| titel | year | author | event |
|---|---|---|---|
In Cynicism There Is Hope |
2021 |
Coquart, Pauline
|
Les Urbaines
|
Numero Ventitre |
2002 |
Furlan, Massimo
|
Les Urbaines
|
Carwash |
2014 |
Tun Tun, Melissa
|
Les Urbaines
|
Wrong Day |
2019 |
Garavaglia, Gabriele
|
Les Urbaines
|
Water Walks |
2009 |
Rochat, Anne
|
Les Urbaines
|
THE ROCK BAND |
2019 |
Carvalho, Liliana; Morshed, Mariam; Hatipoğlu, Zeynep Ayşe; Ka, Sandra; Schärer, Ines Marita
|
|
Marara Kelly Art Show: the most performative gesture I can make is to believe |
2021 |
Yamada, Mayara
|
Les Urbaines
|
her harsh high and deep voice - a polyphony |
2021 |
Dâmaso, Lara
|
Les Urbaines
|
L’Homme trolley-bus |
2015 |
Marioni, Andrea
|
Les Urbaines
|
La mesure harmonique: La dislocation du soi son |
2015 |
Pillet, Guillaume
|
Les Urbaines
|
moving patterns III |
2021 |
Boss, Raffaela; Slattery, Yann
|
Les Urbaines
|
Complete Body |
2017 |
Feller, Tomislav [Contemporary Cruising]; Scheiwiller, Manuel [Contemporary Cruising]
|
ExtraBall, carte blanche Les Urbaines
|
Can’t say much about anything that’s new |
2017 |
[PRICE]
|
Extraball CCS, Paris - carte blanche Les Urbaines
|
A trio for a household |
2018 |
[SploachSploach]
|
Les Urbaines
|
Rage / Going Public 1 / Omomoto / Loosing or keeping contro in a more or less joyful way / Mensche, Tiere, Sensationen |
2019, 2014, 2011, 2010, 2006 |
Spieser, Vreni
|
BONE - Festival für Aktionskunst;
Innerschweizer Jahresausstellung;
Schlachthaus Bern / öffentlicher Raum Stadt Zug / Fribourg Stadt+ Bollwerk / Kunstmuseum Lu-zern / White Space Zürich
|
KARABUKI |
2008 |
Iselin, Joa [Porte Rouge]; Ranzenhofer, Christoph [Porte Rouge]
|
Atelierhaus Huber
|
Nachbau, Verkohlung und Vergrabung einer verschollenen Collage von Hannah Höch in einer Zeitkapsel |
2018 |
Schicht, Martin G.
|
|
vesuv |
2015 |
Schenker, Katja
|
Performance Preis Schweiz
|
peau articulée |
2015 |
Schenker, Katja
|
PerformanceProcess
|
Reartefaktung Merzbau (Kurt Schwitters) |
2022 |
Schicht, Martin G.
|
|
Clandestinity |
2018 |
Lisi, Riccardo
|
Prisma, solo show
|
FIRE OF EMOTIONS : THE ABYSS |
2017 |
[pamina de coulon]
|
|
Si j'apprends à pêcher je mangerai toute ma vie |
2011 |
[pamina de coulon]
|
Who is Afraid of performance Art - Points d'impact
|
Fingerprint / VideoPerformance |
2022 |
Frei, Lilian
|
|
FIRE OF EMOTIONS : QUITTER LA TERRE |
2017 |
[pamina de coulon]
|
PPP ProgrPerformancePlattform
|
FIRE ON WATER - ça flotte ou ça coule |
2017 |
[pamina de coulon]
|
robin alice vincent juju
|
Utopia Nations (Checkpoint) |
2008 |
Fadhil, Al
|
Seek Refuge
|
FIRE OF EMOTIONS : GENESIS |
2016 |
[pamina de coulon]
|
Les Urbaines Lausanne
|
Privacy-Free Zone (2016*) |
2016 |
Fieni, Matteo
|
Long Lake Festival, Lugano
|
Begegnung mit dem Verschwinden |
2021 |
Singeisen, Caroline
|
lesjoursdesephemeres.ch
|
Good Morning, Lugano |
2012 |
Fieni, Matteo
|
|
Wellenberge |
2016 |
Bänninger, Christine
|
lesjoursdesephemeres.ch
|
Good Morning Babylon |
2010 |
Fadhil, Al
|
|
Permit F |
2008 |
Fadhil, Al
|
Shifting Identities
|
feed back and forth |
1991 |
Austen, Yvonne; Dietrich, Guido; Heimbecker, Steven; Hudson, Mark; Kerr, Colleen; Lenzlinger, Jörg; Linsi, Roshan; Mcleod, Scott; Poier, Grant; Poitras, Robin; Schick, Cat; Sidler, Patrick; Stake, Chuck; m.vänçi stirnemann; Zapata, Victoria
|
|
Barcode Scenario |
From 2016 onwards |
Fieni, Matteo
|
|