| titel | year | author | event |
|---|---|---|---|
Pfeifkonzert der Knaben. Boys' catcalls |
2018 | ||
Verhandlungsräume. Die Rolle des Gestalters in prozessorientierten Projekten |
2018 | ||
MAMA HAT DICH LIEB von Carla Monti, 2002 |
2018 | ||
x |
2018 | ||
Fluchtbesuche |
2018 | ||
The Digital Senses. Awareness of our Interactions with Digital Objects |
2018 | ||
Growing Stones. a design approach to synthetic biology |
2018 | ||
SELF PORTRAIT |
2018 | ||
Genderneutrales Design |
2018 | ||
"There is nothing more - but time" |
2018 | ||
Naked Versus Nude |
2018 | ||
Kopie und Kreativität. Untersuchung kopierender, zeichnerischer Verfahren und Transfertechniken im Hinblick auf ihr kreatives Potenzial |
2018 | ||
Es war etwas äusserst Praktisches.. It was also really practical. |
2018 | ||
Das Auge isst mit |
2018 | ||
Eine Frage des Blickes. Eine Annäherung an die Wahrnehmung des bildenden Künstlers |
2018 | ||
Let’s Make School Great Again. A Hybrid Super Culture Through Creolisation |
2018 | ||
Doppelleben |
2018 | ||
x. This collection is inspired by Meret Oppenheims surrealist art and the subjective experience of being a woman. A portrait of modern femininity. |
2018 | ||
Ley. Textile meets cultures |
2018 | ||
Remix // Mashups. Referenzielle Verfahren im Unterricht des bildnerischen Gestalten |
2018 | ||
Irrgarten. Kugelschreiber, 500 x 150 cm |
2018 | ||
Something Between My Mouth and My Ear |
2018 | ||
EDUCATION SENTIMENTALE |
2018 | ||
Collaborations |
2018 | ||
Capsule II: Empathy |
2018 | ||
Generation Indoor |
2018 | ||
Mahlzeit! |
2018 | ||
2018 |
2018 | ||
GENCIVES |
2018 | ||
Depicting Inequality. Still-Life as an Expansion of Documentary Photography |
2018 | ||
Intuitive haptic telemanipulator for a robotic endoscope |
2018 | ||
Innards 1–5 |
2018 | ||
Bildfragmente |
2018 | ||
Die subversive Kunsterziehung. Ein Manifest |
2018 | ||
Mapping of a Mind. Untersuchung eines künstlerischen Handlungskonzepts |
2018 | ||
Im Dazwischen. In the in-between |
2018 |