| titel | year | author | event |
|---|---|---|---|
Das Freudenzimmer |
2020 | ||
Biohacking - Eingriffe in biografisches Erzählen |
2019 | ||
Ist Utopie lebe Ich |
2020 | ||
Archival Ink - Everything, Just To Die |
|||
virtual valley |
2006 | ||
Die Assoziation ist das Abenteuer |
2018 | ||
Das tieftauchen Restlicht Problem |
2017 | ||
RAUSS |
2008 | ||
Augmented Collaboration |
2002 | ||
netBOX |
2004 | ||
openJazz |
2002 | ||
don't beat TALK! |
2003 | ||
PP* |
2009 | ||
Rotweisskariert |
2009 | ||
Ursprung |
2011 | ||
Forming Loving Relations To Found Goods |
2025 | ||
metoso |
2012 | ||
OpenCulture |
2012 | ||
O_SIN_O |
2014 | ||
Digital Nonsense |
2009 | ||
FLOWING UPSTREAM Designs in the Wasteocene |
2026 | ||
THE LEGEND OF THE WITCH: Narrating Between Judicial Archive and Folk Tradition |
2026 | ||
Consent & Tattooing |
|||
Erinnern, verdrängen oder vergessen |
2018 | ||
Mobile Küche |
2020 | ||
Spaces of (Be)longing - Eine kuratorische Auseinandersetzung |
2023 | ||
ADVA (accessible digital visual agency) |
2025 | ||
Funk the Process |
2024 | ||
Projekt UNIQFORM |
2006 | ||
Perspiraterie |
2014 | ||
VIRTUAL/PHYSICAL & TIME/SPACE |
2011 | ||
Aufmerksamkeit vs. Gewohnheit |
2015 | ||
AnimalAnima |
2008 | ||
Flugangst und Gestaltung |
2013 | ||
Kommunikation und Firmenkultur |
2002 | ||
FURTHER DETAILS |
2005 |