2025 |
Hunzinger, Nina
|
HyperWerk
|
|
|
Gossip und Grossmütter |
2025 |
Schmid, Malena
|
HyperWerk
|
|
|
Notes on Togethermssssss |
2025 |
Blättler, Ela
|
HyperWerk
|
|
|
Performance Chronik Basel |
2018 |
Gebhardt Fink, Sabine et al.
|
Archive des Ephemeren
|
|
Tableaux Très Vivants |
2013 |
[Roma Jam Session art Kollektiv] et al.
|
Revolving Histories
Guess Who's Coming to Dinner: Hospitality as Artistic Practice
|
|
|
Abolitionistische Perspektiven gegen den Gefängnisalltag |
2025 |
Langner, Johanna
|
HyperWerk
|
|
|
raumfalt Erarbeitung einer prozessgestalterischen Methode |
2025 |
Picker, Laura
|
HyperWerk
|
|
|
Forming Loving Relations To Found Goods |
2025 |
Bork, Ambre
|
HyperWerk
|
|
|
Gefährt und Gefährt*innen |
2025 |
Pfenninger, Massimo
|
HyperWerk
|
|
|
The poetic story of a state-of-mind. Sharing emotional states through self-illustrated graphic narratives |
2021 |
Schwitzguébel, Aude
|
Diplom HGK
|
|
|
Visual Communication for Gender Inclusive Makeup |
2022 |
Iribe, Sakurako
|
Diplom HGK
|
|
|
Nature – Culture. Reshaping the Nature – Culture Division by Creating a Digital Game |
2020 |
Frei, Lena
|
Diplom HGK
|
|
|
Borders*: a visual study of the border as a social, geographic, and economic entity in the era of mass migration. |
2020 |
Savin, Annalisa
|
Diplom HGK
|
|
|
Personal Visualization of Medication Information |
2018 |
Van Oss, Antoinette
|
Diplom HGK
|
|
|
Drawing Limmatplatz, for Instance. An Exploration into Epistemic Processes in Drawing |
2020 |
Sitter, Anja
|
Diplom HGK
|
|
|
Corporate Structures Revealed. Diagrammatic Perspectives into the History of Novartis |
2018 |
Ritschard, Aaron
|
Diplom HGK
|
|
|
Visualizing Utopia: Switzerland after the Labour Society |
2020 |
Nguyen, Hoang
|
Diplom HGK
|