| titel | year | author | event |
|---|---|---|---|
Versteck |
2018 | ||
Interview mit Gabi Glinze und Ursi Wirth und Yvonne Meier |
2022 |
Glinz, Gabi; Wirth, Ursi; Meier, Yvonne
|
|
Besuch beim Werkzeugmacher und Schmied Niels, in der Schlosserei und Schmiede Andreas Glaser in Binningen |
2022 |
Werkzeugmacher; Niels, Schmied
|
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
never ending performance |
2021, 2022 |
Schmalz, René; Gombas, Gabriella; Fehrenbach, Elaine
|
|
Le Rituel |
2015-2016 |
Kohler, Lucie [Collectif Inouite]; Nitchaeff, Anna [Collectif Inouite]
|
|
Star |
2010 |
Mouci, Marc
|
Performance Wettbewerb Basel «Sicht auf das Original»
|
Wahrsagen |
2006 |
Regn, Chris; Eriksson, Lena; Z'Rotz, Tina; Madörin, Fränzi
|
|
Can you see me |
2021 |
Scherrer, Ursula
|
Permanente Performance - 40 Jahre Konzil
|
Drunger U Drüber |
2012 |
Dong, Quynh
|
Performanceprogramm Liste 17 / Gibst Du mir Steine, geb ich Dir Sand
|
REBELLATIO! Abfall, Auflehnung, Aufstand |
2020 |
Brodbeck, Claudia
|
|
HC Tanz |
2006 |
Pfister-Köfler, Hansjörg [Mirzlekid]
|
HC (Hardcore Punk) Konzert in der Fabritzke
|
La mort existe |
2004 |
Ghisalberti, Flavia; Feyfar, Patrik
|
|
Drunger und Drüber |
2012 |
Dong, Quynh
|
Liste 17 – Performance Project
|
Doppelwörter aus: Bilder, Bedeutung, Austreibung, Produktion |
2012 |
Stephany, Rebecca
|
Liste 17 – Performance Project
|
TELL ME |
2019 |
Meier, Léa; [Old Masters]; Perazzini, Julia; Wenger, Anaïs
|
Antigel
|
Container (Blank City Calling) |
2012 |
Atem, Gen
|
Blank City Calling
|
Creatures #4 |
2016 |
De Pinto, Pier Giorgio
|
|
Basso Continuo on the Harp for “Alma che ti sollievi” (Orazio Michi) |
2021 | ||
Building a Ganassi Viol |
2014 | ||
The secret behind Cesare Bendinelli’s (1542–1617) “Volume di Tutta l’arte della trombetta” (1614) |
2023 |
Madeuf, Jean-François; Conforzi, Igino; Zimmermann, Julian; Tarr, Philipp
|
|
Bauplan einer Viola da gamba nach Ganassi |
2019 | ||
Semi-improvised trumpet sonata played by a natural trumpet ensemble after Cesare Bendinelli’s “Volume di Tutta l’arte della trombetta” (1614) |
2023 | ||
Basso Continuo on the Harp for “Sola fra’ suoi più cari” (Orazio Michi) |
2021 | ||
A sequence of passionate attitudes after Jelgerhuis |
2023 |
Neuman, Laila Cathleen
|
|
Improvisation, diminution et ornementation Pour une autre esthétique de la pratique des musiques anciennes |
2021 | ||
Saapua |
2019 | ||
Ina Lohr: Transcending the Boundaries of Early Music |
|||
«... in the audience watching Nijinsky hump that scarf». Rick Owens und Faun |
2015-04-10 | ||
Moderation |
2015-04-10 | ||
Publikum/Event |
2015-04-10 | ||
Language Is Skin. I Rub My Language Against The Other. |
2015-04-10 | ||
apresperf.ch – Moving Performance To Text |
2015-04-10 | ||
«... in the audience watching Nijinsky hump that scarf». Rick Owens und Faun |
2015-04-10 | ||
Pressetext/Programm |
2018-08-20 09:39:04 | ||
Videodokumentation Museumsnacht Basel |
2009-01-16 | ||
Language Is Skin. I Rub My Language Against The Other. |
2015-04-10 |