| titel | year | author | event |
|---|---|---|---|
Interview mit Dara Birnbaum |
1986 |
Dercon, Chris; Birnbaum, Dara
|
|
Interview mit Dan Graham |
1986 |
Graham; Dercon, Chris
|
|
Interview mit Bruce Nauman |
1986 |
Nauman, Bruce; Dercon, Chris
|
|
Die Tödliche Doris im Wenkenpark mit einem Koffer aus Berlin |
1984 |
Utermöhlen, Nikolaus; Die Tödliche Doris; Kruse, Käthe (Elke); Müller, Wolfgang
|
|
Pflanzenkognition und KI im Vergleich: ein Gedankenspiel |
2025 | ||
Besame Mucho |
2015-04-11 | ||
Basel Chamber Choir - Early Recordings |
|||
C47b Virgo praecellens (4 motets) |
|||
LEGS Zürich Performance-Stafette |
2016 |
[Corner College]
|
Siehe Namen unter weitere Informationen
|
Enduring Liveness. Towards building Networks of Care |
02.11.2018 | ||
The Intervention of video and sound in an artificial landscape |
1986 |
Manz, Reinhard
|
|
Basel Chamber Choir - Early Recordings |
|||
C61b O domine Iesu Christe (3 motets) |
|||
Performance Art, stored and inscribed. The Potentials of the Body as Archive and Collector of Knowledge |
03.11.2018 | ||
Götter und Geister |
2019 |
Boisseau, Sylvie; Westermeyer, Frank
|
|
C53c Sancta dei genitrix |
|||
M227 Sancta dei genitrix |
|||
Amazonian Pineapple |
2022 |
Castelblanco, Felipe
|
|
C47a Virgo praecellens (5 motets) |
|||
Liana de la Vida [Vine of Life] |
2025 |
Castelblanco, Felipe
|
|
| 2024 |
Castelblanco, Felipe
|
||
Vegetalista |
2024 |
Castelblanco, Felipe
|
|
Trompette Marine, 1761 |
1761 | ||
International Performance Art Giswil |
2018 | ||
Es ist zu Ende |
2015-04-11 | ||
Die MBB an der Abschlussausstellung des Incubator for Design Cultures |
2025 | ||
Affecting Bubbles |
2024 | ||
C53b Ora pro nobis virgo |
|||
Perform Perform |
2018 | ||
PARTOUT – PLATFORM FOR INTERNATIONAL PERFORMANCE ART |
2.10.2020-11.10.2020 | ||
M229 O Maria nullam |
|||
M231 Ora pro nobis |
|||
| 2017-04-22 |
Welburn, Astrid
|
||
2 Minuten für 2 Minuten |
1984 |
Bonk, Ecke; Scheffknecht, Romana
|
|
Forma Lucis III |
1986 |
Theuws, Roos
|
|
Achilles Widerspiel |
1986 |
Winteler, Anna
|