| titel | year | Verfassende | Collection | |
|---|---|---|---|---|
|
|
BUT THEN, WHAT AM I...?. QUESTIONS ON IMMERSIVE MEDIA AND IDENTITY |
2017 |
De Mosteyrin Muñoz, Lucia
|
Diplom HGK
|
|
|
Visual Authenticity – Experiments, analyses & synthesis on designing authentic corporate imagery |
2017 |
Kaiser, Benedikt Ulrich
|
Diplom HGK
|
|
|
A Quest into Colour. Natural Colours and Their Creative Qualities |
2022 |
Bandiera, Giorgia
|
Diplom HGK
|
|
|
Typegenosse – An Interactive Learning and Teaching Platform |
2020 |
Bitterli, Nadine Corinne
|
Diplom HGK
|
|
|
Positive Wayfinding. Indicating directions through coding systems |
2021 |
Brutschin, Rebecca
|
Diplom HGK
|
|
|
Sunny Moment. An Investigation of Colourful Sun Visualizations by Making a Tool for Recreation |
2020 |
Haschemi Schirazi, Elena
|
Diplom HGK
|
|
|
«my data – your data» |
2017 |
Jeremic, Lazar
|
Diplom HGK
|
|
|
The Real Lifestyle Magazine. The Stories about Two People, Ana Brankovic and Yves Meier |
2017 |
Kim, Ah Jin
|
Diplom HGK
|
|
|
Seeing with Hands, Touching with Eyes. Providing new experiences with integration of Visual and Tactile Perception |
2017 |
Kelemen, Tena
|
Diplom HGK
|
|
|
Stereotypes of Identity. Framing Latin American Women |
2017 |
Rojas Bilbao, Natalia Laura
|
Diplom HGK
|
|
|
Graphics in Space. Anamorphosis as a tool affecting the perception of an intermediate space |
2019 |
Lang, Jessica
|
Diplom HGK
|
|
Spielfeld Feedback |
2003, 2020 |
Stanic, Lara et al.
|
Revolving Histories
|
|
|
Maler Müller und seine Bilder |
2021 |
Lehner, Thomas
|
Diplom HGK
|
|
Tube (Schlauch) |
2012 |
Bucher, Claudia et al.
|
Revolving Histories
FADO
|
|
Das ideale Atelier - woher unsere Bilder kommen |
2004 |
Mathis, Muda et al.
|
Videocity_memoriav
|
|
shooting |
2017 |
[künstlerinnenkollektiv marsie] et al.
|
Revolving Histories
GAN GAN Performance Art Festival
|
|
Resonanzschaft |
2021 |
Bastianelli, Gianfranco et al.
|
Revolving Histories
Liminoid
|
|
|
Once Upon A Time |
2016 |
Mitrev, Vladimir
|
Videocity_memoriav
|
|
IF YOU CALL IT A PERFORMANCE |
2024-04-20 |
Chan, Kiki
|
ACT Performance Festival
|
|
|
Designing and understanding pictorial language. Pictograms: their readability and the relation between them and illustrations |
2021 |
Han, Soojin
|
Diplom HGK
|
|
|
“no confidence“ |
2024-04-20 |
Sylvie
|
ACT Performance Festival
|
|
|
AWESOME TECKTONIK STREET ATTACK |
2024-04-20 |
c1tyrrocker
|
ACT Performance Festival
|
|
|
Together Elsewhere 01: Pavana Reid und Gisela Hochuli |
23.07.2021 |
Reid, Pavana; Hochuli, Gisela
|
Together Elsewhere
|
|
|
The Faggot and The Lamb (La Pédale & L’Agneau) |
2024-04-27 |
Von Bergen, Batiste
|
ACT Performance Festival
|
|
|
Workshop Matters. Visual inquiry into co-workshops |
2022 |
Paeva, Victoria
|
Diplom HGK
|
|
|
Forschungsprogramm Skizze |
2020-11-20 |
Team peripher_ies
|
Peripher_ies
|
|
|
Globocity - Aufstieg und Niedergang |
2009 |
Spahr, Michael
|
Videocity_memoriav
|
|
|
DVA I DVA/PLAKALA BI I BEZ SUZA/DAJ DAJ |
2024-04-20 |
Lukanović, Sanja
|
ACT Performance Festival
|
|
|
PLAYGROUND AGAINST ISOLATION |
2024-04-20 |
Fournier, Aline
|
ACT Performance Festival
|
|
|
WHAT AM I, IF NOT A CLOWN? |
2024-04-20 |
Tzikas, Maria-Lusie
|
ACT Performance Festival
|
|
|
ORANGERESONANCE |
2024-04-20 |
Kiranoglu, Jasmin
|
ACT Performance Festival
|
|
|
WHEN SATIETY COMES ? |
2024-04-20 |
Chataigné, Emma et al.
|
ACT Performance Festival
|
|
|
Green Open Food Evolution - How to become Homo Photosyntheticus |
2021 |
Minder, Maya et al.
|
Revolving Histories
Open Source Body Festival
|
|
|
What is a performance then? | Mais qu’est ce que c’est une performance? | En realidad ¿qué es una performance? |
02.11.2018 |
Ferrer, Esther
|
Archive des Ephemeren
|
|
|
Recalibrating Sense of Place |
2022 |
Sandberg, Jan
|
Diplom HGK
|
|
|
Invisible Borders. An outsider's perspective through a participatory approach |
2022 |
Rubaba, Michael Munyaradzi
|
Diplom HGK
|