| titel | year | author | event |
|---|---|---|---|
Laughing Hole |
2006 |
[La Ribot]
|
|
peeling #1 |
2015 |
Luedi, Juerg
|
performanceABEND #drei Potential
|
Musik für ein Kesselhaus |
2017 |
Clay, Art
|
BOONDOCKS III
|
PLAYGROUND AGAINST ISOLATION |
2024-04-20 |
Fournier, Aline
|
|
Sound Performances for Clothes and Experimental Voice - lecture-performance |
2022 |
Šterns, Ilmārs
|
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
But that's another story, Part II (Jeff Wall, Milk 1984) |
2010-04-11 |
Schauecker, Renée
|
|
The Lira da Braccio |
1995 | ||
Hortense |
2018-04-14 |
Oberson, Antonie; Pochon, Lucile
|
|
Performance Art Roll On – Eine Annäherung an Lücken der Ausstellung Performance Process im Museum Tinguely | An Approach to Gaps in the Exhibition Performance Process at Museum Tinguely |
2018 |
|
|
Liquidation |
2012 |
Lipp, Dominik
|
International Performance Art Giswil
|
Dancing on Zervreila |
2015 |
Buol, Silvia
|
Topografische Forschung
|
FRAME |
2020-04-16 |
Meystre, Melanie
|
|
Transit |
1976 |
Zehnder, Daniela; Bosshard, Andres
|
Soiree bleue / Performanceabend der Ateliergemeinschaft raum 2
|
12 Stunden Gehen |
1997 |
|
|
Rock Cakes, Rations and the Common Good: Performing postgraduate Design Education |
2021 | ||
| 2011-04-20 |
Bürgi, Yolanda
|
||
Das wilde Mammut tobt |
2001 |
Mathis, Muda [Les Reines Prochaines]; Madörin, Fränzi [Les Reines Prochaines]; Fuchs, Michèle [Les Reines Prochaines]; Zwick, Sus [Les Reines Prochaines]
|
|
Interview von Margarit von Büren mit Gaspard Buma, 25.11.2010 mit Gaspard Buma |
25.11.2010 | ||
1460 ft/AMSL (N 46º 50' 31'/E 6º 54' 51'') |
2006 |
Huwiler, Bernhard
|
ArtPosition 06
|
Seien Sie Flugdame |
1990 |
Mathis, Muda [Les Reines Prochaines]; Madörin, Fränzi [Les Reines Prochaines]; Rist, Pipilotti [Les Reines Prochaines]; Schmid, Regina Florida [Les Reines Prochaines]; Streiff, Gabi [Les Reines Prochaines]
|
|
shooting |
2017 |
[künstlerinnenkollektiv marsie]
|
GAN GAN Performance Art Festival
|
Boiled Heart |
2006 |
Pfeiffer, Stella
|
|
Zeig mir Deinen Koffer |
2021 |
Schmalz, René; Gombas, Gabriella; Schlatter, Ralf; Ritchbie, Klee; Blum, Donat; Leutwiler, Barbera; Schwestern, Rimbauds; Vogel, Fritz Franz
|
|
never ending performance |
2021, 2022 |
Schmalz, René; Gombas, Gabriella; Fehrenbach, Elaine
|
|
und sie dreht sich doch |
2005 |
Bänninger, Christine
|
International Performance Art Giswil
|
Zwischenräume |
2020 |
Römmelt, Ronja
|
KiöR Zürich, Kunst im öffentlichen Raum der Stadt Zürich - Gasträume
|
Currents |
2011 |
Kneubühler, Thomas
|
|
Colorado |
2025 |
Mensch, Julia
|
|
Exkursion & Talk 10.07.2022: Encounter : Environment : Sympathetic Streams |
2022 |
Maly, Peter; Sunarjo, Benjamin; Maly, Valerian
|
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
schwarzwerfer |
1991 |
Schawalder, Rudolf; Frei, Roland
|
|
Basic Roma |
2015 |
[Roma Jam Session art Kollektiv]
|
Ausstellung "Europa. Die Zukunft der Geschichte"
|
Rage / Going Public 1 / Omomoto / Loosing or keeping contro in a more or less joyful way / Mensche, Tiere, Sensationen |
2019, 2014, 2011, 2010, 2006 |
Spieser, Vreni
|
BONE - Festival für Aktionskunst;
Innerschweizer Jahresausstellung;
Schlachthaus Bern / öffentlicher Raum Stadt Zug / Fribourg Stadt+ Bollwerk / Kunstmuseum Lu-zern / White Space Zürich
|
Dual Reality |
2019 |
Kovacevska, Verica
|
About Us!
|
throw down the gauntlet |
2017 |
Hari, Gregory
|
140 YEARS OF COUNTER SPACE
|
Tableaux Très Vivants |
2013 |
[Roma Jam Session art Kollektiv]
|
Guess Who's Coming to Dinner: Hospitality as Artistic Practice
|
Artesanías vs Design: Unveiling Design Hegemonies over Traditional Crafts in Chile |
2021 |