| titel | year | author | event |
|---|---|---|---|
360 |
2022 | ||
MAMA HAT DICH LIEB von Carla Monti, 2002 |
2018 | ||
SELF PORTRAIT |
2018 | ||
Everybody Has A Plan, Until You Get Punched In The Face |
2022 | ||
«BLICKbait» [DS_V3A_S22] |
2022 | ||
A Dialogue between a Wooden Moth and Blue Slippers |
2022 | ||
Echo |
2022 | ||
Klima, Psyche und Kunst.. Eine Annäherung an den künstlerischen Umgang mit Solastalgie. |
2021 | ||
nine smaller paintings |
2019 | ||
fade over to an elsewhere |
2020 | ||
Portraits 1–14 |
2020 | ||
No habitual love |
2020 | ||
growing anyway |
2020 | ||
Das SVP-Inserat |
2020 | ||
SOMA |
2020 | ||
Deep down the oceans are rising hydrothermal vents |
2020 | ||
Stage for disappearance |
2020 | ||
BROTCAST – Im Kollektiv über Mehl und Brot. Eine Auseinandersetzung mit kollaborativen Prozessen in der Kunst und Kunstvermittlung von Maja Müller und Andrina Keller |
2021 | ||
L’Art Mot Nid et L(‘)Arme Au Nid |
2022 | ||
tell me how to handle this shit ton of anger |
2022 | ||
25 |
2022 | ||
Agate Grey |
2019 | ||
Love, Transform, Repeat |
2021 | ||
Santo Amaro’s bedroom view (after a painting by José Escada) |
2021 | ||
fermentedself |
2021 | ||
Sanok |
2022 | ||
Umarme mich |
2021 | ||
Collaborations |
2018 | ||
Capsule II: Empathy |
2018 | ||
Generation Indoor |
2018 | ||
on this side of the wall; things behind the light; on the edge of the forest; in three phases; you are looking the wrong way; diluted in the grass |
2022 | ||
2018 |
2018 | ||
GENCIVES |
2018 | ||
Innards 1–5 |
2018 | ||
Du musst ins Zwerchfell atmen! |
2020 | ||
Get the bird out |
2019 |